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Louise Alder|The Russian Connection

The Russian Connection

Louise Alder, Joseph Middleton

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The Russian Connection named in the subtitle of this release by soprano Louise Alder is not some kind of Russian musical influence, but a Russian connection in Alder's life: her family came from Odessa, fled during World War I, and spoke all the languages represented on the album with the except for Swedish. This multinational group of songs, mostly not in the first language of the composers (Swedish, Sibelius' first language, is again one exception), is something of a tour de force on the part of Alder, who not only had to sing in different languages but to master various national styles of singing and song. She has been known for the lighter textures of Mozart and the like, but although she's no Galina Vishnevskaya, she manages the combination of strong and intimate in the Six Songs, Op. 38, of Rachmaninov. The four Sibelius songs, only two from a single set, are interesting in themselves, quite different in style from his early orchestral music of the same period. Alder shifts gears completely for the Seks Sange, Op. 48, of Grieg, in German despite their title, little masterpieces of delicate lyricism. The Six Mélodies, Op. 65, of Tchaikovsky, are in French, written for one of the composer's earlier backers, and they're in quite a different melodic mode from the two Medtner Goethe songs of a decade later, in German. The program concludes with settings by Benjamin Britten of poems by Pushkin in the original Russian, even though the composer did not speak that language (Vishnevskaya gave the works her seal of approval). The album takes its title from the last of these, and again Alder has a difficult balance to find here and strikes it admirably. With equally versatile accompaniment from Joseph Middleton, who suggested the program, and fine Potton Hall sound, this is an important release from a young soprano who is emerging as a major star.
© TiVo

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The Russian Connection

Louise Alder

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Six Songs, Op. 38 (Serge Rachmaninoff)

1
I. At Night In My Garden
00:01:52

Sergei Rachmaninoff, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

2
II. To Her. Andante
00:02:47

Sergei Rachmaninoff, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

3
III. Daisies
00:02:28

Sergei Rachmaninoff, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

4
IV. The Rat Catcher
00:02:41

Sergei Rachmaninoff, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

5
V. Dream
00:03:22

Sergei Rachmaninoff, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

6
VI. A-oo. Andante
00:02:22

Sergei Rachmaninoff, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

7
Våren flyktar hastigt, Op. 13 No. 4
00:01:39

Jean Sibelius, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

8
Våren flyktar hastigt, Op. 13 No. 4: Säv, säv, susa, Op. 36 No. 4 (1900?)
00:02:38

Jean Sibelius, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

9
Flickan kom ifrån sin älsklings möte, Op. 37 No. 5
00:03:04

Jean Sibelius, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

10
Var det en dröm?, Op. 37 No. 4
00:02:11

Jean Sibelius, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

Seks Sange, Op. 48 (Edvard Grieg)

11
I. Gruß (Greeting)
00:01:08

Edvard Grieg, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

12
II. Dereinst. Gedanke mein (One Day, My Thoughts)
00:02:42

Edvard Grieg, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

13
III. Lauf der Welt (The Way It Goes)
00:01:38

Edvard Grieg, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

14
IV. Die verschwiegene Nachtigall (The Discreet Nightingale)
00:03:34

Edvard Grieg, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

15
V. Zur Rosenzeit (When the Roses Blossom)
00:03:00

Edvard Grieg, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

16
VI. Ein Traum (A Dream)
00:02:27

Edvard Grieg, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

Six Mélodies, Op. 65 (Pyotr Illitch Tchaïkovski)

17
I. Sérénade (Serenade)
00:01:45

Pyotr Ilyich Tchaikovsky, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

18
II. Déception (Disappointment)
00:02:28

Pyotr Ilyich Tchaikovsky, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

19
III. Sérénade (Serenade)
00:02:11

Pyotr Ilyich Tchaikovsky, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

20
IV. Qu'importe que l'hiver (What Does It Matter That Winter)
00:02:30

Pyotr Ilyich Tchaikovsky, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

21
V. Les Larmes (Tears)
00:03:05

Pyotr Ilyich Tchaikovsky, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

22
VI. Rondel (Rondel)
00:01:11

Pyotr Ilyich Tchaikovsky, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

23
Mailied, Op. 6 No. 2
00:01:50

Nikolai Medtner, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

24
Meeresstille, Op. 15 No. 7
00:03:15

Nikolai Medtner, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

The poet's echo, op. 76 (Benjamin Britten)

25
I. Echo
00:02:58

Benjamin Britten, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

26
II. I Thought That the Heart Had Forgotten
00:01:33

Benjamin Britten, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

27
III. Angel
00:02:26

Benjamin Britten, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

28
IV. The Nightingale and the Rose
00:03:51

Benjamin Britten, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

29
V. Epigram
00:00:52

Benjamin Britten, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

30
VI. Lines Written During a Sleepless Night
00:03:57

Benjamin Britten, Composer - Joseph Middleton, Piano, MainArtist - Louise Alder, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

Presentación del Álbum

The Russian Connection named in the subtitle of this release by soprano Louise Alder is not some kind of Russian musical influence, but a Russian connection in Alder's life: her family came from Odessa, fled during World War I, and spoke all the languages represented on the album with the except for Swedish. This multinational group of songs, mostly not in the first language of the composers (Swedish, Sibelius' first language, is again one exception), is something of a tour de force on the part of Alder, who not only had to sing in different languages but to master various national styles of singing and song. She has been known for the lighter textures of Mozart and the like, but although she's no Galina Vishnevskaya, she manages the combination of strong and intimate in the Six Songs, Op. 38, of Rachmaninov. The four Sibelius songs, only two from a single set, are interesting in themselves, quite different in style from his early orchestral music of the same period. Alder shifts gears completely for the Seks Sange, Op. 48, of Grieg, in German despite their title, little masterpieces of delicate lyricism. The Six Mélodies, Op. 65, of Tchaikovsky, are in French, written for one of the composer's earlier backers, and they're in quite a different melodic mode from the two Medtner Goethe songs of a decade later, in German. The program concludes with settings by Benjamin Britten of poems by Pushkin in the original Russian, even though the composer did not speak that language (Vishnevskaya gave the works her seal of approval). The album takes its title from the last of these, and again Alder has a difficult balance to find here and strikes it admirably. With equally versatile accompaniment from Joseph Middleton, who suggested the program, and fine Potton Hall sound, this is an important release from a young soprano who is emerging as a major star.
© TiVo

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