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Devo|Duty Now for the Future

Duty Now for the Future

Devo

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While the most obvious flaw of Devo's Duty Now for the Future is that the material simply isn't as good as on their debut, their second album also captures the group in the midst of a significant stylistic shift. On their first album, for all their herky-jerky rhythms and electronic accents, Devo were pretty much a standard guitars/bass/drums rock band, albeit one with more than their share of eccentricities. Duty Now for the Future found them bringing the keyboards that were used as punctuation on their earlier material into the forefront, adding a new level of irony to their "little minds through big technology" philosophy. While Devo would later learn to use electronics with confidence and wit, they were still learning how to integrate them into their sound on Duty Now, and the results lacked the strength and coherence of their debut. Of course, it also helped that the first album had better songs; the two instrumentals on side one are merely filler, "Pink Pussycat" and "Clockout" are jokes that just aren't funny, and "Triumph of the Will" embraces fascism as a satirical target without bothering to make it sound as if they disapprove. But "Secret Agent Man" is a wittier devolved cover than "Satisfaction," the band rarely sounded as cheerfully creepy as on "The Day My Baby Gave Me a Surprize," and the side two rave up, "Smart Patrol/Mr. DNA" is superbly potent (for all their progressive trappings, Devo were formalists enough to know you make a big rock move near the end of side two.) Duty Now for the Future is hardly a bad album, but it isn't as strong as what Devo had already brought to the table -- or would offer later on.

© Mark Deming /TiVo

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Duty Now for the Future

Devo

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1
Devo Corporate Anthem
00:01:16

Devo, MainArtist - Mark Mothersbaugh, Lyricist, Writer - Bernie Grundman, Masterer - Ken Scott, Producer, MixingEngineer, RecordingEngineer - Brian Leshon, AssistantEngineer - Phil Jost, AssistantEngineer

1978 © 1979 Warner Records Inc. ℗ 1990 Warner Records Inc.

2
Clockout
00:02:47

Gerald V. Casale, Lyricist, Writer - Devo, MainArtist - Ken Scott, Producer, MixingEngineer, RecordingEngineer

1978 © 1979 Warner Records Inc. ℗ 1990 Warner Records Inc.

3
Timing X / Space Junk
00:01:11

Bob Mothersbaugh, Lyricist - Gerald V. Casale, Lyricist - Devo, MainArtist - Mark Mothersbaugh, Lyricist - Brian Eno, Producer - Ken Scott, Producer, MixingEngineer, RecordingEngineer

1978 © 1979 Warner Records Inc. ℗ 1990 Warner Records Inc.

4
Wiggly World
00:02:44

Devo, Performance, MainArtist - Casale, Writer - Mothersbaugh, Writer - Ken Scott, Producer, MixingEngineer, RecordingEngineer

1978 © 1979 Warner Records Inc. ℗ 1979 Warner Records Inc.

5
Blockhead
00:03:00

Bob Mothersbaugh, Lyricist, Writer - Devo, Producer, MainArtist - Mark Mothersbaugh, Composer, Lyricist, Writer - Ken Scott, Producer, MixingEngineer, RecordingEngineer - Robert Mothersbaugh, Composer

1978 © 1979 Warner Records Inc. ℗ 1990 Warner Records Inc.

6
Strange Pursuits
00:02:46

Devo, Performance, MainArtist - Casale, Writer - Mothersbaugh, Writer - Ken Scott, Producer, MixingEngineer, RecordingEngineer

1978 © 1979 Warner Records Inc. ℗ 1979 Warner Records Inc.

7
S.I.B. (Swelling Itching Brain)
00:04:29

Devo, MainArtist - Mark Mothersbaugh, Lyricist, Writer - Ken Scott, Producer, MixingEngineer, RecordingEngineer

1978 © 1979 Warner Records Inc. ℗ 1990 Warner Records Inc.

8
Triumph of the Will
00:02:18

Gerald V. Casale, Writer - Devo, MainArtist - Mark Mothersbaugh, Writer - Ken Scott, Producer, MixingEngineer, RecordingEngineer

1978 © 1979 Warner Records Inc. ℗ 1979 Warner Records Inc.

9
The Day My Baby Gave Me a Surprize
00:02:42

Devo, MainArtist - Mark Mothersbaugh, Lyricist, Writer - Ken Scott, Producer, MixingEngineer, RecordingEngineer

1978 © 1979 Warner Records Inc. ℗ 1990 Warner Records Inc.

10
Pink Pussycat
00:03:12

Bob Mothersbaugh, Lyricist - Devo, MainArtist - Mark Mothersbaugh, Lyricist, Writer - Ken Scott, Producer, MixingEngineer, RecordingEngineer - Robert Mothersbaugh, Writer

1978 © 1979 Warner Records Inc. ℗ 1990 Warner Records Inc.

11
Secret Agent Man
00:03:37

Devo, MainArtist - Mark Mothersbaugh, Arranger - Steve Barri, Writer - Ken Scott, Producer, MixingEngineer, RecordingEngineer - Philip Sloan, Writer

1978 © 1979 Warner Records Inc. ℗ 1978 Warner Records Inc.

12
Smart Patrol / Mr. DNA
00:06:06

Gerald V. Casale, Writer - Devo, Performance, MainArtist - Mark Mothersbaugh, Writer - Ken Scott, Producer, MixingEngineer, RecordingEngineer

1978 © 1979 Warner Records Inc. ℗ 1979 Warner Records Inc.

13
Red Eye
00:02:49

Devo, Performance, MainArtist - Mothersbaugh, Writer - Ken Scott, Producer, MixingEngineer, RecordingEngineer

1978 © 1979 Warner Records Inc. ℗ 1979 Warner Records Inc.

Presentación del Álbum

While the most obvious flaw of Devo's Duty Now for the Future is that the material simply isn't as good as on their debut, their second album also captures the group in the midst of a significant stylistic shift. On their first album, for all their herky-jerky rhythms and electronic accents, Devo were pretty much a standard guitars/bass/drums rock band, albeit one with more than their share of eccentricities. Duty Now for the Future found them bringing the keyboards that were used as punctuation on their earlier material into the forefront, adding a new level of irony to their "little minds through big technology" philosophy. While Devo would later learn to use electronics with confidence and wit, they were still learning how to integrate them into their sound on Duty Now, and the results lacked the strength and coherence of their debut. Of course, it also helped that the first album had better songs; the two instrumentals on side one are merely filler, "Pink Pussycat" and "Clockout" are jokes that just aren't funny, and "Triumph of the Will" embraces fascism as a satirical target without bothering to make it sound as if they disapprove. But "Secret Agent Man" is a wittier devolved cover than "Satisfaction," the band rarely sounded as cheerfully creepy as on "The Day My Baby Gave Me a Surprize," and the side two rave up, "Smart Patrol/Mr. DNA" is superbly potent (for all their progressive trappings, Devo were formalists enough to know you make a big rock move near the end of side two.) Duty Now for the Future is hardly a bad album, but it isn't as strong as what Devo had already brought to the table -- or would offer later on.

© Mark Deming /TiVo

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