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Sonny & Cher|Look At Us

Look At Us

Sonny and Cher

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For their first album-length excursion in the wake of "I Got You Babe," Sonny & Cher don't tread too far outside the influence of Phil Spector, including covers of "Unchained Melody," "Then He Kissed Me," and "Why Don't They Let Us Fall in Love," of which the latter shows off the most appealing elements of each singers' voice. "It's Gonna Rain," which Ahmet Ertegun favored over "I Got You Babe," is a sub-Rascals attempt at white electric soul, while "500 Miles" is Spectorized folk-rock that Sonny carries for one verse and a chorus longer than he should have. The three bonus cuts are as valuable as anything off the original album -- "It's the Little Things" and "Don't Talk to Strangers" (not the Beau Brummels tune) are both throwbacks to a slightly older Spector sound, without as much concession to the folk-rock influences of 1965 as the album material. "Hello" is a B-side on which they simply talk, George Burns & Gracie Allen-style, in a distant precursor to the between-song patter that helped get them a television series and a second career.

© Bruce Eder /TiVo

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Look At Us

Sonny & Cher

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1
I Got You Babe
Sonny & Cher
00:03:10

Sonny & Cher, MainArtist - Cher, Vocals - SONNY BONO, Producer, Vocals, Writer - Sonny And Cher, Featured Vocalist

© 1965 Atlantic Records ℗ 1965 Atlantic Recording Corporation

2
Unchained Melody
Sonny
00:03:55

Sonny & Cher, MainArtist - Cher, Vocals - Alex North, Writer - HY ZARET, Writer

© 1965 Atlantic Records ℗ 1964 Atlantic Recording Corporation

3
Then He Kissed Me
Sonny
00:02:58

E. Greenwich, Writer - J. Barry, Writer - Sonny & Cher, MainArtist - Cher, Vocals - P. Spector, Writer

© 1965 Atlantic Records ℗ 1964 Atlantic Recording Corporation

4
Sing C'est La Vie
Various Interprets
00:03:43

Sonny & Cher, MainArtist - Cher, Vocals - SONNY BONO, Composer, Lyricist, Vocals, Writer - Brian Stone, Writer - Charles Greene, Writer - York-Pala, Producer

© 1965 Atlantic Records ℗ 1965 Atlantic Recording Corporation

5
It's Gonna Rain
Sonny
00:02:26

Sonny & Cher, MainArtist - Cher, Vocals - SONNY BONO, Writer

© 1965 Atlantic Records ℗ 1964 Atlantic Recording Corporation

6
500 Miles
Sonny
00:03:55

Sonny & Cher, MainArtist - Cher, Vocals - Hedy West, Writer

© 1965 Atlantic Records ℗ 1964 Atlantic Recording Corporation

7
Just You
Various Interprets
00:03:31

Sonny & Cher, MainArtist - Cher, Vocals - SONNY BONO, Composer, Lyricist, Vocals - York-Pala, Producer

© 1965 Atlantic Records ℗ 1965 Atco Records

8
The Letter
Sonny
00:02:11

D. Harris, Writer - Sonny & Cher, MainArtist - Cher, Vocals - D. Terry, Writer

© 1965 Atlantic Records ℗ 1964 Atlantic Recording Corporation

9
Let It Be Me
Sonny
00:02:35

Sonny & Cher, MainArtist - G. Becaud, Writer - Sonny And Cher, Vocals - M. Kurtz, Writer - P Leroyer, Writer

© 1965 Atlantic Records ℗ 1964 Atlantic Recording Corporation

10
You Don't Love Me
Sonny
00:02:31

Sonny & Cher, MainArtist - Sonny And Cher, Vocals - T Raye, Writer

© 1965 Atlantic Records ℗ 1964 Atlantic Recording Corporation

11
You've Really Got a Hold on Me
Sonny
00:02:20

Sonny & Cher, MainArtist - Cher, Vocals - W.ROBINSON, Writer

© 1965 Atlantic Records ℗ 1964 Atlantic Recording Corporation

12
Why Don't They Let Us Fall in Love
Sonny
00:02:39

Greenwich, Writer - Sonny & Cher, MainArtist - Cher, Vocals - SONNY BONO, Vocals - PHIL SPECTOR, Writer - Barry, Writer - York-Pala, Producer

© 1965 Atlantic Records ℗ 1965 Atlantic Recording Corporation

Presentación del Álbum

For their first album-length excursion in the wake of "I Got You Babe," Sonny & Cher don't tread too far outside the influence of Phil Spector, including covers of "Unchained Melody," "Then He Kissed Me," and "Why Don't They Let Us Fall in Love," of which the latter shows off the most appealing elements of each singers' voice. "It's Gonna Rain," which Ahmet Ertegun favored over "I Got You Babe," is a sub-Rascals attempt at white electric soul, while "500 Miles" is Spectorized folk-rock that Sonny carries for one verse and a chorus longer than he should have. The three bonus cuts are as valuable as anything off the original album -- "It's the Little Things" and "Don't Talk to Strangers" (not the Beau Brummels tune) are both throwbacks to a slightly older Spector sound, without as much concession to the folk-rock influences of 1965 as the album material. "Hello" is a B-side on which they simply talk, George Burns & Gracie Allen-style, in a distant precursor to the between-song patter that helped get them a television series and a second career.

© Bruce Eder /TiVo

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