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Gary Burton and Friends Near, Friends Far|Tennessee Firebird

Tennessee Firebird

Gary Burton and Friends Near, Friends Far

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Idioma disponible: inglés

While the concept of "jazz-rock" was in its embryonic stages, Burton was experimenting with a style combining jazz improvisation with rock energy and rhythms. This 1967 session added another ingredient to the musical mix: country and bluegrass sensibility. Burton used Nashville session players like bassist/harmonica player Charlie McCoy, the great Chet Atkins, fiddler Buddy Spicher, and pedal steel guitarist Buddy Emmons. The results were impressive and artistically intriguing; the country players provided a loose, loping feel, while Burton's solos were smooth and delicate but forceful enough to hold the distinct styles together. While it is a short disc at less than 38 minutes, it includes one unissued take and is worth the steep import price.

© Ron Wynn /TiVo

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Tennessee Firebird

Gary Burton and Friends Near, Friends Far

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1
Gone
00:04:54

Smokey Rogers, Composer - Gary Burton and Friends Near, Friends Far, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Sony Music Entertainment

2
Tennessee Firebird
00:02:58

Gary Burton, Composer - Gary Burton and Friends Near, Friends Far, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Sony Music Entertainment

3
Just Like a Woman
00:03:50

Bob Dylan, Composer - Gary Burton and Friends Near, Friends Far, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Sony Music Entertainment

4
Black is the Color of My True Love's Hair
00:01:54

Traditional, Composer - Gary Burton and Friends Near, Friends Far, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Sony Music Entertainment

5
Faded Love
00:03:22

J. Wills, Composer - Bob Wills, Composer - Gary Burton and Friends Near, Friends Far, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Sony Music Entertainment

6
I Can't Help It (If I'm Still in Love with You)
00:02:54

Hank Williams, Composer - Gary Burton and Friends Near, Friends Far, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Sony Music Entertainment

7
I Want You
00:03:29

Bob Dylan, Composer - Gary Burton and Friends Near, Friends Far, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Sony Music Entertainment

8
Alone and Forsaken
00:02:50

Hank Williams, Composer - Gary Burton and Friends Near, Friends Far, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Sony Music Entertainment

9
Walter L.
00:04:40

Gary Burton, Composer - Gary Burton and Friends Near, Friends Far, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Sony Music Entertainment

10
Born to Lose
00:02:44

Frankie Brown, Composer - Gary Burton and Friends Near, Friends Far, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Sony Music Entertainment

11
Beauty Contest
00:01:25

Gary Burton, Composer - Gary Burton and Friends Near, Friends Far, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Sony Music Entertainment

12
Epilogue
00:00:26

Unknown, Composer - Gary Burton and Friends Near, Friends Far, MainArtist, AssociatedPerformer

Originally released 1967. All rights reserved by Sony Music Entertainment

Presentación del Álbum

While the concept of "jazz-rock" was in its embryonic stages, Burton was experimenting with a style combining jazz improvisation with rock energy and rhythms. This 1967 session added another ingredient to the musical mix: country and bluegrass sensibility. Burton used Nashville session players like bassist/harmonica player Charlie McCoy, the great Chet Atkins, fiddler Buddy Spicher, and pedal steel guitarist Buddy Emmons. The results were impressive and artistically intriguing; the country players provided a loose, loping feel, while Burton's solos were smooth and delicate but forceful enough to hold the distinct styles together. While it is a short disc at less than 38 minutes, it includes one unissued take and is worth the steep import price.

© Ron Wynn /TiVo

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