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Stan Getz|Getz/Gilberto

Getz/Gilberto

Stan Getz, Joao Gilberto

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One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest innovators -- guitarist/singer João Gilberto and composer/pianist Antonio Carlos Jobim -- to New York to record with Stan Getz. The results were magic. Ever since Jazz Samba, the jazz marketplace had been flooded with bossa nova albums, and the overexposure was beginning to make the music seem like a fad. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history -- "The Girl From Ipanema," a Jobim classic sung by João's wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session. Beyond that, most of the Jobim songs recorded here also became standards of the genre -- "Corcovado" (which featured another vocal by Astrud), "So Danço Samba," "O Grande Amor," a new version of "Desafinado." With such uniformly brilliant material, it's no wonder the album was such a success but, even apart from that, the musicians all play with an effortless grace that's arguably the fullest expression of bossa nova's dreamy romanticism ever brought to American listeners. Getz himself has never been more lyrical, and Gilberto and Jobim pull off the harmonic and rhythmic sophistication of the songs with a warm, relaxed charm. This music has nearly universal appeal; it's one of those rare jazz records about which the purist elite and the buying public are in total agreement. Beyond essential.

© Steve Huey /TiVo

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Getz/Gilberto

Stan Getz

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1
The Girl From Ipanema
00:05:16

Norman Gimbel, ComposerLyricist - Astrud Gilberto, Vocals, AssociatedPerformer - Vinicius De Moraes, ComposerLyricist - António Carlos Jobim, Piano, AssociatedPerformer, ComposerLyricist - Joao Gilberto, Guitar, Vocals, AssociatedPerformer - Stan Getz, Tenor Saxophone, MainArtist, AssociatedPerformer - Tommy Williams, Bass, AssociatedPerformer - Milton Banana, Drums, AssociatedPerformer - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

2
Doralice (Stereo Version)
00:02:48

António Carlos Jobim, Piano, FeaturedArtist, AssociatedPerformer, ComposerLyricist - Joao Gilberto, MainArtist - Stan Getz, Tenor Saxophone, MainArtist, AssociatedPerformer - Tommy Williams, Upright Bass, AssociatedPerformer - Milton Banana, Drums, AssociatedPerformer - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

3
Para Machuchar Meu Coracao
00:05:11

Phil Ramone, Engineer, Recording Engineer, StudioPersonnel - António Carlos Jobim, Piano, MainArtist, AssociatedPerformer - Joao Gilberto, Guitar, Vocals, MainArtist, AssociatedPerformer - Stan Getz, Tenor Saxophone, MainArtist, AssociatedPerformer - Ary Evangelista Barroso, ComposerLyricist - Milton Banana, Drums, AssociatedPerformer - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

4
Desafinado
00:04:06

António Carlos Jobim, ComposerLyricist - Joao Gilberto, MainArtist - Stan Getz, Tenor Saxophone, MainArtist, AssociatedPerformer - Bill Reichenbach, Percussion, AssociatedPerformer - Charlie Byrd, Guitar, AssociatedPerformer - Buddy Deppenschmidt, Drum, AssociatedPerformer - Gene Byrd, Guitar, Bass, AssociatedPerformer - Keter Betts, Bass, AssociatedPerformer - Newton Ferreira de Mendonca, ComposerLyricist - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

5
Corcovado (Quiet Nights Of Quiet Stars)
00:04:18

Astrud Gilberto, FeaturedArtist - António Carlos Jobim, FeaturedArtist, ComposerLyricist - Joao Gilberto, MainArtist - Stan Getz, Tenor Saxophone, MainArtist, AssociatedPerformer - Tommy Williams, Upright Bass, AssociatedPerformer - Milton Banana, Drums, AssociatedPerformer - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

6
Só Danço Samba (Stereo Version)
00:03:34

Vinicius De Moraes, ComposerLyricist - António Carlos Jobim, Piano, FeaturedArtist, AssociatedPerformer, ComposerLyricist - Joao Gilberto, MainArtist - Stan Getz, Tenor Saxophone, MainArtist, AssociatedPerformer - Tommy Williams, Upright Bass, AssociatedPerformer - Milton Banana, Drums, AssociatedPerformer - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

7
O Grande Amor
00:05:30

Vinicius De Moraes, ComposerLyricist - António Carlos Jobim, Piano, FeaturedArtist, AssociatedPerformer, ComposerLyricist - Joao Gilberto, Guitar, AssociatedPerformer - Stan Getz, Saxophone, MainArtist, AssociatedPerformer - Tommy Williams, Bass Guitar, AssociatedPerformer - João Gilberto Quintet, MainArtist - Milton Banana, Drums, AssociatedPerformer - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

8
Vivo Sonhando
00:02:54

António Carlos Jobim, Piano, FeaturedArtist, AssociatedPerformer, ComposerLyricist - Joao Gilberto, Guitar, Vocalist, MainArtist, AssociatedPerformer - Stan Getz, Saxophone, MainArtist, AssociatedPerformer - Tommy Williams, Bass Guitar, AssociatedPerformer - Milton Banana, Drums, AssociatedPerformer - Creed Taylor, Producer

℗ 1963 UMG Recordings, Inc.

Presentación del Álbum

One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest innovators -- guitarist/singer João Gilberto and composer/pianist Antonio Carlos Jobim -- to New York to record with Stan Getz. The results were magic. Ever since Jazz Samba, the jazz marketplace had been flooded with bossa nova albums, and the overexposure was beginning to make the music seem like a fad. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history -- "The Girl From Ipanema," a Jobim classic sung by João's wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session. Beyond that, most of the Jobim songs recorded here also became standards of the genre -- "Corcovado" (which featured another vocal by Astrud), "So Danço Samba," "O Grande Amor," a new version of "Desafinado." With such uniformly brilliant material, it's no wonder the album was such a success but, even apart from that, the musicians all play with an effortless grace that's arguably the fullest expression of bossa nova's dreamy romanticism ever brought to American listeners. Getz himself has never been more lyrical, and Gilberto and Jobim pull off the harmonic and rhythmic sophistication of the songs with a warm, relaxed charm. This music has nearly universal appeal; it's one of those rare jazz records about which the purist elite and the buying public are in total agreement. Beyond essential.

© Steve Huey /TiVo

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