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Charles Mingus|Changes Two

Changes Two

Charles Mingus

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Along with its companion volume Changes One, this is one of the great sessions from one of the best working bands of the 1970s. Starting with the spirited "Free Cell Block F, 'Tis Nazi U.S.A," this volume also includes the vocal version of "Duke Ellington's Sound of Love" with guest singer (and acquired taste) Jackie Paris, a remake of the classic Mingus composition "Orange Was the Color of Her Dress, Then Silk Blue," Jack Walrath's "Black Bats and Poles," and Sy Johnson's "For Harry Carney." The challenging repertoire from these December 1974 dates sustained the Jazz Workshop for several years; these are the definitive performances. Rhino's reissue duplicates the original LP down to the layout.

© Stuart Kremsky /TiVo

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Changes Two

Charles Mingus

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1
Free Cell Block F, 'Tis Nazi U.S.A.
00:06:55

GENE PAUL, RecordingEngineer - Marcus Belgrave, Trumpet - Bobby Warner, Remixer - Nesuhi Ertegun, ExecutiveProducer - Jackie Paris, Vocals - Charles Mingus, Composer, MainArtist - Ilhan Mimaroglu, Producer, Remixer - George Adams, Tenor Saxophone - Dannie Richmond, Drums - Don Pullen, Piano - Jack Walrath, Trumpet - Sy Johnson, Arranger

© 1975 Atlantic Records. ℗ 1975 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
Orange Was the Color of Her Dress, Then Silk Blue
00:17:31

GENE PAUL, RecordingEngineer - Marcus Belgrave, Trumpet - Bobby Warner, Remixer - Nesuhi Ertegun, ExecutiveProducer - Jackie Paris, Vocals - Charles Mingus, Composer, MainArtist - Ilhan Mimaroglu, Producer, Remixer - George Adams, Tenor Saxophone - Dannie Richmond, Drums - Don Pullen, Piano - Jack Walrath, Trumpet - Sy Johnson, Arranger

© 1975 Atlantic Records. ℗ 1975 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
Black Bats and Poles
00:06:22

GENE PAUL, RecordingEngineer - Marcus Belgrave, Trumpet - Bobby Warner, Remixer - Nesuhi Ertegun, ExecutiveProducer - Jackie Paris, Vocals - Charles Mingus, MainArtist - Ilhan Mimaroglu, Producer, Remixer - George Adams, Tenor Saxophone - Dannie Richmond, Drums - Don Pullen, Piano - Jack Walrath, Composer, Trumpet - Sy Johnson, Arranger

© 1975 Atlantic Records. ℗ 1975 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
Duke Ellington's Sound of Love (For Changes Two)
00:04:14

GENE PAUL, RecordingEngineer - Marcus Belgrave, Trumpet - Bobby Warner, Remixer - Nesuhi Ertegun, ExecutiveProducer - Jackie Paris, Vocals - Charles Mingus, Composer, MainArtist - Ilhan Mimaroglu, Producer, Remixer - George Adams, Tenor Saxophone - Dannie Richmond, Drums - Don Pullen, Piano - Jack Walrath, Trumpet - Sy Johnson, Arranger

© 1975 Atlantic Records. ℗ 1975 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
For Harry Carney
00:08:00

GENE PAUL, RecordingEngineer - Marcus Belgrave, Trumpet - Bobby Warner, Remixer - Nesuhi Ertegun, ExecutiveProducer - Jackie Paris, Vocals - Charles Mingus, MainArtist - Ilhan Mimaroglu, Producer, Remixer - George Adams, Tenor Saxophone - Dannie Richmond, Drums - Don Pullen, Piano - Jack Walrath, Trumpet - Sy Johnson, Composer, Arranger

© 1975 Atlantic Records. ℗ 1975 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Presentación del Álbum

Along with its companion volume Changes One, this is one of the great sessions from one of the best working bands of the 1970s. Starting with the spirited "Free Cell Block F, 'Tis Nazi U.S.A," this volume also includes the vocal version of "Duke Ellington's Sound of Love" with guest singer (and acquired taste) Jackie Paris, a remake of the classic Mingus composition "Orange Was the Color of Her Dress, Then Silk Blue," Jack Walrath's "Black Bats and Poles," and Sy Johnson's "For Harry Carney." The challenging repertoire from these December 1974 dates sustained the Jazz Workshop for several years; these are the definitive performances. Rhino's reissue duplicates the original LP down to the layout.

© Stuart Kremsky /TiVo

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