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The Highwaymen|The Road Goes On Forever

The Road Goes On Forever

The Highwaymen

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For their third album, The Road Goes on Forever, the Highwaymen hired Don Was to produce. Was had previously worked with every member of the group but Johnny Cash, so he was theoretically a natural choice and, on the surface, The Road Goes on Forever has all the trappings of being the classic Highwaymen album. It has great material, from standards like Dallas Frazier's "True Love Travels on a Gravel Road" to contemporary favorites by Steve Earle ("The Devil's Right Hand") and Billy Joe Shaver ("Live Forever") to new cuts from all four members. It has a crisp sound and a focused production, with fine performances from everyone involved. The problem is, the whole thing sounds too damn serious; Was and the Highwaymen may have all the right cards, but they don't know how to play them. Instead of capturing a kinetic energy or intense introspection, The Road Goes On Forever just sounds studious and overlabored, as if the group wanted to produce music that lived up to their mythological legacy, not the music itself.

© Stephen Thomas Erlewine /TiVo

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The Road Goes On Forever

The Highwaymen

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1
The Devil's Right Hand
00:03:11

Don Was, Producer - The Highwaymen, MainArtist - Steve Earle, Composer

(c) 1995 Nashville Catalog ℗ 1995 Capitol Records Nashville

2
Live Forever
00:02:47

Billy Joe Shaver, Composer - Don Was, Producer - Eddy Shaver, Composer - The Highwaymen, MainArtist

(c) 1995 Nashville Catalog ℗ 1995 Capitol Records Nashville

3
Everyone Gets Crazy
00:02:54

Kevin Welch, Composer - Don Was, Producer - The Highwaymen, MainArtist

(c) 1995 Nashville Catalog ℗ 1995 Capitol Records Nashville

4
It Is What It Is
00:03:39

Stephen Bruton, Composer - Don Was, Producer - The Highwaymen, MainArtist - John Fleming, Composer

(c) 1995 Nashville Catalog ℗ 1995 Capitol Records Nashville

5
I Do Believe
00:03:22

Don Was, Producer - The Highwaymen, MainArtist - Waylon Jennings, Composer

(c) 1995 Nashville Catalog ℗ 1995 Capitol Records Nashville

6
The End Of Understanding
00:02:42

Don Was, Producer - Willie Nelson, Composer - The Highwaymen, MainArtist

(c) 1995 Nashville Catalog ℗ 1995 Capitol Records Nashville

7
True Love Travels A Gravel Road
00:03:21

Don Was, Producer - The Highwaymen, MainArtist - Arthur Leo Owens a.k.a A.L. "Doodle" Owens, Composer - Dallas Frazier, Composer

(c) 1995 Nashville Catalog ℗ 1995 Capitol Records Nashville

8
Death And Hell
00:02:48

Don Was, Producer - Johnny Cash, Composer - The Highwaymen, MainArtist - John Carter Cash, Composer

(c) 1995 Nashville Catalog ℗ 1995 Capitol Records Nashville

9
Waiting For A Long Time
00:04:19

Stephen Bruton, Composer - Don Was, Producer - The Highwaymen, MainArtist

(c) 1995 Nashville Catalog ℗ 1995 Capitol Records Nashville

10
Here Comes That Rainbow Again
00:02:49

Don Was, Producer - Kris Kristofferson, ComposerLyricist - The Highwaymen, MainArtist

(c) 1995 Nashville Catalog ℗ 1995 Capitol Records Nashville

11
The Road Goes On Forever
00:04:41

Don Was, Producer - The Highwaymen, MainArtist - Robert Earl Keen, Composer

(c) 1995 Nashville Catalog ℗ 1995 Capitol Records Nashville

Presentación del Álbum

For their third album, The Road Goes on Forever, the Highwaymen hired Don Was to produce. Was had previously worked with every member of the group but Johnny Cash, so he was theoretically a natural choice and, on the surface, The Road Goes on Forever has all the trappings of being the classic Highwaymen album. It has great material, from standards like Dallas Frazier's "True Love Travels on a Gravel Road" to contemporary favorites by Steve Earle ("The Devil's Right Hand") and Billy Joe Shaver ("Live Forever") to new cuts from all four members. It has a crisp sound and a focused production, with fine performances from everyone involved. The problem is, the whole thing sounds too damn serious; Was and the Highwaymen may have all the right cards, but they don't know how to play them. Instead of capturing a kinetic energy or intense introspection, The Road Goes On Forever just sounds studious and overlabored, as if the group wanted to produce music that lived up to their mythological legacy, not the music itself.

© Stephen Thomas Erlewine /TiVo

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