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Aaron Watson|The Road & The Rodeo

The Road & The Rodeo

Aaron Watson

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Idioma disponible: inglés

On one hand, Aaron Watson's The Road & the Rodeo stays close to his Texas country music, singer/songwriter roots; on the other, this is easily his slickest record to date and swinging for the fences in Nashville. While the album doesn't contain many of the '70s rock-influenced sounds -- enormously compressed electric guitars or crunchy, booming arena rock drums --that are de rigueur for so many Nashville studios in the 21st century (and so popular with contemporary country radio programmers), it's far smoother than the rowdy, good-time honky tonk sounds on his earlier offerings. Evidence of this shift occurred on 2008's Angels & Outlaws, but given mostly reflective material, it was less apparent than it is here. Watson, who wrote or co-wrote over half of the set's 15 numbers, is still open to experimentation, however, letting his opening title cut go on for just over a minute before abruptly cutting off, seemingly in the middle never to return, making the listener think something is wrong with her stereo. Elliot Park's "The Road" kicks things off properly, with an uptempo Telecaster, pedal steel, and fiddle-drenched tale of life and its various adventures cleverly compared to road surfaces. Next up is a cover of Tom Petty's hit "Walls." Watson employs pedal steel and fiddle, and ratchets up the pace, but ultimately it goes nowhere, adding nothing to the song or the album. "Fast Cars and Slow Kisses" was written and recorded as fodder for radio and is virtually indistinguishable from mainstream contemporary country. Bruce Robison's "Drivin' All Night Long" keeps some Texas honky tonk inside its polished Nash Vegas grooves. That said, Texas roots music still looms large in Watson's vision. "God Bless Her Crazy Heart" rocks, but like something out of the prime of Waylon Jennings' and Willie Nelson's live band stomp. "Houston" and "Hollywood" are pure Texas country & western, with loads of swinging steel, popping cut-time basslines, and in-the-pocket shuffling drums. The Road & the Rodeo is a mixed bag that tries to please everybody, and to some degree does, but it also makes the listener wonder just where Watson will go from here.

© Thom Jurek /TiVo

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The Road & The Rodeo

Aaron Watson

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1
The Road & The Rodeo
00:01:09

Mark Sissel, Composer, Author - Aaron Watson, Composer, Author, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

2
The Road
00:03:21

Elliott Park, Composer, Author - Aaron Watson, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

3
Walls
00:03:10

Tom Petty, Composer, Author - Aaron Watson, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

4
Best For Last
00:03:44

Aaron Watson, Composer, Author, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

5
Fast Cars Slow Kisses
00:03:10

Aaron Watson, Composer, Author, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

6
Bless Her Crazy
00:04:08

Aaron Watson, Composer, Author, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

7
Zero to Sixty
00:03:54

Drew Womack, Composer, Author - Aaron Watson, Composer, Author, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

8
Sweetheart of the Rodeo
00:02:29

Aaron Watson, Composer, Author, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

9
Conflict
00:03:26

David Dunn, Composer, Author - Aaron Watson, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

10
Houston
00:02:57

Larry Gatlin, Composer, Author - Aaron Watson, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

11
Hollywood
00:03:09

Aaron Watson, Composer, Author, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

12
High Price of Fame
00:03:30

Aaron Watson, Composer, Author, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

13
The Things You'll Do
00:03:16

Aaron Watson, Composer, Author, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

14
Drivin' All Night Long (Drivin' All Night Long)
00:04:11

Bruce Robison, Composer, Author - Aaron Watson, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

15
After the Rodeo
00:04:15

Don Rollins, Composer, Author - Troy Olsen, Composer, Author - Aaron Watson, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

16
Just Married
00:03:33

Damon Bramblett, Composer, Author - Bruce Robison, Composer, Author - Aaron Watson, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

17
Thing Called Love
00:03:29

Jerry Reed, Composer, Author - Aaron Watson, MainArtist

© 2010 BIG Label Records ℗ 2010 BIG Label Records

Presentación del Álbum

On one hand, Aaron Watson's The Road & the Rodeo stays close to his Texas country music, singer/songwriter roots; on the other, this is easily his slickest record to date and swinging for the fences in Nashville. While the album doesn't contain many of the '70s rock-influenced sounds -- enormously compressed electric guitars or crunchy, booming arena rock drums --that are de rigueur for so many Nashville studios in the 21st century (and so popular with contemporary country radio programmers), it's far smoother than the rowdy, good-time honky tonk sounds on his earlier offerings. Evidence of this shift occurred on 2008's Angels & Outlaws, but given mostly reflective material, it was less apparent than it is here. Watson, who wrote or co-wrote over half of the set's 15 numbers, is still open to experimentation, however, letting his opening title cut go on for just over a minute before abruptly cutting off, seemingly in the middle never to return, making the listener think something is wrong with her stereo. Elliot Park's "The Road" kicks things off properly, with an uptempo Telecaster, pedal steel, and fiddle-drenched tale of life and its various adventures cleverly compared to road surfaces. Next up is a cover of Tom Petty's hit "Walls." Watson employs pedal steel and fiddle, and ratchets up the pace, but ultimately it goes nowhere, adding nothing to the song or the album. "Fast Cars and Slow Kisses" was written and recorded as fodder for radio and is virtually indistinguishable from mainstream contemporary country. Bruce Robison's "Drivin' All Night Long" keeps some Texas honky tonk inside its polished Nash Vegas grooves. That said, Texas roots music still looms large in Watson's vision. "God Bless Her Crazy Heart" rocks, but like something out of the prime of Waylon Jennings' and Willie Nelson's live band stomp. "Houston" and "Hollywood" are pure Texas country & western, with loads of swinging steel, popping cut-time basslines, and in-the-pocket shuffling drums. The Road & the Rodeo is a mixed bag that tries to please everybody, and to some degree does, but it also makes the listener wonder just where Watson will go from here.

© Thom Jurek /TiVo

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