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CHVRCHES|Love Is Dead

Love Is Dead

CHVRCHES

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Chvrches influenced mainstream pop with The Bones of What You Believe and Every Open Eye, and on Love Is Dead, mainstream pop returns the favor. As distinctive as their heartfelt electro-pop is -- and how well they do it -- Lauren Mayberry, Iain Cook, and Martin Doherty recognized they needed some variety on their third album. Instead of self-producing Love Is Dead, they opened their creative process to collaborators who reflect the roots of their sound as well as its place in the 2010s. Dave Stewart, whose mastery of emotive synth pop stretches back to his Eurythmics days, served as Chvrches' mentor, while Greg Kurstin, who's straddled the line between alternative and mainstream pop since the '90s, co-wrote and co-produced many of the album's tracks. Not surprisingly, this is the band's biggest-sounding album yet, and the stakes in their songs have never sounded higher. Love Is Dead lives up to its dramatic title, delivering anthems about seizing the moment in the face of loss; on songs like "Wonderland," the contrast between their dark lyrics and neon sounds is especially sharp. Similarly, the album's glossy production provides the perfect foil for Lauren Mayberry's vocals, which haven't sounded this direct or empathetic since The Bones of What You Believe. The way she sings "I've been waiting for my whole life to grow old/And now we never will" on "Graffiti" deftly blends heartache and joy, while "Deliverance" reaffirms that she's second to none at holding the subjects of her songs accountable for their actions. She sells many of Love Is Dead's poppiest moments, adding an extra dash of charisma to "Forever" and "Graves," both of which find Chvrches dancing on their troubles with a few new moves. However, not all of their changes are this successful. As they widen and narrow their sound, their music suffers when they go too far to one extreme or the other. Compared to its poignant verses, "Get Out"'s choruses are massive but thin, and "Miracle"'s distorted vocals and stomping beats are late-2010s pop trends that make Chvrches sound interchangeable with too many other acts. Conversely, the interlude "ii" feels like an unnecessary bid for artistic credibility, and when Mayberry isn't the focus (as on "God's Plan" and the Matt Berninger duet "My Enemy") the album loses momentum. Fortunately, "Really Gone" -- which is so affecting that it should have been the closing track -- provides a better respite from Love Is Dead's pop anthems. Meanwhile, "Heaven/Hell" cleverly questions what is real and what is fake, a pointed topic for a group that blurs the boundaries between indie cred and pop accessibility as skillfully as this one does. The few stumbles that the band makes on Love Is Dead are almost refreshing; they reaffirm that Chvrches aren't androids designed to craft perfect synth pop. Indeed, the most impressive thing about the album might be that as big as its sound gets, the band never loses touch with the humanity that's at the core of their music.
© Heather Phares /TiVo

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Love Is Dead

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1
Graffiti
00:03:38

Greg Kurstin, Composer - EMI April Music Inc, MusicPublisher - CHVRCHES, MainArtist - Iain Cook, Composer - Martin Doherty, Composer - Lauren Mayberry, Composer - EMI APRIL MUSIC INC OBO KURSTIN MUSIC, MusicPublisher - UNIVERSAL - POLYGRAM INTER OBO UNIVERSAL MUSIC PUBL. LTD., MusicPublisher

(C) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC (P) 2018 CHVRCHES

2
Get Out
00:03:51

Greg Kurstin, Composer - EMI April Music Inc, MusicPublisher - CHVRCHES, MainArtist - Iain Cook, Composer - Martin Doherty, Composer - Lauren Mayberry, Composer - EMI APRIL MUSIC INC OBO KURSTIN MUSIC, MusicPublisher - UNIVERSAL - POLYGRAM INTER OBO UNIVERSAL MUSIC PUBL. LTD., MusicPublisher

(C) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC (P) 2018 CHVRCHES

3
Deliverance
00:04:12

Greg Kurstin, Composer - EMI April Music Inc, MusicPublisher - CHVRCHES, MainArtist - Iain Cook, Composer - Martin Doherty, Composer - Lauren Mayberry, Composer - EMI APRIL MUSIC INC OBO KURSTIN MUSIC, MusicPublisher - UNIVERSAL - POLYGRAM INTER OBO UNIVERSAL MUSIC PUBL. LTD., MusicPublisher

(C) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC (P) 2018 CHVRCHES

4
My Enemy
00:03:53

CHVRCHES, MainArtist - Matt Berninger, FeaturedArtist - Iain Cook, Composer - Martin Doherty, Composer - Lauren Mayberry, Composer - UNIVERSAL - POLYGRAM INTER OBO UNIVERSAL MUSIC PUBL. LTD., MusicPublisher

(C) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC (P) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC

5
Forever
00:03:44

Greg Kurstin, Composer - EMI April Music Inc, MusicPublisher - CHVRCHES, MainArtist - Iain Cook, Composer - Martin Doherty, Composer - Lauren Mayberry, Composer - EMI APRIL MUSIC INC OBO KURSTIN MUSIC, MusicPublisher - UNIVERSAL - POLYGRAM INTER OBO UNIVERSAL MUSIC PUBL. LTD., MusicPublisher

(C) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC (P) 2018 CHVRCHES

6
Never Say Die
00:04:23

Greg Kurstin, Composer, Producer - EMI April Music Inc, MusicPublisher - CHVRCHES, MainArtist - Iain Cook, Composer - Martin Doherty, Composer - Lauren Mayberry, Composer - EMI APRIL MUSIC INC OBO KURSTIN MUSIC, MusicPublisher - UNIVERSAL - POLYGRAM INTER OBO UNIVERSAL MUSIC PUBL. LTD., MusicPublisher

(C) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC (P) 2018 CHVRCHES

7
Miracle
00:03:08

Steve Mac, Composer - CHVRCHES, MainArtist - Iain Cook, Composer - Martin Doherty, Composer - Lauren Mayberry, Composer - UNIVERSAL - POLYGRAM INTER OBO UNIVERSAL MUSIC PUBL. LTD., MusicPublisher - UNIVERSAL - POLYGRAM INTER OBO ROKSTONE MUSIC LTD., MusicPublisher

(C) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC (P) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC

8
Graves
00:04:43

Greg Kurstin, Composer - EMI April Music Inc, MusicPublisher - CHVRCHES, MainArtist - Iain Cook, Composer - Martin Doherty, Composer - Lauren Mayberry, Composer - EMI APRIL MUSIC INC OBO KURSTIN MUSIC, MusicPublisher - UNIVERSAL - POLYGRAM INTER OBO UNIVERSAL MUSIC PUBL. LTD., MusicPublisher

(C) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC (P) 2018 CHVRCHES

9
Heaven/Hell
00:05:05

Greg Kurstin, Composer - Chappell & Co., MusicPublisher - EMI April Music Inc, MusicPublisher - CHVRCHES, MainArtist - Iain Cook, Composer - Martin Doherty, Composer - Lauren Mayberry, Composer - EMI APRIL MUSIC INC OBO KURSTIN MUSIC, MusicPublisher - UNIVERSAL - POLYGRAM INTER OBO UNIVERSAL MUSIC PUBL. LTD., MusicPublisher

(C) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC (P) 2018 CHVRCHES

10
God's Plan
00:03:31

Copyright Control, MusicPublisher - EMI April Music Inc, MusicPublisher - CHVRCHES, MainArtist - Iain Cook, Composer - Martin Doherty, Composer - Lauren Mayberry, Composer - EMI APRIL MUSIC INC OBO KURSTIN MUSIC, MusicPublisher - UNIVERSAL - POLYGRAM INTER OBO UNIVERSAL MUSIC PUBL. LTD., MusicPublisher

(C) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC (P) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC

11
Really Gone
00:03:11

Greg Kurstin, Composer - Copyright Control, MusicPublisher - EMI April Music Inc, MusicPublisher - CHVRCHES, MainArtist - Iain Cook, Composer - Martin Doherty, Composer - Lauren Mayberry, Composer - EMI APRIL MUSIC INC OBO KURSTIN MUSIC, MusicPublisher - UNIVERSAL - POLYGRAM INTER OBO UNIVERSAL MUSIC PUBL. LTD., MusicPublisher

(C) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC (P) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC

12
ii
00:01:09

Greg Kurstin, Composer - EMI April Music Inc, MusicPublisher - CHVRCHES, MainArtist - Iain Cook, Composer - Martin Doherty, Composer - Lauren Mayberry, Composer - EMI APRIL MUSIC INC OBO KURSTIN MUSIC, MusicPublisher - UNIVERSAL - POLYGRAM INTER OBO UNIVERSAL MUSIC PUBL. LTD., MusicPublisher

(C) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC (P) 2018 CHVRCHES

13
Wonderland
00:04:35

Greg Kurstin, Composer - EMI April Music Inc, MusicPublisher - CHVRCHES, MainArtist - Iain Cook, Composer - Martin Doherty, Composer - Lauren Mayberry, Composer - EMI APRIL MUSIC INC OBO KURSTIN MUSIC, MusicPublisher - UNIVERSAL - POLYGRAM INTER OBO UNIVERSAL MUSIC PUBL. LTD., MusicPublisher

(C) 2018 CHVRCHES under exclusive license to Glassnote Entertainment Group LLC (P) 2018 CHVRCHES

Descripción del álbum

Chvrches influenced mainstream pop with The Bones of What You Believe and Every Open Eye, and on Love Is Dead, mainstream pop returns the favor. As distinctive as their heartfelt electro-pop is -- and how well they do it -- Lauren Mayberry, Iain Cook, and Martin Doherty recognized they needed some variety on their third album. Instead of self-producing Love Is Dead, they opened their creative process to collaborators who reflect the roots of their sound as well as its place in the 2010s. Dave Stewart, whose mastery of emotive synth pop stretches back to his Eurythmics days, served as Chvrches' mentor, while Greg Kurstin, who's straddled the line between alternative and mainstream pop since the '90s, co-wrote and co-produced many of the album's tracks. Not surprisingly, this is the band's biggest-sounding album yet, and the stakes in their songs have never sounded higher. Love Is Dead lives up to its dramatic title, delivering anthems about seizing the moment in the face of loss; on songs like "Wonderland," the contrast between their dark lyrics and neon sounds is especially sharp. Similarly, the album's glossy production provides the perfect foil for Lauren Mayberry's vocals, which haven't sounded this direct or empathetic since The Bones of What You Believe. The way she sings "I've been waiting for my whole life to grow old/And now we never will" on "Graffiti" deftly blends heartache and joy, while "Deliverance" reaffirms that she's second to none at holding the subjects of her songs accountable for their actions. She sells many of Love Is Dead's poppiest moments, adding an extra dash of charisma to "Forever" and "Graves," both of which find Chvrches dancing on their troubles with a few new moves. However, not all of their changes are this successful. As they widen and narrow their sound, their music suffers when they go too far to one extreme or the other. Compared to its poignant verses, "Get Out"'s choruses are massive but thin, and "Miracle"'s distorted vocals and stomping beats are late-2010s pop trends that make Chvrches sound interchangeable with too many other acts. Conversely, the interlude "ii" feels like an unnecessary bid for artistic credibility, and when Mayberry isn't the focus (as on "God's Plan" and the Matt Berninger duet "My Enemy") the album loses momentum. Fortunately, "Really Gone" -- which is so affecting that it should have been the closing track -- provides a better respite from Love Is Dead's pop anthems. Meanwhile, "Heaven/Hell" cleverly questions what is real and what is fake, a pointed topic for a group that blurs the boundaries between indie cred and pop accessibility as skillfully as this one does. The few stumbles that the band makes on Love Is Dead are almost refreshing; they reaffirm that Chvrches aren't androids designed to craft perfect synth pop. Indeed, the most impressive thing about the album might be that as big as its sound gets, the band never loses touch with the humanity that's at the core of their music.
© Heather Phares /TiVo

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