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Keith Jarrett feels that this is his finest solo concert; having "courted the flame for a very long time," he writes, this music speaks "the language of the flame itself." Perhaps playing in the European-tradition-encrusted Vienna Staatsoper had an overt influence, for never has a recorded Jarrett solo concert fallen into such a logical, even classical overall structure as this one -- all on the wing, mind you. Part I develops in a majestic 41-minute arch, opening with a simple chorale, devotional and trenchant, and suddenly kicking into a daring, complex, agitated toccata without a key center, technically dazzling and darting. That coalesces into a grand tonal passage with inferences of the great European piano concertos before subsiding into a quietly affirmative finale. Part II is shorter and less rigorously structured, surging and ebbing around shimmering tremolos and a brief pulsating rhythm, alternately evoking the Middle East and the medieval Dies Irae. Jarrett's exalted judgment is close to the mark; though more Eurocentric than ever, these are his most impressive solo performances since Sun Bear.
© Richard S. Ginell /TiVo
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Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Peter Länger, Recording Engineer, StudioPersonnel
℗ 1992 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Peter Länger, Recording Engineer, StudioPersonnel
℗ 1992 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Presentación del Álbum
Keith Jarrett feels that this is his finest solo concert; having "courted the flame for a very long time," he writes, this music speaks "the language of the flame itself." Perhaps playing in the European-tradition-encrusted Vienna Staatsoper had an overt influence, for never has a recorded Jarrett solo concert fallen into such a logical, even classical overall structure as this one -- all on the wing, mind you. Part I develops in a majestic 41-minute arch, opening with a simple chorale, devotional and trenchant, and suddenly kicking into a daring, complex, agitated toccata without a key center, technically dazzling and darting. That coalesces into a grand tonal passage with inferences of the great European piano concertos before subsiding into a quietly affirmative finale. Part II is shorter and less rigorously structured, surging and ebbing around shimmering tremolos and a brief pulsating rhythm, alternately evoking the Middle East and the medieval Dies Irae. Jarrett's exalted judgment is close to the mark; though more Eurocentric than ever, these are his most impressive solo performances since Sun Bear.
© Richard S. Ginell /TiVo
Acerca del álbum
- 1 disco(s) - 2 pista(s)
- Duración total: 01:07:56
- Artistas principales: Keith Jarrett
- Compositor: Keith Jarrett
- Sello: ECM Records
- Género Jazz
© 1992 ECM Records GmbH ℗ 1992 ECM Records GmbH
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