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Nguyên Lê|Walking on the Tiger's Tail

Walking on the Tiger's Tail

Nguyên Lê

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Guitarist Nguyên Le explores a wide span of modern styles throughout Walking on the Tiger's Tail. Some of the up-tempo pieces are essentially fusion while other selections look towards the folk-jazz of Oregon (helped out by the many horns of Paul McCandless), world music and post-bop jazz. The bassless quartet finds each of the musicians assuming the role of the bass at one time or another, and so effectively that one rarely notices its absence. Le's passionate guitar solos, the mixture of stylists and styles, and the inventive originals (which include some impressionistic ballads) make the music completely unclassifiable as anything but stimulating 21st century creative jazz.

© Scott Yanow /TiVo

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Walking on the Tiger's Tail

Nguyên Lê

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1
Wingless Flight
00:04:38

Nguyen Le, Composer, Performer

2005 ACT Music + Vision 2005 ACT Music + Vision

2
Yielding Water
00:06:03

Nguyen Le, Performer

2005 ACT Music + Vision 2005 ACT Music + Vision

3
Totsu !
00:07:55

Nguyen Le, Performer

2005 ACT Music + Vision 2005 ACT Music + Vision

4
Snow On a Flower
00:05:34

Nguyen Le, Performer

2005 ACT Music + Vision 2005 ACT Music + Vision

5
Jorai
00:05:06

Nguyen Le, Performer

2005 ACT Music + Vision 2005 ACT Music + Vision

6
Butterfly Dream
00:05:53

Nguyen Le, Performer

2005 ACT Music + Vision 2005 ACT Music + Vision

7
Walking On A Tiger´s Tail
00:08:22

Nguyen Le, Performer

2005 ACT Music + Vision 2005 ACT Music + Vision

8
Bee
00:05:26

Nguyen Le, Performer

2005 ACT Music + Vision 2005 ACT Music + Vision

9
Evening Glory
00:05:00

Nguyen Le, Performer

2005 ACT Music + Vision 2005 ACT Music + Vision

10
Zamora
00:06:39

Nguyen Le, Performer

2005 ACT Music + Vision 2005 ACT Music + Vision

11
Eventail
00:05:08

Nguyen Le, Performer

2005 ACT Music + Vision 2005 ACT Music + Vision

Presentación del Álbum

Guitarist Nguyên Le explores a wide span of modern styles throughout Walking on the Tiger's Tail. Some of the up-tempo pieces are essentially fusion while other selections look towards the folk-jazz of Oregon (helped out by the many horns of Paul McCandless), world music and post-bop jazz. The bassless quartet finds each of the musicians assuming the role of the bass at one time or another, and so effectively that one rarely notices its absence. Le's passionate guitar solos, the mixture of stylists and styles, and the inventive originals (which include some impressionistic ballads) make the music completely unclassifiable as anything but stimulating 21st century creative jazz.

© Scott Yanow /TiVo

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