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Toots Hibbert|Toots In Memphis

Toots In Memphis

Toots Hibbert

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Of all the great singers of reggae's golden era, Toots Hibbert of Toots & the Maytals was always the one most profoundly influenced by American soul music, so when Jim Dickinson brought Toots to Ardent Studio in Memphis to cut a set of '60s soul classics with a band anchored by reggae's greatest rhythm section, Sly Dunbar and Robbie Shakespeare, and fleshed out with the cream of Memphis' session talent (including Andrew Love of the Memphis Horns and guitarist Eddie Hinton), it seemed like a foolproof no-brainer. And, for a change, the no-brainer idea really worked; Toots in Memphis finds Hibbert in typically strong voice, jumping into these songs with full-throated passion (his take on "I've Got Dreams to Remember" makes him sound like the greatest Otis Redding fan the island of Jamaica ever produced, and is alone worth the price of admission), and the band finds a middle ground between reggae, funk, and soul that's sensual and entirely satisfying. Though Toots never quite takes these tunes away from Otis Redding, Al Green, James Carr, or any of the other masters who first recorded them, he never fails to put his own stamp on the material, and the result is one of the great cross-cultural party albums of all times. In 1976, Toots Hibbert cut an album called Reggae Got Soul, and on Toots in Memphis he proves that beyond a shadow of a doubt.
© Mark Deming /TiVo

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Toots In Memphis

Toots Hibbert

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1
(I've Got) Dreams To Remember
00:03:56

Zelma Redding, ComposerLyricist - Joe Rock, ComposerLyricist - Otis Redding, ComposerLyricist - Toots Hibbert, MainArtist - JIM DICKINSON, Producer

℗ 1988 UMG Recordings, Inc.

2
Knock On Wood
00:04:06

Steve Cropper, ComposerLyricist - Eddie Floyd, ComposerLyricist - Toots Hibbert, MainArtist - JIM DICKINSON, Producer

℗ 1988 UMG Recordings, Inc.

3
Love And Happiness
00:06:47

Al Green, ComposerLyricist - Toots Hibbert, MainArtist - JIM DICKINSON, Producer - Mabon Hodges Lewis, ComposerLyricist

℗ 1988 UMG Recordings, Inc.

4
Love Attack
00:03:44

Toots Hibbert, MainArtist - JIM DICKINSON, Producer - Quinton M. Claunch, ComposerLyricist

℗ 1988 UMG Recordings, Inc.

5
Hard To Handle
00:02:58

Alvertis Isbell, ComposerLyricist - Allen Alvoid Jones Jr., ComposerLyricist - Otis Redding, ComposerLyricist - Toots Hibbert, MainArtist - JIM DICKINSON, Producer

℗ 1988 UMG Recordings, Inc.

6
Love In The Rain
00:04:08

Ann Peebles, ComposerLyricist - Donald Maurice Bryant, ComposerLyricist - BERNARD MILLER, ComposerLyricist - Toots Hibbert, MainArtist - JIM DICKINSON, Producer

℗ 1988 UMG Recordings, Inc.

7
It's A Shame
00:05:01

Toots Hibbert, MainArtist - JIM DICKINSON, Producer - Jeffrey James Malone, ComposerLyricist

℗ 1988 UMG Recordings, Inc.

8
Precious Precious
00:04:00

Jackie Moore, ComposerLyricist - Sly Dunbar, Drums, AssociatedPerformer - Toots Hibbert, MainArtist - JIM DICKINSON, Producer - Robbie Shakespeare, Bass Guitar, AssociatedPerformer - David Bernard Crawford, ComposerLyricist

℗ 1988 UMG Recordings, Inc.

9
Freedom Train
00:04:25

Steve Bogard, ComposerLyricist - Larry Rogers, ComposerLyricist - Toots Hibbert, MainArtist - JIM DICKINSON, Producer - Carl Wells, ComposerLyricist

℗ 1988 UMG Recordings, Inc.

10
See It My Way
00:04:16

Frederick Hibbert, ComposerLyricist - Sly Dunbar, ComposerLyricist - Toots Hibbert, MainArtist - JIM DICKINSON, Producer - Larry McDonald, ComposerLyricist - Robbie Shakespeare, ComposerLyricist - Mabon Hodges Lewis, ComposerLyricist - Marc Chung, ComposerLyricist

℗ 1988 UMG Recordings, Inc.

Presentación del Álbum

Of all the great singers of reggae's golden era, Toots Hibbert of Toots & the Maytals was always the one most profoundly influenced by American soul music, so when Jim Dickinson brought Toots to Ardent Studio in Memphis to cut a set of '60s soul classics with a band anchored by reggae's greatest rhythm section, Sly Dunbar and Robbie Shakespeare, and fleshed out with the cream of Memphis' session talent (including Andrew Love of the Memphis Horns and guitarist Eddie Hinton), it seemed like a foolproof no-brainer. And, for a change, the no-brainer idea really worked; Toots in Memphis finds Hibbert in typically strong voice, jumping into these songs with full-throated passion (his take on "I've Got Dreams to Remember" makes him sound like the greatest Otis Redding fan the island of Jamaica ever produced, and is alone worth the price of admission), and the band finds a middle ground between reggae, funk, and soul that's sensual and entirely satisfying. Though Toots never quite takes these tunes away from Otis Redding, Al Green, James Carr, or any of the other masters who first recorded them, he never fails to put his own stamp on the material, and the result is one of the great cross-cultural party albums of all times. In 1976, Toots Hibbert cut an album called Reggae Got Soul, and on Toots in Memphis he proves that beyond a shadow of a doubt.
© Mark Deming /TiVo

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