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Scott McKenzie|The Voice of Scott McKenzie (Expanded Edition)

The Voice of Scott McKenzie (Expanded Edition)

Scott McKenzie

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There was more to Scott McKenzie than "San Francisco," though this album came out so long after that single peaked on the charts that few people ever bothered to buy it. There's nothing here quite like the title song, and none of the rest captures a magical mood or moment the way that the single did, though there is some very pretty music. McKenzie's rendition of Donovan's "Celeste" has a languid beauty, while his version of John Sebastian and Zal Yanovsky's "It's Not Time Now" is a more standard, rhythmic folk-rock piece. For reasons perhaps best known to himself, however, McKenzie's voice doesn't have as much range or flexibility on those two numbers as it seemed to show on "San Francisco." But when he does one of his originals, his expressiveness blooms, and he stays fairly strong on all of the rest. That includes Tim Hardin's "Reason to Believe" (one of the better renditions that song has ever received) and "No, No, No, No, No," a hook-laden piece about sexual pursuit and frustration with an exquisite orchestral accompaniment behind a lean, punchy acoustic band sound; and Hardin's haunting, cautionary "Don't Make Promises." Still, the songs that McKenzie does best here are the John Phillips-authored works -- beyond the title cut, those include "Like an Old Time Movie" and "Twelve-Thirty." The latter has a poignancy here that the more familiar version by the Mamas & the Papas misses; one gets the illusion of a personal confessional, so closely does McKenzie seem to embrace the lyric. Some of his singing is still a bit too bland, but overall this would have been a promising first effort, had McKenzie been of more of a mind to follow it up quickly. The album was later repackaged in England as San Francisco, with a different song order, and has been reissued by Sony U.K. under that title.

© Bruce Eder /TiVo

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The Voice of Scott McKenzie (Expanded Edition)

Scott McKenzie

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1
San Francisco (Be Sure to Wear Some Flowers In Your Hair)
00:02:58

Scott McKenzie, MainArtist, AssociatedPerformer - John Phillips, Composer - Producer not documented on available sources, Producer

Originally released 1967. All rights reserved by Epic Records, a division of Sony Music Entertainment

2
Celeste
00:03:29

Scott McKenzie, MainArtist, AssociatedPerformer - Donovan, Composer

Originally released 1967. All rights reserved by Epic Records, a division of Sony Music Entertainment

3
It's Not Time Now
00:02:46

Scott McKenzie, MainArtist, AssociatedPerformer - Z. Yanovsky, Composer - J. Sebastian, Composer - Producer not documented on available sources, Producer

Originally released 1965. All rights reserved by Epic Records, a division of Sony Music Entertainment

4
What's the Difference (Chapter II)
00:02:40

Scott McKenzie, Composer, MainArtist, AssociatedPerformer

Originally released 1966. All rights reserved by Epic Records, a division of Sony Music Entertainment

5
Reason to Believe
00:02:21

Scott McKenzie, MainArtist, AssociatedPerformer - Tim Hardin, Composer - Producer not documented on available sources, Producer

Originally released 1966. All rights reserved by Epic Records, a division of Sony Music Entertainment

6
Like an Old Time Movie
00:03:14

Scott McKenzie, MainArtist, AssociatedPerformer - Lou Adler, Producer - John Phillips, Composer, Producer

Originally released 1966. All rights reserved by Epic Records, a division of Sony Music Entertainment

7
No, No, No, No, No
00:02:50

Scott McKenzie, MainArtist, AssociatedPerformer - Geoffrey Stephens, Composer - M. Polnareff, Composer - Producer not documented on available sources, Producer

Originally released 1967. All rights reserved by Epic Records, a division of Sony Music Entertainment

8
Don't Make Promises
00:03:54

Scott McKenzie, MainArtist, AssociatedPerformer - Tim Hardin, Composer

Originally released 1966. All rights reserved by Epic Records, a division of Sony Music Entertainment

9
Twelve Thirty
00:03:16

Scott McKenzie, MainArtist, AssociatedPerformer - John Phillips, Composer - Producer not documented on available sources, Producer

Originally released 1967. All rights reserved by Epic Records, a division of Sony Music Entertainment

10
Rooms
00:03:27

Scott McKenzie, MainArtist, AssociatedPerformer - Jeffrey Phillips, Composer

Originally released 1966. All rights reserved by Epic Records, a division of Sony Music Entertainment

11
What's the Difference (Chapter I)
00:02:18

Scott McKenzie, Composer, MainArtist, AssociatedPerformer - Producer not documented on available sources, Producer

Originally released 1967. All rights reserved by Epic Records, a division of Sony Music Entertainment

12
San Francisco (Be Sure to Wear Flowers In Your Hair) (Mono Single Version)
00:02:54

Scott McKenzie, MainArtist, AssociatedPerformer - Lou Adler, Producer - John Phillips, Composer, Lyricist, Producer

Originally released 1967. All rights reserved by Epic Records, a division of Sony Music Entertainment

13
What's the Difference (Single Mix)
00:02:15

Scott McKenzie, Composer, Lyricist, MainArtist, AssociatedPerformer - Lou Adler, Producer - John Phillips, Producer

Originally released 1967. All rights reserved by Epic Records, a division of Sony Music Entertainment

14
Like an Old Time Movie (Mono Single Version)
00:03:15

Scott McKenzie, MainArtist, AssociatedPerformer - Lou Adler, Producer - John Phillips, Composer, Lyricist, Producer

Originally released 1967. All rights reserved by Epic Records, a division of Sony Music Entertainment

15
What's the Difference (Chapter II) (Mono Single Version)
00:02:40

Scott McKenzie, Composer, Lyricist, MainArtist, AssociatedPerformer - Lou Adler, Producer - John Phillips, Producer

Originally released 1967. All rights reserved by Epic Records, a division of Sony Music Entertainment

16
Celeste (Mono Single Version)
00:03:29

Scott McKenzie, MainArtist, AssociatedPerformer - Lou Adler, Producer - John Phillips, Producer - Donovan, Composer, Lyricist

Originally released 1967. All rights reserved by Epic Records, a division of Sony Music Entertainment

17
No, No, No, No, No (Mono Single Version)
00:02:50

Scott McKenzie, MainArtist, AssociatedPerformer - Lou Adler, Producer - Geoffrey Stephens, Composer, Lyricist - M. Polnareff, Composer, Lyricist - John Phillips, Producer

Originally released 1967. All rights reserved by Epic Records, a division of Sony Music Entertainment

18
Holy Man
00:02:45

Scott McKenzie, MainArtist, AssociatedPerformer - John Phillips, Composer, Lyricist

Originally released 1968. All rights reserved by Sony Music Entertainment.

19
What's the Difference (Chapter III)
00:03:36

Scott McKenzie, Composer, Lyricist, MainArtist, AssociatedPerformer - Lou Adler, Producer - John Phillips, Producer

Originally released 1968. All rights reserved by RCA Records, a division of Sony Music Entertainment

Presentación del Álbum

There was more to Scott McKenzie than "San Francisco," though this album came out so long after that single peaked on the charts that few people ever bothered to buy it. There's nothing here quite like the title song, and none of the rest captures a magical mood or moment the way that the single did, though there is some very pretty music. McKenzie's rendition of Donovan's "Celeste" has a languid beauty, while his version of John Sebastian and Zal Yanovsky's "It's Not Time Now" is a more standard, rhythmic folk-rock piece. For reasons perhaps best known to himself, however, McKenzie's voice doesn't have as much range or flexibility on those two numbers as it seemed to show on "San Francisco." But when he does one of his originals, his expressiveness blooms, and he stays fairly strong on all of the rest. That includes Tim Hardin's "Reason to Believe" (one of the better renditions that song has ever received) and "No, No, No, No, No," a hook-laden piece about sexual pursuit and frustration with an exquisite orchestral accompaniment behind a lean, punchy acoustic band sound; and Hardin's haunting, cautionary "Don't Make Promises." Still, the songs that McKenzie does best here are the John Phillips-authored works -- beyond the title cut, those include "Like an Old Time Movie" and "Twelve-Thirty." The latter has a poignancy here that the more familiar version by the Mamas & the Papas misses; one gets the illusion of a personal confessional, so closely does McKenzie seem to embrace the lyric. Some of his singing is still a bit too bland, but overall this would have been a promising first effort, had McKenzie been of more of a mind to follow it up quickly. The album was later repackaged in England as San Francisco, with a different song order, and has been reissued by Sony U.K. under that title.

© Bruce Eder /TiVo

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