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Idioma disponible: inglés
This collection of mostly vocal works by Charles Wuorinen is notable in several respects and has gained appropriate publicity. It is a product of the growing contemporary music scene in Houston, TX, which has apparently begun to find ways to build on the substantial presence of modern art in that city for which rising oil prices are good news. And, more importantly, it gives general listeners a chance to start coming to grips with the atonal and often difficult music of New Yorker Charles Wuorinen, a Pulitzer Prize winner of the sort who has never commanded public affection or even attention. The key here is the opening Ashberyana, a set of four songs commissioned by Da Camera of Houston. The densely wordy poetry of John Ashbery, Romantic in its lushness despite its complexity, proves to be the perfect foil for Wuorinen's abstract but sensuous style. As director Sarah Rothenberg in her excellent booklet puts it, "The focus of Wuorinen's investigations in music is music itself. Herein lies a deep affinity with the poet John Ashbery, who never ceases to be amazed by language." The rhythms of Wuorinen's music complement Ashbery's lines in an absorbing way, and the unusual texture of the work -- an ongoing dialogue between a baritone and a trombone, with supporting decoration by a string quartet and a piano -- keeps the listener's focus anchored. The important role of polyphony in Wuorinen's music is also illustrated by the concluding Josquiniana, a set of six adaptations -- arrangements is not quite the right word -- of Josquin's chansons for string quartet. The ways in which Wuorinen uses texture ornaments to elaborate the polyphonic structure leads the listener back into the two sets of Fenton Songs, and the Josquin pieces might profitably have been put in the middle of the program. All the performances are lively and engaged, and the text intelligibility of baritone Leon Williams (in the Ashbery work) almost makes the provided texts, in English only, unnecessary. While Wuorinen is certainly not for everybody (and, like Camel filters, doesn't try to be), this is an unusually accessible rendering of his work.
© TiVo
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Ashberyana (Charles Wuorinen)
Leon Williams, Artist, MainArtist - Charles Wuorinen, Composer, Conductor - Da Camera of Houston, Ensemble
(C) 2008 Naxos (P) 2008 Naxos
Leon Williams, Artist, MainArtist - Charles Wuorinen, Composer, Conductor - Da Camera of Houston, Ensemble
(C) 2008 Naxos (P) 2008 Naxos
Leon Williams, Artist, MainArtist - Charles Wuorinen, Composer, Conductor - Da Camera of Houston, Ensemble
(C) 2008 Naxos (P) 2008 Naxos
Leon Williams, Artist, MainArtist - Charles Wuorinen, Composer, Conductor - Da Camera of Houston, Ensemble
(C) 2008 Naxos (P) 2008 Naxos
Praegustatum (Charles Wuorinen)
Sarah Rothenberg, Artist, MainArtist - Charles Wuorinen, Composer
(C) 2008 Naxos (P) 2008 Naxos
Fenton Songs (Charles Wuorinen)
Lucy Shelton, Artist, MainArtist - Sarah Rothenberg, Artist - Charles Wuorinen, Composer - Mark Steinberg, Artist - Nina Maria Lee, Artist
(C) 2008 Naxos (P) 2008 Naxos
Lucy Shelton, Artist, MainArtist - Sarah Rothenberg, Artist - Charles Wuorinen, Composer - Mark Steinberg, Artist - Nina Maria Lee, Artist
(C) 2008 Naxos (P) 2008 Naxos
Lucy Shelton, Artist, MainArtist - Sarah Rothenberg, Artist - Charles Wuorinen, Composer - Mark Steinberg, Artist - Nina Maria Lee, Artist
(C) 2008 Naxos (P) 2008 Naxos
Lucy Shelton, Artist, MainArtist - Sarah Rothenberg, Artist - Charles Wuorinen, Composer - Mark Steinberg, Artist - Nina Maria Lee, Artist
(C) 2008 Naxos (P) 2008 Naxos
Fenton Songs II (Charles Wuorinen)
Alan Feinberg, Artist - Lucy Shelton, Artist, MainArtist - Charles Wuorinen, Composer - Mark Steinberg, Artist - Nina Maria Lee, Artist
(C) 2008 Naxos (P) 2008 Naxos
Alan Feinberg, Artist - Lucy Shelton, Artist, MainArtist - Charles Wuorinen, Composer - Mark Steinberg, Artist - Nina Maria Lee, Artist
(C) 2008 Naxos (P) 2008 Naxos
Alan Feinberg, Artist - Lucy Shelton, Artist, MainArtist - Charles Wuorinen, Composer - Mark Steinberg, Artist - Nina Maria Lee, Artist
(C) 2008 Naxos (P) 2008 Naxos
Alan Feinberg, Artist - Lucy Shelton, Artist, MainArtist - Charles Wuorinen, Composer - Mark Steinberg, Artist - Nina Maria Lee, Artist
(C) 2008 Naxos (P) 2008 Naxos
Josquin (Charles Wuorinen)
Sarah Rothenberg, Artist, MainArtist - Charles Wuorinen, Composer
(C) 2008 Naxos (P) 2008 Naxos
Josquiniana (Charles Wuorinen)
Charles Wuorinen, Composer - Brentano String Quartet, Ensemble, MainArtist
(C) 2008 Naxos (P) 2008 Naxos
Charles Wuorinen, Composer - Brentano String Quartet, Ensemble, MainArtist
(C) 2008 Naxos (P) 2008 Naxos
Charles Wuorinen, Composer - Brentano String Quartet, Ensemble, MainArtist
(C) 2008 Naxos (P) 2008 Naxos
Charles Wuorinen, Composer - Brentano String Quartet, Ensemble, MainArtist
(C) 2008 Naxos (P) 2008 Naxos
Charles Wuorinen, Composer - Brentano String Quartet, Ensemble, MainArtist
(C) 2008 Naxos (P) 2008 Naxos
Charles Wuorinen, Composer - Brentano String Quartet, Ensemble, MainArtist
(C) 2008 Naxos (P) 2008 Naxos
Presentación del Álbum
This collection of mostly vocal works by Charles Wuorinen is notable in several respects and has gained appropriate publicity. It is a product of the growing contemporary music scene in Houston, TX, which has apparently begun to find ways to build on the substantial presence of modern art in that city for which rising oil prices are good news. And, more importantly, it gives general listeners a chance to start coming to grips with the atonal and often difficult music of New Yorker Charles Wuorinen, a Pulitzer Prize winner of the sort who has never commanded public affection or even attention. The key here is the opening Ashberyana, a set of four songs commissioned by Da Camera of Houston. The densely wordy poetry of John Ashbery, Romantic in its lushness despite its complexity, proves to be the perfect foil for Wuorinen's abstract but sensuous style. As director Sarah Rothenberg in her excellent booklet puts it, "The focus of Wuorinen's investigations in music is music itself. Herein lies a deep affinity with the poet John Ashbery, who never ceases to be amazed by language." The rhythms of Wuorinen's music complement Ashbery's lines in an absorbing way, and the unusual texture of the work -- an ongoing dialogue between a baritone and a trombone, with supporting decoration by a string quartet and a piano -- keeps the listener's focus anchored. The important role of polyphony in Wuorinen's music is also illustrated by the concluding Josquiniana, a set of six adaptations -- arrangements is not quite the right word -- of Josquin's chansons for string quartet. The ways in which Wuorinen uses texture ornaments to elaborate the polyphonic structure leads the listener back into the two sets of Fenton Songs, and the Josquin pieces might profitably have been put in the middle of the program. All the performances are lively and engaged, and the text intelligibility of baritone Leon Williams (in the Ashbery work) almost makes the provided texts, in English only, unnecessary. While Wuorinen is certainly not for everybody (and, like Camel filters, doesn't try to be), this is an unusually accessible rendering of his work.
© TiVo
Detalles de la grabación original : 61:28 - DDD - Enregistré * à la Salle Duncan de la Shepherd School Music, Rice University, à Houston (Texas) le 12 octobre 2005, et à l'Académie Américaine des Arts et Lettres de New York en janvier 2007 - Notes en anglais
Acerca del álbum
- 1 disco(s) - 20 pista(s)
- Duración total: 01:01:15
- 1 Libreto digital
- Artistas principales: Da Camera of Houston
- Compositor: Charles Wuorinen
- Sello: Naxos
- Área: Etats-Unis d'Amérique
- Género Clásica Música vocal (profana y sacra)
- Periodo: Compositores nacidos después de 1958
- Colección: Naxos American Classics
(C) 2008 Naxos (P) 2008 Naxos
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