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Motörhead|Another Perfect Day (Reissue - Bonus Track Edition)

Another Perfect Day (Reissue - Bonus Track Edition)

Motörhead

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To this day, Another Perfect Day remains one of the most unique (albeit misunderstood) albums in the entire Motörhead catalog. The band's first effort sans legendary axe-meister "Fast" Eddie Clarke (following six albums, of which at least three are still considered timeless classics), Another Perfect Day would be the band's only outing with onetime Thin Lizzy axeman Brian "Robbo" Robertson. Clearly a nervous musical marriage from the start, the album captures Motörhead mainstays Ian "Lemmy" Kilmister and "Philthy Animal" Taylor struggling to adapt their raw power and unparalleled distortion to Robertson's more mainstream hard rock instincts and melodic tendencies. Thanks in part to Tony Platt's excellent production, Another Perfect Day ranks among the band's best-sounding records ever, but tinkering with a legendary formula is always fraught with danger (is that a boogie-woogie piano on "Rock It"?), and as one might expect, the results here are alternately exhilarating and sometimes frustrating. On the one hand, the glorious arpeggiated melodies that characterize singles "Dancing on Your Grave" and "Shine" (Robertson's most obvious contributions here) were a total shock to the system by classic Motörhead standards, but their popularity and ultimate longevity as band highlights is a testament to their excellence. Furthermore, other drawn-out blues exercises like "One Track Mind" (which wouldn't sound out of place on any number of early Ted Nugent albums) and "I Got Mine" simply took the intensity and power of previously delivered sub-three-minute blasts and diluted it into four to five minutes, which had some fans impatiently glancing at their clocks. The title track barely escapes this predicament, and tighter, punchier numbers like "Back at the Funny Farm" and "Die You Bastard" manage to revisit the classic bile and fury of years past, but Robertson's unwillingness to be a team player (refusing to play standards like "Bomber" live, never mind his ridiculous fashion sense) virtually guaranteed his eventual sacking. By extension, Another Perfect Day is doomed to be considered a curiosity to this very day.

© Eduardo Rivadavia & John Franck /TiVo

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Another Perfect Day (Reissue - Bonus Track Edition)

Motörhead

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1
Back at the Funny Farm
00:04:11

Brian Robertson, Composer, Guitar - Tony Platt, Producer - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Fraser Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass - Brian David Robertson, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

2
Shine
00:03:09

Brian Robertson, Composer, Guitar - Tony Platt, Producer - Taylor, Composer - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Fraser Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass - Brian David Robertson, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

3
Dancing on Your Grave
00:04:27

Brian Robertson, Composer, Guitar - Tony Platt, Producer - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Fraser Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass - Brian David Robertson, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

4
Rock It
00:03:53

Brian Robertson, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Fraser Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass - Brian David Robertson, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

5
One Track Mind
00:05:52

Brian Robertson, Composer, Guitar - Tony Platt, Producer - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Fraser Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass - Brian David Robertson, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

6
Another Perfect Day
00:05:27

Eddie Clarke, Composer - Brian Robertson, Composer, Guitar - Tony Platt, Producer - Phil Taylor, Drums - Motorhead, MainArtist - Ian Fraser Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass - Edward Clarke, Composer - Brian David Robertson, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

7
Marching Off to War
00:04:09

Brian Robertson, Composer, Guitar - Tony Platt, Producer - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Fraser Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass - Brian David Robertson, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

8
I Got Mine
00:05:21

Brian Robertson, Composer, Guitar - Tony Platt, Producer - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Fraser Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass - Brian David Robertson, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

9
Tales of Glory
00:02:53

Brian Robertson, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Fraser Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass - Brian David Robertson, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

10
Die You Bastard
00:04:22

Brian Robertson, Composer, Guitar - Tony Platt, Producer - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Fraser Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass - Brian David Robertson, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

11
Turn You Round Again
00:03:55

Brian Robertson, Composer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Fraser Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass - Brian David Robertson, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

12
(I'm Your) Hoochie Coochie Man
00:06:29

Brian Robertson, Guitar - Tony Platt, Producer - Phil Taylor, Drums - Motorhead, MainArtist - Ian Kilmister, Vocals, Bass

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

13
(Don't Need) Religion
00:02:54

Eddie Clarke, Composer, Producer, Guitar - Phil Taylor, Composer, Drums - Motorhead, MainArtist - Ian Fraser Kilmister, Composer - Ian Kilmister, Composer, Vocals, Bass - Edward Clarke, Composer - Will Reid-Dick, Producer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1982 Sanctuary Records Group Ltd., a BMG Company

Presentación del Álbum

To this day, Another Perfect Day remains one of the most unique (albeit misunderstood) albums in the entire Motörhead catalog. The band's first effort sans legendary axe-meister "Fast" Eddie Clarke (following six albums, of which at least three are still considered timeless classics), Another Perfect Day would be the band's only outing with onetime Thin Lizzy axeman Brian "Robbo" Robertson. Clearly a nervous musical marriage from the start, the album captures Motörhead mainstays Ian "Lemmy" Kilmister and "Philthy Animal" Taylor struggling to adapt their raw power and unparalleled distortion to Robertson's more mainstream hard rock instincts and melodic tendencies. Thanks in part to Tony Platt's excellent production, Another Perfect Day ranks among the band's best-sounding records ever, but tinkering with a legendary formula is always fraught with danger (is that a boogie-woogie piano on "Rock It"?), and as one might expect, the results here are alternately exhilarating and sometimes frustrating. On the one hand, the glorious arpeggiated melodies that characterize singles "Dancing on Your Grave" and "Shine" (Robertson's most obvious contributions here) were a total shock to the system by classic Motörhead standards, but their popularity and ultimate longevity as band highlights is a testament to their excellence. Furthermore, other drawn-out blues exercises like "One Track Mind" (which wouldn't sound out of place on any number of early Ted Nugent albums) and "I Got Mine" simply took the intensity and power of previously delivered sub-three-minute blasts and diluted it into four to five minutes, which had some fans impatiently glancing at their clocks. The title track barely escapes this predicament, and tighter, punchier numbers like "Back at the Funny Farm" and "Die You Bastard" manage to revisit the classic bile and fury of years past, but Robertson's unwillingness to be a team player (refusing to play standards like "Bomber" live, never mind his ridiculous fashion sense) virtually guaranteed his eventual sacking. By extension, Another Perfect Day is doomed to be considered a curiosity to this very day.

© Eduardo Rivadavia & John Franck /TiVo

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