Alpha Games (Deluxe)

Bloc Party

explícito

Publicado el 29/04/22 por Infectious Music
Artistas principales: Bloc Party
Género Alternativa & Indie

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24-Bit/44.1 kHz Estéreo

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Idioma disponible: inglés

After completing touring duties for 2016's mellow Hymns, Bloc Party spent a chunk of 2018 and 2019 on the road performing their beloved debut album, Silent Alarm, in its entirety. Reconnecting with their early days sparked something that they capture -- or recapture -- on Alpha Games. Bloc Party's timing couldn't have been better, considering that nostalgia for the early 2000s, as well as a post-punk revival, were at a peak when the record was released. Frequently, Alpha Games sounds like the album they could have released after Silent Alarm if they hadn't been so determined to escape the constraints of the so-called angular scene they were initially associated with: When Kele Okereke's voice leaps as he sings "he says he knows when I've been drinking" on the sharply catchy opening track "Day Drinker," it's an immediate throwback to the days of "Banquet." Except for the mention of cryptocurrency, "In Situ" could be a Silent Alarm bonus track -- and reaffirms that Bloc Party's brilliance at swinging between wounded and fierce hasn't aged a bit. Though Alpha Games' distillation of days gone by is impressive, the way Bloc Party still rail against deception and hypocrisy, both personal and political, might be even more so. With burly drums and grappling riffs, "Traps" paints a seedy portrait of a sexual predator; on "By Any Means Necessary," the band fortify their independence with combative dance-punk. Bloc Party are as outspoken as ever on Alpha Games, and sometimes they're still as unabashedly awkward. Both "Callum Is a Snake" -- a warning against backstabbing friends with a title worthy of scrawling on a bathroom wall -- and the Partygate scandal tirade "Rough Justice" are cathartic jumbles with spoken-word delivery that's clumsy compared to Okereke's agile, impassioned singing.
As uneven as the album can be, it's never a simple rehash of Bloc Party's glory days. Adam Greenspan and Nick Launay's tight production gives Alpha Games a leaner attack than Silent Alarm, and while the moments of beauty that balance the band's outbursts are in shorter supply, they're all the sweeter when they appear. "Of Things Yet to Come" is a classic Bloc Party ballad filled with chiming guitars and sighing vocals, and "If We Get Caught" is a fine example of how their songs about falling in love sound like the start of a life-changing adventure. As on Four, the band also find different forms of expression that fit in with their body of work. Pitched somewhere between Depeche Mode and Gary Glitter, the electro-glam bar brawl of "The Girls Are Fighting" is fresh, if not exactly new. By contrast, "The Peace Offering" is one of the few moments where the passage of time is felt in its world-weary recriminations. Indeed, Bloc Party have been around long enough and explored enough styles that Alpha Games' musical homecoming isn't a retreat. More often than not, it feels essential.

© Heather Phares /TiVo

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Alpha Games (Deluxe)

Bloc Party

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