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Elena Urioste|Estrellita

Estrellita

Tom Poster, Elena Urioste

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The graphics for this BIS release by American violinist Elena Urioste and British pianist Tom Poster strongly suggest that their partnership is personal as well as musical. And indeed the pair, who met as BBC Young Artists, have a rapport in these romantic (as well as Romantic) little pieces, many of them arranged years ago as encores or intermezzi by the likes of Jascha Heifetz, Leopold Auer, or Nathan Milstein. The players bring a level of focus that keeps the program going through fairly homogeneous material: the tempo doesn't vary from moderate, and the mood is lush. The program leads off with a composition by Fritz Kreisler and an arrangement by him of one of Dvorák's Songs My Mother Taught Me, and Urioste is a Kreisler kind of violinist: not brilliant, but with an appealing rich tone in her middle register that grabs your attention and holds it. The pair mostly offer pieces that would have been part of the violinist's practice book a century ago but were pushed out by modernism. They also play a few comparative rarities that are quite lovely; these include William Grant Still's "Mother and Child", and Maria Theresia von Paradis' Sicilienne, the latter arranged by Samuel Dushkin. Sample that for an idea of Urioste's style and also for the sound, a rare misstep by BIS engineers: in an attempt to heighten the intimate atmosphere, one imagines, they move in too close and pick up extraneous instrument noise. These pieces were meant for big auditoriums. A positive feature is the extension of the repertory into American popular music by Gershwin, Arlen, Victor Young, and Henry Mancini, all in arrangements by Poster; there is no reason to believe that Heifetz and the others would have objected to this. Likely destined to become a popular Valentine's gift for several seasons.
© TiVo

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Estrellita

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Preghiera in the Style of Martini (Fritz Kreisler)

1
Preghiera in the style of Martini
00:03:41

Fritz Kreisler, Composer - Tom Poster, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Gypsy Songs, Op. 55, B. 104 (Fritz Kreisler)

2
Zigeunermelodien, Op. 55, B. 104: No. 4. Als die alte Mutter (Songs my Mother Taught Me) (arr. F. Kreisler for violin and piano)
00:02:57

Antonín Dvorák, Composer - Fritz Kreisler, Composer - Tom Poster, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Consolations, S. 172 (Nathan Milstein)

3
Consolations, S172/R12: No. 3 in D-Flat Major: Lento placido (arr. N. Milstein for violin and piano)
00:04:21

Franz Liszt, Composer - Nathan Milstein, Composer - Tom Poster, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

2 Canciones Mexicanas (Jascha Heifetz)

4
Estrellita (arr. J. Heifetz for violin and piano)
00:03:05

Manuel Maria Ponce, Composer - Jascha Heifetz, Composer - Tom Poster, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Caprice viennois, op. 2 (Fritz Kreisler)

5
Caprice viennois, Op. 2
00:04:27

Fritz Kreisler, Composer - Tom Poster, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Hebrew Melody, Op. 33 (arr. L. Auer for violin and piano) (Joseph Achron)

6
Hebrew Melody, Op. 33 (arr. L. Auer for violin and piano)
00:05:17

Tom Poster, Artist - Joseph Achron, Composer - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Banjo & Fiddle (Samuel Dushkin)

7
Sicilienne (arr. S. Dushkin for violin and piano)
00:03:04

Samuel Dushkin, Composer - Tom Poster, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Orfeo ed Euridice, Wq. 30 (Fritz Kreisler)

8
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. F. Kreisler for violin and piano)
00:03:31

Christoph Willibald Gluck, Composer - Fritz Kreisler, Composer - Tom Poster, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Beau soir (arr. J. Heifetz for violin and piano) (Jascha Heifetz)

9
Beau soir (arr. J. Heifetz for violin and piano)
00:02:27

Claude Debussy, Composer - Jascha Heifetz, Composer - Tom Poster, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Sea-Shell (arr. E. Zimbalist) (Efrem Zimbalist Sr.)

10
Sea-Shell (arr. E. Zimbalist for violin and piano)
00:03:27

Tom Poster, Artist - Carl Engel, Composer - Elena Urioste, Artist, MainArtist - Efrem Zimbalist Sr., Composer

(C) 2018 BIS (P) 2018 BIS

Chanson de nuit, Op. 15, No. 1 (Edward Elgar)

11
Chanson de nuit, Op. 15, No. 1
00:03:52

Edward Elgar, Composer - Tom Poster, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Der Opernball, Op. 40 (Fritz Kreisler)

12
Der Opernball (The Opera Ball), Op. 40, Act III: Geh'n wir ins Chambre separee, "Midnight Bells" (arr. F. Kreisler for violin and piano)
00:03:32

Fritz Kreisler, Composer - Richard Heuberger, Composer - Tom Poster, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Suite for Violin & Piano (William Grant Still)

13
Mother and Child
00:06:10

Tom Poster, Artist - William Grant Still, Composer - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Salut d'amour, Op. 12, "Liebesgruss" (version for violin and piano) (Edward Elgar)

14
Salut d'amour, Op. 12, "Liebesgruss" (version for violin and piano)
00:02:40

Edward Elgar, Composer - Tom Poster, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Suite populaire espagnole (Paul Kochanski)

15
V. Asturiana (arr. P. Kochanski for violin and piano)
00:02:28

Tom Poster, Artist - Paul Kochanski, Composer - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Porgy & Bess (Jascha Heifetz)

16
Porgy and Bess, Act I: My Man's Gone Now (arr. J. Heifetz for violin and piano)
00:03:54

George Gershwin, Composer - Jascha Heifetz, Composer - Tom Poster, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Breakfast at Tiffany's: Moon River (arr. T. Poster for violin and piano) (Henry Mancini)

17
Breakfast at Tiffany's: Moon River (arr. T. Poster for violin and piano)
00:03:51

Henry Mancini, Composer - Magnus Johnston, Artist - Tom Poster, Composer, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

When I Fall in Love (arr. T. Poster for violin and piano) (Victor Young)

18
When I Fall in Love (arr. T. Poster for violin and piano)
00:03:20

Victor Young, Composer - Tom Poster, Composer, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

The Wizard of Oz: Over the Rainbow (arr. T. Poster for violin and piano) (Harold Arlen)

19
The Wizard of Oz: Over the Rainbow (arr. T. Poster for violin and piano)
00:03:28

Harold Arlen, Composer - Tom Poster, Composer, Artist - Elena Urioste, Artist, MainArtist

(C) 2018 BIS (P) 2018 BIS

Descripción del álbum

The graphics for this BIS release by American violinist Elena Urioste and British pianist Tom Poster strongly suggest that their partnership is personal as well as musical. And indeed the pair, who met as BBC Young Artists, have a rapport in these romantic (as well as Romantic) little pieces, many of them arranged years ago as encores or intermezzi by the likes of Jascha Heifetz, Leopold Auer, or Nathan Milstein. The players bring a level of focus that keeps the program going through fairly homogeneous material: the tempo doesn't vary from moderate, and the mood is lush. The program leads off with a composition by Fritz Kreisler and an arrangement by him of one of Dvorák's Songs My Mother Taught Me, and Urioste is a Kreisler kind of violinist: not brilliant, but with an appealing rich tone in her middle register that grabs your attention and holds it. The pair mostly offer pieces that would have been part of the violinist's practice book a century ago but were pushed out by modernism. They also play a few comparative rarities that are quite lovely; these include William Grant Still's "Mother and Child", and Maria Theresia von Paradis' Sicilienne, the latter arranged by Samuel Dushkin. Sample that for an idea of Urioste's style and also for the sound, a rare misstep by BIS engineers: in an attempt to heighten the intimate atmosphere, one imagines, they move in too close and pick up extraneous instrument noise. These pieces were meant for big auditoriums. A positive feature is the extension of the repertory into American popular music by Gershwin, Arlen, Victor Young, and Henry Mancini, all in arrangements by Poster; there is no reason to believe that Heifetz and the others would have objected to this. Likely destined to become a popular Valentine's gift for several seasons.
© TiVo

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