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Hallelujah Chicken Run Band|Take One (Analog Africa No. 2)

Take One (Analog Africa No. 2)

Hallelujah Chicken Run Band

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The founding fathers of Zimpop are presented here in all of their original glory, with the added bonus of some much-needed remastering. While most of Zimbabwe was still singing Western pop covers with a bit of rhumba mixed in, the Hallelujah Chicken Run Band were changing the sound of the country. Under the guidance of guitarist Joshua Hlomayi Dube and singer Thomas Mapfumo (in his earliest years), the band was replacing pop songs with traditional ideas -- the guitar being given a staccato sound to mimic aspects of the mbira, and Mapfumo's vocals mimicking its sounds as well. At the same time, lyrics were at least occasionally made political and rebellious, and sung in Shona, a major issue given the political climate of Rhodesia at the time. Here, some of the best recordings from the band's run are presented, including a handful from a very early session with Teal Records that launched the band nationally. The work is always excellent, and the band has far more coherence and ability than one might expect from a ragtag group of performers, barkeeps, part-time farmers, and the like. This album is an excellent piece both for those interested in the development of Zimbabwe's sound and those who are simply fans of Mapfumo. Additionally, it's just a mighty good listen.
© Adam Greenberg /TiVo

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Take One (Analog Africa No. 2)

Hallelujah Chicken Run Band

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1
Mudzimu Ndiringe
00:03:16

Hallelujah Chicken Run Band, MainArtist - Patrick Mukwamba, Composer, Lyricist

2020 Analog Africa 2020 Analog Africa

2
Kare Nanhasi
00:03:36

Hallelujah Chicken Run Band, MainArtist - Patrick Mukwamba, Composer, Lyricist

2020 Analog Africa 2020 Analog Africa

3
Tamba Zimba Navashe
00:03:20

Hallelujah Chicken Run Band, MainArtist - Elias Dzapati, Composer, Lyricist

2020 Analog Africa 2020 Analog Africa

4
Ngoma Yarira
00:02:14

Thomas Mapfumo, Composer, Lyricist - Hallelujah Chicken Run Band, MainArtist - Joshua Hlomayi, Composer, Lyricist

2020 Analog Africa 2020 Analog Africa

5
Sekai
00:02:45

Hallelujah Chicken Run Band, MainArtist - Wilson Jubane, Composer, Lyricist

2020 Analog Africa 2020 Analog Africa

6
Manheru Changamire
00:03:37

Hallelujah Chicken Run Band, MainArtist - Lovemore Nyamasvisva, Composer, Lyricist

2020 Analog Africa 2020 Analog Africa

7
Gore Iro
00:03:23

Hallelujah Chicken Run Band, MainArtist - Elias Dzapati, Composer, Lyricist

2020 Analog Africa 2020 Analog Africa

8
Mukadzi Wangu Ndomuda
00:03:28

Hallelujah Chicken Run Band, MainArtist - Daram Karanga, Composer, Lyricist

2020 Analog Africa 2020 Analog Africa

9
Alikulila
00:02:54

Thomas Mapfumo, Composer, Lyricist - Hallelujah Chicken Run Band, MainArtist

2020 Analog Africa 2020 Analog Africa

10
Tinokumbira Kuziva
00:03:20

Hallelujah Chicken Run Band, MainArtist - Calisto Rupango, Composer, Lyricist

2020 Analog Africa 2020 Analog Africa

11
Mutoridodo
00:02:12

Thomas Mapfumo, Composer, Lyricist - Hallelujah Chicken Run Band, MainArtist

2020 Analog Africa 2020 Analog Africa

12
Ndopenga
00:03:34

Hallelujah Chicken Run Band, MainArtist - Elias Dzapati, Composer, Lyricist

2020 Analog Africa 2020 Analog Africa

13
Mwana Wamai Dada Naye
00:03:26

Hallelujah Chicken Run Band, MainArtist - Lovemore Nyamasvisva, Composer, Lyricist

2020 Analog Africa 2020 Analog Africa

14
Chaminuka Mukuru
00:03:40

Hallelujah Chicken Run Band, MainArtist - Robert Nekati, Composer, Lyricist

2020 Analog Africa 2020 Analog Africa

Presentación del Álbum

The founding fathers of Zimpop are presented here in all of their original glory, with the added bonus of some much-needed remastering. While most of Zimbabwe was still singing Western pop covers with a bit of rhumba mixed in, the Hallelujah Chicken Run Band were changing the sound of the country. Under the guidance of guitarist Joshua Hlomayi Dube and singer Thomas Mapfumo (in his earliest years), the band was replacing pop songs with traditional ideas -- the guitar being given a staccato sound to mimic aspects of the mbira, and Mapfumo's vocals mimicking its sounds as well. At the same time, lyrics were at least occasionally made political and rebellious, and sung in Shona, a major issue given the political climate of Rhodesia at the time. Here, some of the best recordings from the band's run are presented, including a handful from a very early session with Teal Records that launched the band nationally. The work is always excellent, and the band has far more coherence and ability than one might expect from a ragtag group of performers, barkeeps, part-time farmers, and the like. This album is an excellent piece both for those interested in the development of Zimbabwe's sound and those who are simply fans of Mapfumo. Additionally, it's just a mighty good listen.
© Adam Greenberg /TiVo

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