A Love So Beautiful: Roy Orbison & The Royal Philharmonic Orchestra (with The Royal Philharmonic Orchestra)
Roy Orbison
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Idioma disponible: inglés
Roy Orbison's old Sun labelmate Elvis Presley wound up scoring an international hit in 2015 with If I Can Dream, an album where the Royal Philharmonic Orchestra played over old Elvis recordings. With an audience established, other artist estates stepped into the breech, including Orbison's, who endorsed pairing old Roy recordings with the Royal Philharmonic Orchestra. Given that Orbison's hits often verged on the symphonic, this pairing might seem to make more sense than Presley, but A Love So Beautiful contains a considerable amount of rockers -- "Oh, Pretty Woman," "Dream Baby," "Uptown," "Mean Woman Blues" -- that do not lend themselves well to ornate arrangements; they sound pretty silly with the strings sawing. Odder still, Orbison's lush classics -- "In Dreams," "Crying," "It's Over," "Running Scared" -- do not benefit from the orchestral reinterpretations; they sound sticky and heavy. What was once elegant has curdled into something syrupy, and while the technological achievement is admirable -- the seams can't be heard between the old and new recordings -- the resulting record does a disservice to the imagination of the original Orbison recordings and his gorgeous voice.
© Stephen Thomas Erlewine /TiVo
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Roy Orbison, Associated Performer, Composer, Lyricist, Main Artist - Richard Cottle, Vocal Arranger - The Royal Philharmonic Orchestra, Orchestra - Sally Herbert, Orchestrator - Steve Sidwell, Conductor - Robin Smith, Conductor - Ralph Salmins, Drums - Steve Pearce, Bass - Pete Murray, Piano - John Parricelli, Guitar - Robbie McIntosh, Guitar - Paul Franklin, Steel Guitar - Don Reedman, Guitar, Keyboards, Producer - Andrew Playfoot - Miriam Grey - Annie Skates - Lance Ellington - Phoebe Street - Carol Parks - Jim Haas - Gene Morford - Jon Joyce - Joe Chemay - Linda Dillard - Rita Coolidge - Nick Patrick, Keyboards, Producer - Vic Anesini, Mastering Engineer - Kirsty Whalley, Editor, Recording Engineer - Cecile Tournesac, Editor - Peter Schwier, Engineer, Mixing Engineer - Fred Foster, Producer
(P) 2017 Legacy Recordings and Roy's Boys LLC
Roy Orbison, Associated Performer, Composer, Lyricist, Main Artist - Joe Melson, Composer, Lyricist - The Royal Philharmonic Orchestra, Orchestra - Steve Sidwell, Conductor - Richard Cottle, Vocal Arranger - Robin Smith, Conductor, Orchestrator - Ralph Salmins, Drums - Steve Pearce, Bass - Pete Murray, Piano - John Parricelli, Guitar - Robbie McIntosh, Guitar - Andrew Playfoot - Miriam Grey - Annie Skates - Lance Ellington - Phoebe Street - Carol Parks - Jim Haas - Gene Morford - Jon Joyce - Joe Chemay - Linda Dillard - Rita Coolidge - Nick Patrick, Keyboards, Producer - Don Reedman, Keyboards, Producer - Vic Anesini, Mastering Engineer - Kirsty Whalley, Editor, Recording Engineer - Cecile Tournesac, Editor - Peter Schwier, Engineer, Mixing Engineer - Fred Foster, Producer
(P) 2017 Legacy Recordings and Roy's Boys LLC
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(P) 2017 Legacy Recordings and Roy's Boys LLC
Roy Orbison, Associated Performer, Composer, Guitar, Lyricist, Main Artist - Bill Dees, Composer, Lyricist - The Royal Philharmonic Orchestra, Orchestra - Steve Sidwell, Conductor - Robin Smith, Conductor, Orchestrator - Buddy Harman, Drums - Paul Garrison, Drums - Alex Orbison, Drums - Bob Moore, Bass - Steve Pearce, Bass - Floyd Cramer, Piano - Pete Murray, Piano - Billy Sanford, Guitar - Jerry Kennedy, Guitar - Wayne Moss, Guitar - Wesley Orbison, Guitar - Roy Orbison Jr., Guitar - John Parricelli, Guitar - Roy Orbison Jr. 3rd, Guitar, Tambourine - Paul Franklin, Steel Guitar - Nick Patrick, Keyboards, Producer - Don Reedman, Keyboards, Producer - Vic Anesini, Mastering Engineer - Kirsty Whalley, Editor, Recording Engineer - Cecile Tournesac, Editor - Peter Schwier, Engineer, Mixing Engineer - Fred Foster, Producer
(P) 2017 Legacy Recordings and Roy's Boys LLC
Roy Orbison, Associated Performer, Composer, Lyricist, Main Artist - Bill Dees, Composer, Lyricist - The Royal Philharmonic Orchestra, Orchestra - Steve Sidwell, Conductor - Richard Cottle, Vocal Arranger - Robin Smith, Conductor - Chris Walden, Orchestrator - Ralph Salmins, Drums - Steve Pearce, Bass - Pete Murray, Piano - John Parricelli, Guitar - Robbie McIntosh, Guitar - Andrew Playfoot - Annie Skates - Lance Ellington - Phoebe Street - Carol Parks - Jim Haas - Gene Morford - Jon Joyce - Joe Chemay - Linda Dillard - Rita Coolidge - Nick Patrick, Keyboards, Producer - Don Reedman, Keyboards, Producer - Vic Anesini, Mastering Engineer - Kirsty Whalley, Editor, Recording Engineer - Cecile Tournesac, Editor - Peter Schwier, Engineer, Mixing Engineer - Fred Foster, Producer
(P) 2017 Legacy Recordings and Roy's Boys LLC
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(P) 2017 Legacy Recordings and Roy's Boys LLC
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(P) 2017 Legacy Recordings and Roy's Boys LLC
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(P) 2017 Legacy Recordings and Roy's Boys LLC
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(P) 2017 Legacy Recordings and Roy's Boys LLC
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(P) 2017 Legacy Recordings and Roy's Boys LLC
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(P) 2017 Legacy Recordings and Roy's Boys LLC
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(P) 2017 Legacy Recordings and Roy's Boys LLC
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(P) 2017 Legacy Recordings and Roy's Boys LLC
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(P) 2017 Legacy Recordings and Roy's Boys LLC
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(P) 2017 Legacy Recordings and Roy's Boys LLC
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(P) 2017 Legacy Recordings and Roy's Boys LLC
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(P) 2017 Legacy Recordings and Roy's Boys LLC
Descripción del álbum
Roy Orbison's old Sun labelmate Elvis Presley wound up scoring an international hit in 2015 with If I Can Dream, an album where the Royal Philharmonic Orchestra played over old Elvis recordings. With an audience established, other artist estates stepped into the breech, including Orbison's, who endorsed pairing old Roy recordings with the Royal Philharmonic Orchestra. Given that Orbison's hits often verged on the symphonic, this pairing might seem to make more sense than Presley, but A Love So Beautiful contains a considerable amount of rockers -- "Oh, Pretty Woman," "Dream Baby," "Uptown," "Mean Woman Blues" -- that do not lend themselves well to ornate arrangements; they sound pretty silly with the strings sawing. Odder still, Orbison's lush classics -- "In Dreams," "Crying," "It's Over," "Running Scared" -- do not benefit from the orchestral reinterpretations; they sound sticky and heavy. What was once elegant has curdled into something syrupy, and while the technological achievement is admirable -- the seams can't be heard between the old and new recordings -- the resulting record does a disservice to the imagination of the original Orbison recordings and his gorgeous voice.
© Stephen Thomas Erlewine /TiVo
Acerca del álbum
- 1 disco(s) - 17 pista(s)
- Duración total: 00:54:05
- Artistas principales: Roy Orbison Royal Philharmonic Orchestra
- Compositor: Various Composers
- Sello: Legacy Recordings
- Género Pop/Rock Rock
-
24-Bit 96.0 kHz - Stereo
(P) 2017 Legacy Recordings and Roy's Boys LLC
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