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Papagena|The Darkest Midnight

The Darkest Midnight

Papagena

Libreto digital

Disponible en
24-Bit/96 kHz Estéreo

Streaming ilimitado

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Idioma disponible: inglés

The British group Papagena consists of five women: three sopranos, and a pair of altos. Nevertheless, until the final two pieces by contemporary composer Don MacDonald, they mostly avoid part-singing or madrigal-like textures here. The Darkest Midnight has lots of solos and monophonic lines. This is what holds together a startlingly wide variety of material, from medieval chant to Joni Mitchell, from traditional Irish and German material to Ravel and contemporary pieces. The group is technically impressive, with small groups of voices fused into smooth single and dual lines; you could sample the medieval Angelus ad virginem for a taste. But the way the program leads you into a deep sense of mystery is the most unusual accomplishment here. As the title suggests, this is a solstice album rather than a Christmas one, although Jesus does make a guest appearance. Seven languages are represented in total; others will have to gauge the vocal coaching, but the music seems to hold together as a single utterance. Somm's studio sound is ideal; a church would have lost some of the uncanny precision. A top seasonal release of 2018, and one that will serve for many years to come.
© TiVo

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The Darkest Midnight

Papagena

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Don oiche ud i mBeithil (That Night in Bethlehem) (arr. S. Vango) (Traditional)

1
Don oíche úd i mBeithil (Arr. S. Vango)
Papagena
00:03:27

Traditional, Composer - Suzzie Vango, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

Maria durch ein Dornwald ging (arr. P. Pawson) (Philip Lawson)

2
Maria durch ein Dornwald ging (Arr. P. Lawson)
Papagena
00:03:32

Traditional, Composer - Philip Lawson, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

Nowell, Tidings True There Be Come New (Traditional)

3
Nowell, Tidings True There Be Come New
Papagena
00:02:13

Traditional, Composer - Sarah Tenant-Flowers, Artist - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

O Jesulein zart (arr. W. Brückner) (Traditional)

4
O Jesulein zart (Arr. W. Brückner)
Papagena
00:04:00

Traditional, Composer - Winnie Brückner, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

A Nativity (John Tavener)

5
A Nativity
Papagena
00:02:28

John Tavener, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

Shchedryk (Hark How the Bells) (adap. P.J. Wihousky and arr. E. Drury) (Peter J. Wilhousky)

6
Hark How the Bells (Adap. P.J. Wilhousky & Arr. E. Drury)
Papagena
00:02:19

Peter J. Wilhousky, Composer - Elizabeth Drury, Composer - Leontovych Mykola, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

Balulalow (arr. S. Vango) (Traditional)

7
Balulalow (Arr. S. Vango)
Papagena
00:04:46

Traditional, Composer - Suzzie Vango, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

The River (arr. J. Clements) (Jim Clements)

8
River (Arr. J. Clements)
Elizabeth Drury
00:05:49

Jim Clements, Composer - Elizabeth Drury, Artist, MainArtist - Papagena, Ensemble

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

L'enfant et les sortilèges, M. 71 (Clytus Gottwald)

9
Toi, le cœur de la rose (Arr. C. Gottwald)
Papagena
00:02:38

Maurice Ravel, Composer - Clytus Gottwald, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

Angelus Ad Virginem (Traditional)

10
Angelus ad Virginem
Papagena
00:04:14

Traditional, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

Sancta Mater Graciae - Dou way Robin (Anonyme)

11
Sancta Mater Graciae (Dou way Robin)
Papagena
00:03:53

Anonymous, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

Gaudete (arr. S. Vango) (Traditional)

12
Gaudete (Arr. S. Vango)
Papagena
00:02:39

Traditional, Composer - Suzzie Vango, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

The Darkest Midnight (arr. D.Ó. Muirithe) (Traditional)

13
The Darkest Midnight (Arr. D.Ó. Muirithe)
Suzzie Vango
00:02:44

Traditional, Composer - Diarmaid Ó Muirithe, Composer - Suzzie Vango, Artist, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

The Waiting Sky (Oliver Tarney)

14
(Arr. for Women's Vocal Ensemble)
Papagena
00:03:20

Oliver Tarney, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

Det lisle bånet (The Little Child) (arr. T. Krohn for vocal ensemble and percussion) (Traditional)

15
Det lisle bånet (Arr. T. Krohn)
Papagena
00:04:16

Traditional, Composer - Andy Guthrie, Artist - Tone Krohn, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

In dulci Jubilo (arr. M. Culloton) (Traditional)

16
In dulci Jubilo (Arr. M. Culloton)
Papagena
00:02:58

Traditional, Composer - Matthew Culloton, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

Es ist ein Ros entsprungen (Lo! How a Rose, E'er Blooming) (arr. S. Tenant-Flowers) (Michel Praetorius)

17
Es ist ein Ros entsprungen (Arr. S. Tenant-Flowers)
Papagena
00:02:42

Michael Praetorius, Composer - Sarah Tenant-Flowers, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

When the Earth Stands Still (Don MacDonald)

18
When the Earth Stands Still
Papagena
00:03:11

Don MacDonald, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

Fusion (Don MacDonald)

19
Fusion
Papagena
00:03:08

Don MacDonald, Composer - Papagena, Ensemble, MainArtist

(C) 2018 SOMM Recordings (P) 2018 SOMM Recordings

Presentación del Álbum

The British group Papagena consists of five women: three sopranos, and a pair of altos. Nevertheless, until the final two pieces by contemporary composer Don MacDonald, they mostly avoid part-singing or madrigal-like textures here. The Darkest Midnight has lots of solos and monophonic lines. This is what holds together a startlingly wide variety of material, from medieval chant to Joni Mitchell, from traditional Irish and German material to Ravel and contemporary pieces. The group is technically impressive, with small groups of voices fused into smooth single and dual lines; you could sample the medieval Angelus ad virginem for a taste. But the way the program leads you into a deep sense of mystery is the most unusual accomplishment here. As the title suggests, this is a solstice album rather than a Christmas one, although Jesus does make a guest appearance. Seven languages are represented in total; others will have to gauge the vocal coaching, but the music seems to hold together as a single utterance. Somm's studio sound is ideal; a church would have lost some of the uncanny precision. A top seasonal release of 2018, and one that will serve for many years to come.
© TiVo

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