Categorías:
Carrito 0

Servicio no disponible por el momento

The Weather Station|Ignorance

Ignorance

The Weather Station

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Categorized as a "folk artist" since her 2009 album debut, Tamara Lindeman—frontwoman of the otherwise ever-changing band that is The Weather Station—defies pigeonholing with her fifth effort: a sensual, lavish collection of songs that borrows from modern jazz, electronica and straight-up dance music. With its steady rock beat, bubbling melody and low-key dynamics, the terrific new track "Tried to Tell You" could be an Arcade Fire song. It all suits Lindeman's voice, a shape-shifting thing of dark beauty that begs Joni Mitchell comparisons but also easily travels from Kate Bush flutters to Annie Lennox heft. Things get appealingly enigmatic and weird right from opener "Robber," with its high-hat hiss, sharply punctuated strings, and moody sax and piano. Lindeman sounds like she's breathing the lyrics more than singing them: "I never believed in the robber. I never saw nobody climb over my fence; no black bag, no gloved hand." It's delightfully open to interpretation (a lover who stole self-esteem? a psychic vampire? a literal thief?), but Lindeman has also said that it was inspired by earth-harming actions of Exxon Mobil. Indeed, she's revealed that much of the album was written during a winter obsession over the apocalyptic nature of climate change, That said, it's not easy to parse when the lyrical malaise is about that or some other bruise. "You lay in bed...every other part of you hurt...loss is loss," Lindeman intones on "Loss," a song that musically evokes the hum of traffic on the move. "Dim the lights and draw the curtains; this is the end of love," she sings like some Byronic hero on the stark-to-lush "Trust." Even the album title, Ignorance, begins to feel like self-damnation. Hell, maybe it's enough to take a lyric like "you know it just kills me when I see some bird fly. It just kills me, and I don’t know why"—from the throbbing "Parking Lot"—at face value. By the end, as the emotions (both lyrical and musical) have simmered for 40 minutes but never quite boiled over, you might need a constitutional, or at least some caffeine, to shake it loose from your thoughts. © Shelly Ridenour/Qobuz

Más información

Ignorance

The Weather Station

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 90 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 90 millones de pistas con nuestros planes de streaming ilimitado.

Desde $ 19.350,00/mes

1
Robber
00:05:20

The Weather Station, MainArtist - Tamara Lindeman, Composer, MusicPublisher - Marcus Paquin, Producer - Multitude Publishing, MusicPublisher

(C) 2021 Fat Possum Records (P) 2021 Fat Possum Records

2
Atlantic
00:03:53

The Weather Station, MainArtist - Tamara Lindeman, Composer, MusicPublisher - Marcus Paquin, Producer - Multitude Publishing, MusicPublisher

(C) 2021 Fat Possum Records (P) 2021 Fat Possum Records

3
Tried to Tell You
00:03:38

The Weather Station, MainArtist - Tamara Lindeman, Composer, MusicPublisher - Marcus Paquin, Producer - Multitude Publishing, MusicPublisher

(C) 2021 Fat Possum Records (P) 2021 Fat Possum Records

4
Parking Lot
00:04:06

The Weather Station, MainArtist - Tamara Lindeman, Composer, MusicPublisher - Marcus Paquin, Producer - Multitude Publishing, MusicPublisher

(C) 2021 Fat Possum Records (P) 2021 Fat Possum Records

5
Loss
00:03:36

The Weather Station, MainArtist - Tamara Lindeman, Composer, MusicPublisher - Marcus Paquin, Producer - Multitude Publishing, MusicPublisher

(C) 2021 Fat Possum Records (P) 2021 Fat Possum Records

6
Separated
00:03:24

The Weather Station, MainArtist - Tamara Lindeman, Composer, MusicPublisher - Marcus Paquin, Producer - Multitude Publishing, MusicPublisher

(C) 2021 Fat Possum Records (P) 2021 Fat Possum Records

7
Wear
00:03:18

The Weather Station, MainArtist - Tamara Lindeman, Composer, MusicPublisher - Marcus Paquin, Producer - Multitude Publishing, MusicPublisher

(C) 2021 Fat Possum Records (P) 2021 Fat Possum Records

8
Trust
00:05:00

The Weather Station, MainArtist - Tamara Lindeman, Composer, MusicPublisher - Marcus Paquin, Producer - Multitude Publishing, MusicPublisher

(C) 2021 Fat Possum Records (P) 2021 Fat Possum Records

9
Heart
00:03:47

The Weather Station, MainArtist - Tamara Lindeman, Composer, MusicPublisher - Marcus Paquin, Producer - Multitude Publishing, MusicPublisher

(C) 2021 Fat Possum Records (P) 2021 Fat Possum Records

10
Subdivisions
00:04:40

The Weather Station, MainArtist - Tamara Lindeman, Composer, MusicPublisher - Marcus Paquin, Producer - Multitude Publishing, MusicPublisher

(C) 2021 Fat Possum Records (P) 2021 Fat Possum Records

Descripción del álbum

Categorized as a "folk artist" since her 2009 album debut, Tamara Lindeman—frontwoman of the otherwise ever-changing band that is The Weather Station—defies pigeonholing with her fifth effort: a sensual, lavish collection of songs that borrows from modern jazz, electronica and straight-up dance music. With its steady rock beat, bubbling melody and low-key dynamics, the terrific new track "Tried to Tell You" could be an Arcade Fire song. It all suits Lindeman's voice, a shape-shifting thing of dark beauty that begs Joni Mitchell comparisons but also easily travels from Kate Bush flutters to Annie Lennox heft. Things get appealingly enigmatic and weird right from opener "Robber," with its high-hat hiss, sharply punctuated strings, and moody sax and piano. Lindeman sounds like she's breathing the lyrics more than singing them: "I never believed in the robber. I never saw nobody climb over my fence; no black bag, no gloved hand." It's delightfully open to interpretation (a lover who stole self-esteem? a psychic vampire? a literal thief?), but Lindeman has also said that it was inspired by earth-harming actions of Exxon Mobil. Indeed, she's revealed that much of the album was written during a winter obsession over the apocalyptic nature of climate change, That said, it's not easy to parse when the lyrical malaise is about that or some other bruise. "You lay in bed...every other part of you hurt...loss is loss," Lindeman intones on "Loss," a song that musically evokes the hum of traffic on the move. "Dim the lights and draw the curtains; this is the end of love," she sings like some Byronic hero on the stark-to-lush "Trust." Even the album title, Ignorance, begins to feel like self-damnation. Hell, maybe it's enough to take a lyric like "you know it just kills me when I see some bird fly. It just kills me, and I don’t know why"—from the throbbing "Parking Lot"—at face value. By the end, as the emotions (both lyrical and musical) have simmered for 40 minutes but never quite boiled over, you might need a constitutional, or at least some caffeine, to shake it loose from your thoughts. © Shelly Ridenour/Qobuz

Acerca del álbum

Premios:

Mejorar la información del álbum
Más en Qobuz
Por The Weather Station

To Talk About

The Weather Station

To Talk About The Weather Station

Ignorance

The Weather Station

Ignorance The Weather Station

The Weather Station

The Weather Station

The Weather Station The Weather Station

Loyalty

The Weather Station

Loyalty The Weather Station

Tried to Tell You

The Weather Station

Tried to Tell You The Weather Station
Quizás también le guste...

Palomino

First Aid Kit

Palomino First Aid Kit

Unlimited Love

Red Hot Chili Peppers

Unlimited Love Red Hot Chili Peppers

The Tipping Point

Tears For Fears

The Tipping Point Tears For Fears

Happier Than Ever (Explicit)

Billie Eilish

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish

Los Grandes Angulares...
Y The Cure se pasó a los remixes...

The Cure reeditan en Deluxe Edition “Mixed Up”, su álbum de remixes publicado en 1990. Un ovni sonoro del que se sentía enormemente satisfecho su líder, Robert Smith, como expresaba en esta entrevista realizada por entonces.

Tom Waits, los años de Asylum

Antes de convertirse en una suerte de Howlin’Wolf, punk de cabaret el personaje de Tom Waits surgirá bajo la forma de un compositor obsesionado con el jazz, las melodías de Broadway y la Generación Beat de Kerouac. Entre 1973 y 1980, el californiano grabó para el sello Asylum seis álbumes de estudio y uno en vivo, recientemente reeditado y remasterizado en Hi-Res 24-Bit. Una vuelta a los inicios tan caóticos como estimulantes de los más seductores vagabundos del Dharma.

Arctic Monkeys, atraco a la inglesa

El cuarteto de Sheffield abandonó sus queridas tierras del norte para conquistar los charts a base de riffs incisivos, sonrisas de oreja a oreja y contoneos lascivos. Despues de The White Stripes, The Libertines y The Strokes, estos ex adolescentes ya bien entrados en la madurez han puesto el rock a dar saltos y a todo el mundo de acuerdo.

De actualidad...