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Sonny Rollins|The Bridge

The Bridge

Sonny Rollins

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Tenor saxophonist Sonny Rollins' first recording after ending a surprising three-year retirement found the great saxophonist sounding very similar to how he had played in 1959, although he would soon start investigating freer forms. In a pianoless quartet with guitarist Jim Hall, bassist Bob Cranshaw, and drummer Ben Riley, Rollins explores four standards (including "Without a Song" and "God Bless the Child") plus two fiery originals, highlighted by the title cut. The interplay between Rollins and Hall is consistently impressive, making this set a near-classic and a very successful comeback.

© Scott Yanow /TiVo

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The Bridge

Sonny Rollins

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1
God Bless the Child
00:07:29

Holiday, Composer - Copyright Control, MusicPublisher - Sonny Rollins, MainArtist

(C) 2013 Hot Club 2013 (P) 2013 Hot Club 2013

2
The Bridge
00:05:58

Copyright Control, MusicPublisher - Sonny Rollins, Composer, MainArtist

(C) 2013 Hot Club 2013 (P) 2013 Hot Club 2013

3
John S
00:07:45

Copyright Control, MusicPublisher - Sonny Rollins, Composer, MainArtist

(C) 2013 Hot Club 2013 (P) 2013 Hot Club 2013

4
Where Are You
00:05:10

Adamson, Composer - Copyright Control, MusicPublisher - Sonny Rollins, MainArtist

(C) 2013 Hot Club 2013 (P) 2013 Hot Club 2013

5
You Do Something to Me
00:06:49

PORTER, Composer - Copyright Control, MusicPublisher - Sonny Rollins, MainArtist

(C) 2013 Hot Club 2013 (P) 2013 Hot Club 2013

6
Without a Song
00:07:28

ROSE, Composer - Copyright Control, MusicPublisher - Sonny Rollins, MainArtist

(C) 2013 Hot Club 2013 (P) 2013 Hot Club 2013

Presentación del Álbum

Tenor saxophonist Sonny Rollins' first recording after ending a surprising three-year retirement found the great saxophonist sounding very similar to how he had played in 1959, although he would soon start investigating freer forms. In a pianoless quartet with guitarist Jim Hall, bassist Bob Cranshaw, and drummer Ben Riley, Rollins explores four standards (including "Without a Song" and "God Bless the Child") plus two fiery originals, highlighted by the title cut. The interplay between Rollins and Hall is consistently impressive, making this set a near-classic and a very successful comeback.

© Scott Yanow /TiVo

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