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Magdalena Kožená|Mahler: Knaben Wunderhorn - Adagio from Symphony No. 10 (Live From Severance Hall, Cleveland / 2010)

Mahler: Knaben Wunderhorn - Adagio from Symphony No. 10 (Live From Severance Hall, Cleveland / 2010)

Magdalena Kozená - The Cleveland Orchestra, Pierre Boulez

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Capping a journey of some 15 years with Deutsche Grammophon, conductor Pierre Boulez completes his survey of the Mahler symphonies with this 2010 release. It is fitting, perhaps, that this final disc should include works from the antipodes of Mahler's career. First begun in 1884, Des Knaben Wunderhorn is a collection of songs written much in the same vein as Schubert and Schumann songs, favoring Mahler's much-loved folk-like style. On the opposite end is the Adagio from Symphony No. 10. Though Mahler only completed sketches for this movement, several realization have been attempted since the composer's death. The version heard here, more than some, captures the unique textures Mahler was able to achieve in his symphonic writing. For his final installment, Boulez leads the Cleveland Orchestra and is joined by mezzo Magdalena Kozená and baritone Christian Gerhaher. Boulez, orchestra, and soloists capture the playfully folksy melodies without trivializing them. The highlight of the album, though, is the stark, ravishing beauty of the Symphony No. 10 Adagio. After listening to Wunderhorn, it became apparent to listeners just how far Mahler came in his compositional language, with his progressive harmonies, fragmented melodies, and unique capability to wield a massive orchestra like a scalpel. Boulez's vision for this movement is consistently forward-looking, carrying listeners along for the conclusion of his long voyage. Even listeners who have not invested in previous installments would do well to add this disc to their collections, both for the magnificent realization of the Adagio, and Boulez's insightful reading of it.

© TiVo

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Mahler: Knaben Wunderhorn - Adagio from Symphony No. 10 (Live From Severance Hall, Cleveland / 2010)

Magdalena Kožená

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Songs From "Des Knaben Wunderhorn" (Gustav Mahler)

1
Der Schildwache Nachtlied (Live From Severance Hall, Cleveland / 2010)
Christian Gerhaher
00:05:28

Gustav Mahler, Composer - Anonymous, Author - Pierre Boulez, Conductor, MainArtist - Tobias Lehmann, Recording Engineer, StudioPersonnel - Christian Gerhaher, Baritone, MainArtist, AssociatedPerformer - Clemens von Brentano, Contributor, Work Editor - The Cleveland Orchestra, Orchestra, MainArtist - Ute Fesquet, Producer - Christoph Claßen, Producer, Recording Producer - Ludwig Achim Von Arnim, Contributor, Work Editor

℗ 2010 Deutsche Grammophon GmbH, Berlin

2
Verlor'ne Müh (Live From Severance Hall, Cleveland / 2010)
Magdalena Kožená
00:03:00

Gustav Mahler, Composer - Anonymous, Author - Pierre Boulez, Conductor, MainArtist - Tobias Lehmann, Recording Engineer, StudioPersonnel - Clemens von Brentano, Contributor, Work Editor - The Cleveland Orchestra, Orchestra, MainArtist - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ute Fesquet, Producer - Christoph Claßen, Producer, Recording Producer - Ludwig Achim Von Arnim, Contributor, Work Editor

℗ 2010 Deutsche Grammophon GmbH, Berlin

3
Trost im Unglück (Live From Severance Hall, Cleveland / 2010)
Christian Gerhaher
00:02:52

Gustav Mahler, Composer - Anonymous, Author - Pierre Boulez, Conductor, MainArtist - Tobias Lehmann, Recording Engineer, StudioPersonnel - Christian Gerhaher, Baritone, MainArtist, AssociatedPerformer - Clemens von Brentano, Contributor, Work Editor - The Cleveland Orchestra, Orchestra, MainArtist - Ute Fesquet, Producer - Christoph Claßen, Producer, Recording Producer - Ludwig Achim Von Arnim, Contributor, Work Editor

℗ 2010 Deutsche Grammophon GmbH, Berlin

4
Wer hat dies Liedlein erdacht? (Live From Severance Hall, Cleveland / 2010)
Magdalena Kožená
00:02:20

Gustav Mahler, Composer - Anonymous, Author - Pierre Boulez, Conductor, MainArtist - Tobias Lehmann, Recording Engineer, StudioPersonnel - Clemens von Brentano, Contributor, Work Editor - The Cleveland Orchestra, Orchestra, MainArtist - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ute Fesquet, Producer - Christoph Claßen, Producer, Recording Producer - Ludwig Achim Von Arnim, Contributor, Work Editor

℗ 2010 Deutsche Grammophon GmbH, Berlin

5
Das irdische Leben (Live From Severance Hall, Cleveland / 2010)
Magdalena Kožená
00:02:45

Gustav Mahler, Composer - Anonymous, Author - Pierre Boulez, Conductor, MainArtist - Tobias Lehmann, Recording Engineer, StudioPersonnel - Clemens von Brentano, Contributor, Work Editor - The Cleveland Orchestra, Orchestra, MainArtist - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ute Fesquet, Producer - Christoph Claßen, Producer, Recording Producer - Ludwig Achim Von Arnim, Contributor, Work Editor

℗ 2010 Deutsche Grammophon GmbH, Berlin

6
Revelge (Live From Severance Hall, Cleveland / 2010)
Christian Gerhaher
00:06:37

Gustav Mahler, Composer - Anonymous, Author - Pierre Boulez, Conductor, MainArtist - Tobias Lehmann, Recording Engineer, StudioPersonnel - Christian Gerhaher, Baritone, MainArtist, AssociatedPerformer - Clemens von Brentano, Contributor, Work Editor - The Cleveland Orchestra, Orchestra, MainArtist - Ute Fesquet, Producer - Christoph Claßen, Producer, Recording Producer - Ludwig Achim Von Arnim, Contributor, Work Editor

℗ 2010 Deutsche Grammophon GmbH, Berlin

7
Des Antonius von Padua Fischpredigt (Live From Severance Hall, Cleveland / 2010)
Christian Gerhaher
00:03:34

Gustav Mahler, Composer - Anonymous, Author - Pierre Boulez, Conductor, MainArtist - Tobias Lehmann, Recording Engineer, StudioPersonnel - Christian Gerhaher, Baritone, MainArtist, AssociatedPerformer - Clemens von Brentano, Contributor, Work Editor - The Cleveland Orchestra, Orchestra, MainArtist - Ute Fesquet, Producer - Christoph Claßen, Producer, Recording Producer - Ludwig Achim Von Arnim, Contributor, Work Editor - Abraham a Santa Clara, Author, Original Text Author

℗ 2010 Deutsche Grammophon GmbH, Berlin

8
Rheinlegendchen (Live From Severance Hall, Cleveland / 2010)
Magdalena Kožená
00:03:28

Gustav Mahler, Composer - Anonymous, Author - Pierre Boulez, Conductor, MainArtist - Tobias Lehmann, Recording Engineer, StudioPersonnel - Clemens von Brentano, Contributor, Work Editor - The Cleveland Orchestra, Orchestra, MainArtist - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ute Fesquet, Producer - Christoph Claßen, Producer, Recording Producer - Ludwig Achim Von Arnim, Contributor, Work Editor

℗ 2010 Deutsche Grammophon GmbH, Berlin

9
Lied des Verfolgten im Turm (Live From Severance Hall, Cleveland / 2010)
Christian Gerhaher
00:04:28

Gustav Mahler, Composer - Anonymous, Author - Pierre Boulez, Conductor, MainArtist - Tobias Lehmann, Recording Engineer, StudioPersonnel - Christian Gerhaher, Baritone, MainArtist, AssociatedPerformer - Clemens von Brentano, Contributor, Work Editor - The Cleveland Orchestra, Orchestra, MainArtist - Ute Fesquet, Producer - Christoph Claßen, Producer, Recording Producer - Ludwig Achim Von Arnim, Contributor, Work Editor

℗ 2010 Deutsche Grammophon GmbH, Berlin

10
Wo die schönen Trompeten blasen (Live From Severance Hall, Cleveland / 2010)
Magdalena Kožená
00:07:00

Gustav Mahler, Composer - Anonymous, Author - Pierre Boulez, Conductor, MainArtist - Tobias Lehmann, Recording Engineer, StudioPersonnel - Clemens von Brentano, Contributor, Work Editor - The Cleveland Orchestra, Orchestra, MainArtist - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ute Fesquet, Producer - Christoph Claßen, Producer, Recording Producer - Ludwig Achim Von Arnim, Contributor, Work Editor

℗ 2010 Deutsche Grammophon GmbH, Berlin

11
Lob des hohen Verstandes (Live From Severance Hall, Cleveland / 2010)
Magdalena Kožená
00:02:38

Gustav Mahler, Composer - Anonymous, Author - Pierre Boulez, Conductor, MainArtist - Tobias Lehmann, Recording Engineer, StudioPersonnel - Clemens von Brentano, Contributor, Work Editor - The Cleveland Orchestra, Orchestra, MainArtist - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Ute Fesquet, Producer - Christoph Claßen, Producer, Recording Producer - Ludwig Achim Von Arnim, Contributor, Work Editor

℗ 2010 Deutsche Grammophon GmbH, Berlin

12
Der Tamboursg'sell (Live From Severance Hall, Cleveland / 2010)
Christian Gerhaher
00:04:56

Gustav Mahler, Composer - Anonymous, Author - Pierre Boulez, Conductor, MainArtist - Tobias Lehmann, Recording Engineer, StudioPersonnel - Christian Gerhaher, Baritone, MainArtist, AssociatedPerformer - Clemens von Brentano, Contributor, Work Editor - The Cleveland Orchestra, Orchestra, MainArtist - Ute Fesquet, Producer - Christoph Claßen, Producer, Recording Producer - Ludwig Achim Von Arnim, Contributor, Work Editor

℗ 2010 Deutsche Grammophon GmbH, Berlin

Symphony No. 10 in F sharp (unfinished) (Gustav Mahler)

13
Adagio (Live From Severance Hall, Cleveland / 2010)
The Cleveland Orchestra
00:24:03

Gustav Mahler, Composer - Pierre Boulez, Conductor, MainArtist - Tobias Lehmann, Recording Engineer, StudioPersonnel - The Cleveland Orchestra, Orchestra, MainArtist - Jesse Brayman, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer - Christoph Claßen, Producer, Recording Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

Presentación del Álbum

Capping a journey of some 15 years with Deutsche Grammophon, conductor Pierre Boulez completes his survey of the Mahler symphonies with this 2010 release. It is fitting, perhaps, that this final disc should include works from the antipodes of Mahler's career. First begun in 1884, Des Knaben Wunderhorn is a collection of songs written much in the same vein as Schubert and Schumann songs, favoring Mahler's much-loved folk-like style. On the opposite end is the Adagio from Symphony No. 10. Though Mahler only completed sketches for this movement, several realization have been attempted since the composer's death. The version heard here, more than some, captures the unique textures Mahler was able to achieve in his symphonic writing. For his final installment, Boulez leads the Cleveland Orchestra and is joined by mezzo Magdalena Kozená and baritone Christian Gerhaher. Boulez, orchestra, and soloists capture the playfully folksy melodies without trivializing them. The highlight of the album, though, is the stark, ravishing beauty of the Symphony No. 10 Adagio. After listening to Wunderhorn, it became apparent to listeners just how far Mahler came in his compositional language, with his progressive harmonies, fragmented melodies, and unique capability to wield a massive orchestra like a scalpel. Boulez's vision for this movement is consistently forward-looking, carrying listeners along for the conclusion of his long voyage. Even listeners who have not invested in previous installments would do well to add this disc to their collections, both for the magnificent realization of the Adagio, and Boulez's insightful reading of it.

© TiVo

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