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Joel McNeely|Virus (Virus/Soundtrack Version)

Virus (Virus/Soundtrack Version)

Joel McNeely

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Like Jerry Goldsmith -- his obvious inspiration -- before him, Joel McNeely consistently delivers his most compelling and imaginative action scores for films with neither of the aforementioned qualities. The 1999 release Virus is another frustrating example -- the movie disappeared from theaters so quickly that McNeely's efforts barely registered, but on closer examination, Virus is his most effective work in the action genre, galvanized by its intense but focused melodies as well as its dynamic arrangements. McNeely's brash orchestrations employ a menacing male choir and dissonant strings to add layers of depth and darkness to his adrenalized approach -- this is big, bold music that works better onscreen than on record, but its craftsmanship and passion resonate regardless of context.

© Jason Ankeny /TiVo

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Virus (Virus/Soundtrack Version)

Joel McNeely

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1
Volkov And The Mir (Virus/Soundtrack Version)
00:02:14

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

2
Typhoon Leah (Virus/Soundtrack Version)
00:06:19

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

3
Another Ship (Virus/Soundtrack Version)
00:04:17

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

4
Anchor's Away (Virus/Soundtrack Version)
00:02:14

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

5
Squeaky Gets Greased (Virus/Soundtrack Version)
00:02:11

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

6
Nadia Runs (Virus/Soundtrack Version)
00:01:10

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

7
Nadia's Story (Virus/Soundtrack Version)
00:03:16

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

8
Seven Footer Chase (Virus/Soundtrack Version)
00:03:29

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

9
Turkey Hunting (Virus/Soundtrack Version)
00:02:56

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

10
We Can Kill This Thing (Virus/Soundtrack Version)
00:03:57

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

11
Robo-Captain (Virus/Soundtrack Version)
00:05:12

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

12
Interrogation (Virus/Soundtrack Version)
00:02:47

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

13
Sinking The Ship (Virus/Soundtrack Version)
00:04:20

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

14
End Credits (Virus/Soundtrack Version)
00:05:42

Judd Miller, Synthesizer, AssociatedPerformer - Joel McNeely, Composer, Producer, MainArtist - Shawn Murphy, Mixer, Recording Engineer, StudioPersonnel - David Slonaker, Unknown, Other - Ron Aston, Percussion, AssociatedPerformer

℗ 1999 Universal Music Enterprises, a Division of UMG Recordings, Inc.

Presentación del Álbum

Like Jerry Goldsmith -- his obvious inspiration -- before him, Joel McNeely consistently delivers his most compelling and imaginative action scores for films with neither of the aforementioned qualities. The 1999 release Virus is another frustrating example -- the movie disappeared from theaters so quickly that McNeely's efforts barely registered, but on closer examination, Virus is his most effective work in the action genre, galvanized by its intense but focused melodies as well as its dynamic arrangements. McNeely's brash orchestrations employ a menacing male choir and dissonant strings to add layers of depth and darkness to his adrenalized approach -- this is big, bold music that works better onscreen than on record, but its craftsmanship and passion resonate regardless of context.

© Jason Ankeny /TiVo

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