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Christian Dierstein|Claude Vivier: Orchestral Works

Claude Vivier: Orchestral Works

Christian Dierstein, WDR Sinfonieorchester Köln & Peter Rundel

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Claude Vivier had become Canada's most internationally respected composer by the time of his murder in 1983, at the age of 34. A variety of influences led to the development of his darkly mystical musical style, characterized by melodic simplicity linked to harmonic complexity, brilliant orchestration using an expanded percussion battery, and monumental, ritualistic gestures supported by intimate and expressive details. Vivier describes the transport he felt as a child singing the simple melodies of liturgical chant as a seminal musical experience. His studies with Stockhausen, as well as his interest in Balinese music led him to use the expansion, contraction, and overlapping of melodies as the foundation for his music, rather than either traditional thematic or serial development. As a result, his works, for all their timbral and gestural variety, are held together as cohesive structures by the melodic integrity of his materials.
In Vivier's largest orchestral score, Siddhartha (1976), for orchestra divided into eight groups, and in Orion (1979) for orchestra, influences of Messiaen can be heard in some of the harmonic language and in the abrupt textural juxtapositions. The orchestral works have an epic grandeur that demands and holds the listener's attention, and they share those qualities with Cinq chansons pour percussion, a set of strongly differentiated studies for Balinese instruments. The directness of the music and the resonance of the instruments give the five songs a stunning gravity and emotional depth.
Peter Rundel leads the WDR Sinfonie Orchester Köln in vivid and colorful performance, and percussionist Christian Dierstein plays with energy and sensitivity. Vivier may not be a household name, but his music would be of strong interest to any listener intrigued by new music that's outside the mainstream.

© TiVo

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Claude Vivier: Orchestral Works

Christian Dierstein

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1
Orion (1979) for Orchestra
WDR Sinfonieorchester Köln
00:13:33

WDR Sinfonieorchester Köln, Artist, MainArtist - Peter Rundel, Artist, MainArtist - Claude Vivier, Composer - Doberman-Yppan, MusicPublisher - Karin von Groß, Editor - Harry Vogt, Producer - Renate Reuter, Editor

2006 HNE Rights GmbH 2006 KAIROS

2
Siddhartha (1976) for orchestra in eight Groups
WDR Sinfonieorchester Köln
00:29:09

WDR Sinfonieorchester Köln, Artist, MainArtist - Peter Rundel, Artist, MainArtist - Claude Vivier, Composer - Doberman-Yppan, MusicPublisher - Karin von Groß, Editor - Harry Vogt, Producer - Renate Reuter, Editor

2006 HNE Rights GmbH 2006 KAIROS

3
Cinq chansons pour percussion (1980): Chanson du Matin
Christian Dierstein
00:03:55

WDR Sinfonieorchester Köln, Artist, MainArtist - Peter Rundel, Artist, MainArtist - Thomas Sehringer, Engineer - Christoph Gronarz, Engineer - Claude Vivier, Composer - Christian Dierstein, Artist, MainArtist - Doberman-Yppan, MusicPublisher - Karin von Groß, Editor - Harry Vogt, Producer - Renate Reuter, Editor

2006 HNE Rights GmbH 2006 KAIROS

4
Cinq chansons pour percussion (1980): Chanson à Midi
Christian Dierstein
00:04:30

WDR Sinfonieorchester Köln, Artist, MainArtist - Peter Rundel, Artist, MainArtist - Thomas Sehringer, Engineer - Christoph Gronarz, Engineer - Claude Vivier, Composer - Christian Dierstein, Artist, MainArtist - Doberman-Yppan, MusicPublisher - Karin von Groß, Editor - Harry Vogt, Producer - Renate Reuter, Editor

2006 HNE Rights GmbH 2006 KAIROS

5
Cinq chansons pour percussion (1980): Chanson au Soleil
Christian Dierstein
00:07:35

WDR Sinfonieorchester Köln, Artist, MainArtist - Peter Rundel, Artist, MainArtist - Thomas Sehringer, Engineer - Christoph Gronarz, Engineer - Claude Vivier, Composer - Christian Dierstein, Artist, MainArtist - Doberman-Yppan, MusicPublisher - Karin von Groß, Editor - Harry Vogt, Producer - Renate Reuter, Editor

2006 HNE Rights GmbH 2006 KAIROS

6
Cinq chansons pour percussion (1980): Chanson à la Mort
Christian Dierstein
00:03:35

WDR Sinfonieorchester Köln, Artist, MainArtist - Peter Rundel, Artist, MainArtist - Thomas Sehringer, Engineer - Christoph Gronarz, Engineer - Claude Vivier, Composer - Christian Dierstein, Artist, MainArtist - Doberman-Yppan, MusicPublisher - Karin von Groß, Editor - Harry Vogt, Producer - Renate Reuter, Editor

2006 HNE Rights GmbH 2006 KAIROS

7
Cinq chansons pour percussion (1980): Chanson D'Adieu
Christian Dierstein
00:03:29

WDR Sinfonieorchester Köln, Artist, MainArtist - Peter Rundel, Artist, MainArtist - Thomas Sehringer, Engineer - Christoph Gronarz, Engineer - Claude Vivier, Composer - Christian Dierstein, Artist, MainArtist - Doberman-Yppan, MusicPublisher - Karin von Groß, Editor - Harry Vogt, Producer - Renate Reuter, Editor

2006 HNE Rights GmbH 2006 KAIROS

Presentación del Álbum

Claude Vivier had become Canada's most internationally respected composer by the time of his murder in 1983, at the age of 34. A variety of influences led to the development of his darkly mystical musical style, characterized by melodic simplicity linked to harmonic complexity, brilliant orchestration using an expanded percussion battery, and monumental, ritualistic gestures supported by intimate and expressive details. Vivier describes the transport he felt as a child singing the simple melodies of liturgical chant as a seminal musical experience. His studies with Stockhausen, as well as his interest in Balinese music led him to use the expansion, contraction, and overlapping of melodies as the foundation for his music, rather than either traditional thematic or serial development. As a result, his works, for all their timbral and gestural variety, are held together as cohesive structures by the melodic integrity of his materials.
In Vivier's largest orchestral score, Siddhartha (1976), for orchestra divided into eight groups, and in Orion (1979) for orchestra, influences of Messiaen can be heard in some of the harmonic language and in the abrupt textural juxtapositions. The orchestral works have an epic grandeur that demands and holds the listener's attention, and they share those qualities with Cinq chansons pour percussion, a set of strongly differentiated studies for Balinese instruments. The directness of the music and the resonance of the instruments give the five songs a stunning gravity and emotional depth.
Peter Rundel leads the WDR Sinfonie Orchester Köln in vivid and colorful performance, and percussionist Christian Dierstein plays with energy and sensitivity. Vivier may not be a household name, but his music would be of strong interest to any listener intrigued by new music that's outside the mainstream.

© TiVo

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