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Gnesin Academy Chorus|Suite de concert - Ioann Damaskin

Suite de concert - Ioann Damaskin

Sergueï Ivanovitch Taneiev

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Idioma disponible: inglés

This may be the best disc yet in Thomas Sanderling's series of recordings of Sergei Taneyev's orchestral works. Part of the reason may have to do with these pieces, which are very different from the composer's symphonies. The religious text of the cantata John of Damascus for chorus and orchestra drew the best out of the young composer; the three-movement work features impressive counterpoint and effective choral writing. The later Suite de Concert for violin and orchestra, a violin concerto disguised as a pastiche of Baroque forms, displays the composer's humor rather than his learning. The Russian Philharmonic Orchestra plays superbly for Sanderling, giving him polished and committed readings. The Gnesin Academy Chorus is exemplary in the cantata, with a big, rich tone and a robust feeling for rhythm. Perhaps the finest thing about this disc is violinist Ilya Kaler's performance of the suite. Kaler has a ravishing tone, an outstanding technique, and a charismatic presence, and he delivers the most persuasive account of the suite since Oistrakh's. Naxos' digital sound is a bit close, but amazingly vivid and colorful.
© TiVo

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Suite de concert - Ioann Damaskin

Gnesin Academy Chorus

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Ioann Damaskin (John of Damascus), Op. 1

1
Idu v nevedomiy mne put' [I begin a journey into the unknown]: Adagio ma non troppo
Gnesin Academy Chorus
00:15:02

Sergei Taneyev, Composer - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor - Gnesin Academy Chorus, Choir, MainArtist

(C) 2009 Naxos (P) 2009 Naxos

2
No vechnim snom poka ya splyu [but while I sleep with the eternal sleep]: Andante sostenuto
Gnesin Academy Chorus
00:02:55

Sergei Taneyev, Composer - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor - Gnesin Academy Chorus, Choir, MainArtist

(C) 2009 Naxos (P) 2009 Naxos

3
V tot den', kogda truba [On the day when a trumpet]: Allegro
Gnesin Academy Chorus
00:08:18

Sergei Taneyev, Composer - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor - Gnesin Academy Chorus, Choir, MainArtist

(C) 2009 Naxos (P) 2009 Naxos

Suite de Concert, Op. 28

4
I. Prelude. Grave
Ilya Kaler
00:08:10

Sergei Taneyev, Composer - Ilya Kaler, Artist, MainArtist - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor

(C) 2009 Naxos (P) 2009 Naxos

5
II. Gavotte: Allegro moderato
Ilya Kaler
00:05:47

Sergei Taneyev, Composer - Ilya Kaler, Artist, MainArtist - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor

(C) 2009 Naxos (P) 2009 Naxos

6
III. Marchen (the Fairy Tale): Andantino
Ilya Kaler
00:09:12

Sergei Taneyev, Composer - Ilya Kaler, Artist, MainArtist - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor

(C) 2009 Naxos (P) 2009 Naxos

7
IV. Theme and Variations. Theme. Andantino
Ilya Kaler
00:01:01

Sergei Taneyev, Composer - Ilya Kaler, Artist, MainArtist - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor

(C) 2009 Naxos (P) 2009 Naxos

8
IV. Theme and Variations. Variation 1: Allegro moderato
Ilya Kaler
00:01:21

Sergei Taneyev, Composer - Ilya Kaler, Artist, MainArtist - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor

(C) 2009 Naxos (P) 2009 Naxos

9
IV. Theme and Variations. Variation 2: Allegro energico
Ilya Kaler
00:01:34

Sergei Taneyev, Composer - Ilya Kaler, Artist, MainArtist - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor

(C) 2009 Naxos (P) 2009 Naxos

10
IV. Theme and Variations. Variation 3: Tempo di valse
Ilya Kaler
00:02:06

Sergei Taneyev, Composer - Ilya Kaler, Artist, MainArtist - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor

(C) 2009 Naxos (P) 2009 Naxos

11
IV. Theme and Variations. Variation 4: Fuga doppia: Allegro molto
Ilya Kaler
00:02:08

Sergei Taneyev, Composer - Ilya Kaler, Artist, MainArtist - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor

(C) 2009 Naxos (P) 2009 Naxos

12
IV. Theme and Variations. Variation 5: Presto scherzando
Ilya Kaler
00:00:58

Sergei Taneyev, Composer - Ilya Kaler, Artist, MainArtist - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor

(C) 2009 Naxos (P) 2009 Naxos

13
IV. Theme and Variations. Variation 6: Tempo di mazurka, Allegro con fuoco
Ilya Kaler
00:01:27

Sergei Taneyev, Composer - Ilya Kaler, Artist, MainArtist - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor

(C) 2009 Naxos (P) 2009 Naxos

14
IV. Final Variation and Coda
Ilya Kaler
00:04:54

Sergei Taneyev, Composer - Ilya Kaler, Artist, MainArtist - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor

(C) 2009 Naxos (P) 2009 Naxos

15
V. Tarantella. Presto
Ilya Kaler
00:07:14

Sergei Taneyev, Composer - Ilya Kaler, Artist, MainArtist - Russian Philharmonic Orchestra, Orchestra - Thomas Sanderling, Conductor

(C) 2009 Naxos (P) 2009 Naxos

Presentación del Álbum

This may be the best disc yet in Thomas Sanderling's series of recordings of Sergei Taneyev's orchestral works. Part of the reason may have to do with these pieces, which are very different from the composer's symphonies. The religious text of the cantata John of Damascus for chorus and orchestra drew the best out of the young composer; the three-movement work features impressive counterpoint and effective choral writing. The later Suite de Concert for violin and orchestra, a violin concerto disguised as a pastiche of Baroque forms, displays the composer's humor rather than his learning. The Russian Philharmonic Orchestra plays superbly for Sanderling, giving him polished and committed readings. The Gnesin Academy Chorus is exemplary in the cantata, with a big, rich tone and a robust feeling for rhythm. Perhaps the finest thing about this disc is violinist Ilya Kaler's performance of the suite. Kaler has a ravishing tone, an outstanding technique, and a charismatic presence, and he delivers the most persuasive account of the suite since Oistrakh's. Naxos' digital sound is a bit close, but amazingly vivid and colorful.
© TiVo

Detalles de la grabación original : 72:15 - DDD - Enregistré en mai et septembre 2007 Studio 5 de la Radio-Télévision Kultura à Moscou - Notes en anglais avec les textes chantés en russe (transcription phonétique) et traduction anglaise.

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