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Priscilla Ahn|A Good Day

A Good Day

Priscilla Ahn

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Idioma disponible: inglés

Priscilla Ahn comes from the same singer/songwriter circle that spun off Sara Bareilles and Cary Brothers, having cut her teeth in a dizzying array of L.A. venues before wooing Blue Note Records with her gently confident music. Like the material of many L.A.-based musicians, Ahn's songs brim with sunshine and poppy sparkle, but her East Coast roots lend some earthy depth to this debut. A Good Day draws as much from SoCal's sunny environs as Ahn's home state of Pennsylvania, where the burgeoning musician spent days wandering the vast, rural acreage of her family's home. "I was a little girl...I played pretend between the trees and fed my houseguests bark and leaves," she recalls during "Dream," a whimsical ballad that mixes fingerplucked arpeggios with a tasteful string arrangement. Harmonies swirl throughout the song's conclusion, recalling the earthy atmospherics of Emmylou Harris' Wrecking Ball while keeping Ahn's whimsy and innocence at the forefront. By the third track, however, she transforms herself into a champion of female autonomy, chastising a man for attempting to toy with her heart in "I Don't Think So." The album proceeds in that same fashion, with Ahn jumping between character roles and instrumental duties with equal dexterity. Highlights include "Astronaut," whose carnival rhythms and eerily gorgeous harmonies sound like the orchestration for a Tim Burton film (or perhaps a psychedelic Beatles song -- just listen to the way she slurs the "Ohhh boy" lyric during each verse), as well as a cover of "Opportunity to Cry," which adds a bright shuffle to Willie Nelson's heartbroken original. Given its range and self-assured delivery, A Good Day doesn't quite sound like a debut effort -- a telltale sign that Priscilla Ahn (only 24 years old at the time of its release) is on her way to bigger and better things.

© Andrew Leahey /TiVo

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A Good Day

Priscilla Ahn

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1
Dream
00:03:30

Zac Rae, Keyboards, AssociatedPerformer - Joey Waronker, Producer, Drums, Percussion, AssociatedPerformer - Oliver Kraus, Cello, AssociatedPerformer - Darrell Thorp, Mixer, Recording Engineer, StudioPersonnel - Gus Seyffert, Guitar, Bass Guitar, Organ, AssociatedPerformer - Priscilla Ahn, Acoustic Guitar, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - John Kirby, Vibraphone, AssociatedPerformer

(C) 2008 The Blue Note Label Group ℗ 2008 The Blue Note Label Group

2
Wallflower
00:02:59

Zac Rae, Keyboards, Mellotron, Celesta, AssociatedPerformer - Joey Waronker, Producer, Drums, Percussion, AssociatedPerformer - Bob Ludwig, Mastering Engineer, StudioPersonnel - Darrell Thorp, Recording Engineer, Mix Engineer, StudioPersonnel - Gus Seyffert, Guitar, Keyboards, AssociatedPerformer, Bass (Vocal) - Priscilla Ahn, Composer, Glockenspiel, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer

(C) 2008 The Blue Note Label Group ℗ 2008 The Blue Note Label Group

3
I Don't Think So
00:02:18

Greg Kurstin, Keyboards, AssociatedPerformer - Joey Waronker, Producer, Drums, Percussion, AssociatedPerformer - Bob Ludwig, Mastering Engineer, StudioPersonnel - Darrell Thorp, Recording Engineer, Mix Engineer, StudioPersonnel - Gus Seyffert, Organ, AssociatedPerformer, Bass (Vocal) - Priscilla Ahn, Acoustic Guitar, Vocals, Harmonica, MainArtist, AssociatedPerformer, ComposerLyricist - Mike Andrews, Guitar, AssociatedPerformer

(C) 2008 The Blue Note Label Group ℗ 2008 The Blue Note Label Group

4
Masters In China
00:03:18

Benji Hughes, Composer - Joey Waronker, Producer, Drums, Keyboards, Percussion, AssociatedPerformer - Bob Ludwig, Mastering Engineer, StudioPersonnel - Vanessa Freebairn-Smith, Cello, AssociatedPerformer - Darrell Thorp, Recording Engineer, Mix Engineer, StudioPersonnel - Gus Seyffert, Guitar, Vibraphone, Toy Piano, AssociatedPerformer, Bass (Vocal) - Priscilla Ahn, Acoustic Guitar, Harp, Vocals, MainArtist, AssociatedPerformer - Ursula Knudsen, Musical Saw, AssociatedPerformer

(C) 2008 The Blue Note Label Group ℗ 2008 The Blue Note Label Group

5
Leave The Light On
00:03:15

Greg Kurstin, Keyboards, AssociatedPerformer - Joey Waronker, Producer, Drums, Percussion, AssociatedPerformer - Bob Ludwig, Mastering Engineer, StudioPersonnel - Jim Gilstrap, Background Vocalist, AssociatedPerformer - Darrell Thorp, Recording Engineer, Mix Engineer, StudioPersonnel - Gus Seyffert, Steel Guitar, AssociatedPerformer, Bass (Vocal) - Priscilla Ahn, Composer, Acoustic Guitar, Organ, Vocals, MainArtist, AssociatedPerformer - Mike Andrews, Ukulele, AssociatedPerformer - Orin Waters, Background Vocalist, AssociatedPerformer

(C) 2008 The Blue Note Label Group ℗ 2008 The Blue Note Label Group

6
Red Cape
00:02:55

Justin Meldal-Johnsen, AssociatedPerformer, Bass (Vocal) - Joey Waronker, Producer, Drums, Percussion, AssociatedPerformer - Bob Ludwig, Mastering Engineer, StudioPersonnel - Darrell Thorp, Recording Engineer, Mix Engineer, StudioPersonnel - Gus Seyffert, Guitar, Keyboards, AssociatedPerformer - Priscilla Ahn, Composer, Bells, Acoustic Guitar, Harpsichord, Vocals, MainArtist, AssociatedPerformer

(C) 2008 The Blue Note Label Group ℗ 2008 The Blue Note Label Group

7
Astronaut
00:03:32

Joey Waronker, Producer, Drums, Percussion, Moog Bass, AssociatedPerformer - Bob Ludwig, Mastering Engineer, StudioPersonnel - Darrell Thorp, Recording Engineer, Mix Engineer, StudioPersonnel - Gus Seyffert, Composer, Guitar, Keyboards, Percussion, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Priscilla Ahn, Composer, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer

(C) 2008 The Blue Note Label Group ℗ 2008 The Blue Note Label Group

8
Lullaby
00:04:44

Joey Waronker, Producer, Drums, Percussion, AssociatedPerformer - Bob Ludwig, Mastering Engineer, StudioPersonnel - Oliver Kraus, String Arranger, Keyboards, Strings, AssociatedPerformer - Darrell Thorp, Recording Engineer, Mix Engineer, StudioPersonnel - Larry Goldings, Keyboards, Piano, AssociatedPerformer - Gus Seyffert, Guitar, Harp, AssociatedPerformer - Priscilla Ahn, Composer, Bells, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer

(C) 2008 The Blue Note Label Group ℗ 2008 The Blue Note Label Group

9
Find My Way Back Home
00:02:26

Priscilla Ahn, MainArtist, ComposerLyricist

(C) 2008 The Blue Note Label Group ℗ 2007 The Blue Note Label Group

10
Opportunity To Cry
00:03:25

Willie Nelson, Composer - Joey Waronker, Producer, Drums, Percussion, AssociatedPerformer - Bob Ludwig, Mastering Engineer, StudioPersonnel - Darrell Thorp, Recording Engineer, Mix Engineer, StudioPersonnel - Keith "Keefus" Ciancia, Harpsichord, Keyboards, Piano, AssociatedPerformer - Gus Seyffert, Guitar, AssociatedPerformer, Bass (Vocal) - Priscilla Ahn, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer

(C) 2008 The Blue Note Label Group ℗ 2008 The Blue Note Label Group

11
A Good Day (Morning Song)
00:03:24

Joey Waronker, Producer - Bob Ludwig, Mastering Engineer, StudioPersonnel - Darrell Thorp, Recording Engineer, Mix Engineer, StudioPersonnel - Gus Seyffert, Steel Guitar, AssociatedPerformer - Priscilla Ahn, Composer, Piano, Vocals, MainArtist, AssociatedPerformer

(C) 2008 The Blue Note Label Group ℗ 2008 The Blue Note Label Group

Presentación del Álbum

Priscilla Ahn comes from the same singer/songwriter circle that spun off Sara Bareilles and Cary Brothers, having cut her teeth in a dizzying array of L.A. venues before wooing Blue Note Records with her gently confident music. Like the material of many L.A.-based musicians, Ahn's songs brim with sunshine and poppy sparkle, but her East Coast roots lend some earthy depth to this debut. A Good Day draws as much from SoCal's sunny environs as Ahn's home state of Pennsylvania, where the burgeoning musician spent days wandering the vast, rural acreage of her family's home. "I was a little girl...I played pretend between the trees and fed my houseguests bark and leaves," she recalls during "Dream," a whimsical ballad that mixes fingerplucked arpeggios with a tasteful string arrangement. Harmonies swirl throughout the song's conclusion, recalling the earthy atmospherics of Emmylou Harris' Wrecking Ball while keeping Ahn's whimsy and innocence at the forefront. By the third track, however, she transforms herself into a champion of female autonomy, chastising a man for attempting to toy with her heart in "I Don't Think So." The album proceeds in that same fashion, with Ahn jumping between character roles and instrumental duties with equal dexterity. Highlights include "Astronaut," whose carnival rhythms and eerily gorgeous harmonies sound like the orchestration for a Tim Burton film (or perhaps a psychedelic Beatles song -- just listen to the way she slurs the "Ohhh boy" lyric during each verse), as well as a cover of "Opportunity to Cry," which adds a bright shuffle to Willie Nelson's heartbroken original. Given its range and self-assured delivery, A Good Day doesn't quite sound like a debut effort -- a telltale sign that Priscilla Ahn (only 24 years old at the time of its release) is on her way to bigger and better things.

© Andrew Leahey /TiVo

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