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Idioma disponible: inglés
Arriving on the heels of the twin blockbusters Gentle on My Mind and By the Time I Get to Phoenix, Hey, Little One retains the lush, cinematic scope of those hits while pushing the perimeters of Glen Campbell’s material quite far. Campbell may dabble in the mawkish melodrama of “The Impossible Dream,” but he also sings Bob Dylan’s “I Don’t Believe You (She Acts Like We Never Have Met)” and tackles Bob Lind’s progressive pop standard “Elusive Butterfly,” while shoring up his country roots with Hank Cochran’s “That’s All That Matters.” The best fit for Campbell here is J.D. Loudermilk, whose “I Wanna Live” is turned into one of Campbell's gorgeous, dramatic epics and sees his ‘60s standard “Break My Mind” given a crisp reading. There are two other sweeping singles here -- a cover of Roy Orbison’s “It’s Over” and “Hey, Little One” -- that benefit from Campbell’s flair for the gorgeously grandiose, but this tendency toward huge arrangements winds up weighing down some of the lesser numbers, ultimately turning this album into something of a mixed bag.
© Stephen Thomas Erlewine /TiVo
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Dorsey Burnette, ComposerLyricist - Barry DeVorzon, ComposerLyricist - JIM GORDON, Performer, AssociatedPerformer - Victor Feldman, Engineer, StudioPersonnel - Joe Osborn, Performer, AssociatedPerformer - Al Casey, Performer, AssociatedPerformer - Glen Campbell, MainArtist - Al De Lory, Producer - Harry Bluestone, Engineer, StudioPersonnel - Leonard Malarsky, Engineer, StudioPersonnel - Jesse Ehrlich, Engineer, StudioPersonnel - Gene Cipriano, Engineer, StudioPersonnel - Israel Baker, Engineer, StudioPersonnel - Ralph Schaeffer, Engineer, StudioPersonnel - DOUG DILLARD, Performer, AssociatedPerformer - Bernard Kundell, Engineer, StudioPersonnel - Armand Kaproff, Engineer, StudioPersonnel - William Weiss, Engineer, StudioPersonnel - Arnold Belnick, Engineer, StudioPersonnel - Leonard Selic, Engineer, StudioPersonnel - Joseph DeFiore, Engineer, StudioPersonnel - Robert Sushel, Engineer, StudioPersonnel
(C) 1968 Capitol Records Nashville ℗ 1967 Capitol Records Nashville
Glen Campbell, Vocals, MainArtist, AssociatedPerformer - Bob Lind, Composer - Al De Lory, Producer
(C) 1968 Capitol Records Nashville ℗ 1968 UMG Recordings, Inc.
Glen Campbell, MainArtist - Hank Cochran, ComposerLyricist - Al De Lory, Conductor, Producer
(C) 1968 Capitol Records Nashville ℗ 1968 Capitol Records Nashville
John D. Loudermilk, ComposerLyricist - Glen Campbell, Vocals, MainArtist, AssociatedPerformer - Al De Lory, Conductor, Producer
(C) 1968 Capitol Records Nashville ℗ 1968 UMG Recordings, Inc.
Teddy Randazzo, Composer - Glen Campbell, MainArtist - Al De Lory, Conductor, Producer
(C) 1968 Capitol Records Nashville ℗ 1968 Capitol Records Nashville
Bob Dylan, Composer - Glen Campbell, MainArtist - Al De Lory, Conductor, Producer
(C) 1968 Capitol Records Nashville ℗ 1965 Capitol Records Nashville
John D. Loudermilk, ComposerLyricist - Glen Campbell, Vocals, MainArtist, AssociatedPerformer - Al De Lory, Producer
(C) 1968 Capitol Records Nashville ℗ 1968 UMG Recordings, Inc.
Glen Campbell, MainArtist - ROY ORBISON, Composer - Al De Lory, Producer - Bill Dees, Composer
(C) 1968 Capitol Records Nashville ℗ 1968 Capitol Records Nashville
Glen Campbell, Composer, MainArtist - Al De Lory, Producer - Jerry Capehart, Composer
(C) 1968 Capitol Records Nashville ℗ 1968 Capitol Records Nashville
Jimmy Payne, Composer - Jim Glaser, Composer - Glen Campbell, MainArtist - Al De Lory, Conductor, Producer
(C) 1968 Capitol Records Nashville ℗ 1968 Capitol Records Nashville
Glen Campbell, MainArtist - JOE DARION, Author - Mitch Leigh, Composer - Al De Lory, Conductor, Producer
(C) 1968 Capitol Records Nashville ℗ 1968 Capitol Records Nashville
Presentación del Álbum
Arriving on the heels of the twin blockbusters Gentle on My Mind and By the Time I Get to Phoenix, Hey, Little One retains the lush, cinematic scope of those hits while pushing the perimeters of Glen Campbell’s material quite far. Campbell may dabble in the mawkish melodrama of “The Impossible Dream,” but he also sings Bob Dylan’s “I Don’t Believe You (She Acts Like We Never Have Met)” and tackles Bob Lind’s progressive pop standard “Elusive Butterfly,” while shoring up his country roots with Hank Cochran’s “That’s All That Matters.” The best fit for Campbell here is J.D. Loudermilk, whose “I Wanna Live” is turned into one of Campbell's gorgeous, dramatic epics and sees his ‘60s standard “Break My Mind” given a crisp reading. There are two other sweeping singles here -- a cover of Roy Orbison’s “It’s Over” and “Hey, Little One” -- that benefit from Campbell’s flair for the gorgeously grandiose, but this tendency toward huge arrangements winds up weighing down some of the lesser numbers, ultimately turning this album into something of a mixed bag.
© Stephen Thomas Erlewine /TiVo
Acerca del álbum
- 1 disco(s) - 11 pista(s)
- Duración total: 00:29:47
- Artistas principales: Glen Campbell
- Compositor: Various Composers
- Sello: Capitol Nashville
- Género Blues/Country/Folk Country
© 1968 Capitol Records Nashville ℗ 1968 Capitol Records Nashville
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