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The Dave Brubeck Quartet|Time Out

Time Out

The Dave Brubeck Quartet

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Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move -- Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt -- it's just that they're not jarring. Brubeck's classic "Blue Rondo à la Turk" blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as its become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it's really very good in spite of the people who like it. It doesn't just sound sophisticated -- it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection.

© Steve Huey /TiVo

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Time Out

The Dave Brubeck Quartet

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1
Blue Rondo à la Turk (Album Version)
00:06:43

Joe Morello, Drums - Eugene Wright, Bass - Paul Desmond, Alto Saxophone - Teo Macero, Producer - D. Brubeck, Composer - D. Brubeck, Lyricist - Dave Brubeck, Piano - The Dave Brubeck Quartet, Performer

Originally released 1959. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

2
Strange Meadow Lark (Album Version)
00:07:22

Fred Plaut, Recording Engineer - Joe Morello, Drums - Eugene Wright, Bass - Paul Desmond, Alto Saxophone - Teo Macero, Producer - Dave Brubeck, Composer - Dave Brubeck, Piano - Dave Brubeck, Lyricist - Mark Wilder, Mastering Engineer - The Dave Brubeck Quartet, Performer

Originally released 1959. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

3
Take Five (Album Version)
00:05:24

Joe Morello, Drums - Eugene Wright, Bass - Paul Desmond, Composer - Paul Desmond, Lyricist - Paul Desmond, Alto Saxophone - Teo Macero, Producer - Dave Brubeck, Piano - The Dave Brubeck Quartet, Performer

Originally released 1959. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

4
Three to Get Ready (Album Version)
00:05:23

Joe Morello, Drums - Eugene Wright, Bass - Paul Desmond, Alto Saxophone - Teo Macero, Producer - D. Brubeck, Composer - D. Brubeck, Lyricist - Dave Brubeck, Piano - The Dave Brubeck Quartet, Performer

Originally released 1959. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

5
Kathy's Waltz (Album Version)
00:04:47

Dave Brubeck, Piano - Fred Plaut, Recording Engineer - Mark Wilder, Mastering Engineer - The Dave Brubeck Quartet, Performer - Teo Macero, Producer - Paul Desmond, Alto Saxophone - Eugene Wright, Bass - D. Brubeck, Composer - D. Brubeck, Lyricist - Joe Morello, Drums

Originally released 1959. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

6
Everybody's Jumpin' (Album Version)
00:04:22

Dave Brubeck, Piano - Fred Plaut, Recording Engineer - Mark Wilder, Mastering Engineer - The Dave Brubeck Quartet, Performer - Teo Macero, Producer - Paul Desmond, Alto Saxophone - Eugene Wright, Bass - D. Brubeck, Composer - D. Brubeck, Lyricist - Joe Morello, Drums

Originally released 1959. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

7
Pick up Sticks (Album Version)
00:04:16

Dave Brubeck, Piano - Fred Plaut, Recording Engineer - Mark Wilder, Mastering Engineer - The Dave Brubeck Quartet, Performer - Teo Macero, Producer - Paul Desmond, Alto Saxophone - Eugene Wright, Bass - D. Brubeck, Composer - D. Brubeck, Lyricist - Joe Morello, Drums

Originally released 1959. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

Presentación del Álbum

Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move -- Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt -- it's just that they're not jarring. Brubeck's classic "Blue Rondo à la Turk" blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as its become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it's really very good in spite of the people who like it. It doesn't just sound sophisticated -- it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection.

© Steve Huey /TiVo

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