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Mary Chapin Carpenter|Stones In The Road

Stones In The Road

Mary Chapin Carpenter

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Stones in the Road was an eagerly awaited album from Mary Chapin Carpenter; the runaway success of Come On Come On established her as a bona star in the country and up-and-coming AAA radio formats. For this offering, she tipped her sound down to its basics and returned to the core of her music -- namely, her folkier singer/songwriter roots. Although the lyrics are among her best and the songs thoroughly memorable and beautifully literate, Carpenter cut back on the number of hooks in her melodies, creating a palette that required closer listening to appreciate. There were no immediately radio-friendly hits to be found here -- though radio did indeed pick up on it and the album did exceptionally well. Previously, she found a balance between the lyrical and musical aspects of her writing, walking a tightrope between words and hooks. Here, she concentrates on lyrics, giving the listener something that might require working a bit to appreciate -- but also something to hold on to. And craft never leaves Carpenter's songs; these are as finely wrought as anything she's ever done and better than most. There are uptempo tracks here, such as "House of Cards," the dreamy "A Keeper for Every Flame," the retro pop/rock sound of "Tender When I Want to Be" (a song Bruce Springsteen could have written and most likely deeply influenced), the single "Outside Looking In," and the barroom rocker "Shut Up and Kiss Me." But even these are lyrically more involved than those on earlier records. The moodier pieces here include the title track, the transcendent "John Doe No. 24," and the brilliant "The End of My Pirate Days." Carpenter and producer John Jennings hired a crack band that included drummer Kenny Aronoff, keyboardist Benmont Tench, guitarists Lee Roy Parnell and Steuart Smith, and backing vocalists Trisha Yearwood, Linda Williams, and Shawn Colvin. The sound of Stones in the Road is moody and very introspective at times, but it is never less than engaging and even pleasant. This is a worthy if startling entry in Mary Chapin Carpenter's catalog.

© Thom Jurek /TiVo

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Stones In The Road

Mary Chapin Carpenter

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1
Why Walk When You Can Fly (Album Version)
00:03:32

Mary Chapin Carpenter, Acoustic Guitar, Associated Performer, Composer, Lyricist, Main Artist, Producer, Acoustic Guitar, Associated Performer, Composer, Lyricist, Producer - John Jennings, Acoustic Guitar, Producer - Robin Williams - Linda Williams - ALAN O'BRYANT - Stuart Duncan, Fiddle, Mandolin - Dave Chavez, Assistant Engineer - DENNY PURCELL, Mastering Engineer - Bob Dawson, Recording Engineer - J.T. Brown, Fretless Bass - James Saez, Recording Engineer - Robbie Magruder, Drums - MATT ROLLINGS, Piano - Jon Carroll, Accordion, Piano

(P) 1994 SONY BMG MUSIC ENTERTAINMENT

2
House Of Cards* (Album Version)
00:03:44

Mary Chapin Carpenter, Acoustic Guitar, Associated Performer, Composer, Lyricist, Main Artist, Producer, Acoustic Guitar, Associated Performer, Composer, Lyricist, Producer - John Jennings, Electric Guitar, Producer - STEUART SMITH, Electric Guitar - Dave Chavez, Assistant Engineer - DENNY PURCELL, Mastering Engineer - Kenny Aranoff, Drums - Bob Dawson, Recording Engineer - Don Dixon, Bass - James Saez, Recording Engineer

1994 Sony Music Entertainment Inc.

3
Stones in the Road
00:04:31

Mary Chapin Carpenter, Acoustic Guitar, Associated Performer, Composer, Lyricist, Main Artist, Producer, Acoustic Guitar, Associated Performer, Composer, Lyricist, Producer - John Jennigns, Acoustic Guitar - STEUART SMITH, Electric Guitar - Kenny Aranoff, Drums - Benmont Tench, Piano - Didier C. Deutsch, Mastering Engineer - Don Dixon, Bass - John Jennings, Producer - Dave Chavez, Assistant Engineer - DENNY PURCELL, Mastering Engineer - Darcy Proper, Mastering Engineer - Bob Dawson, Recording Engineer - James Saez, Recording Engineer

(P) 1994 SONY BMG MUSIC ENTERTAINMENT

4
A Keeper For Every Flame* (PCM Stereo)
00:03:47

Mary Chapin Carpenter, Acoustic Guitar, Associated Performer, Composer, Lyricist, Main Artist, Producer, Acoustic Guitar, Associated Performer, Composer, Lyricist, Producer - John Jennings, Acoustic Guitar, Electric Guitar, Percussion, Producer - Dave Chavez, Assistant Engineer - DENNY PURCELL, Mastering Engineer - Bob Dawson, Recording Engineer - STEUART SMITH, Electric Guitar - James Saez, Recording Engineer - Robbie Magruder, Drums - MATT ROLLINGS, Piano - J.T. Brown, Bass

(P) 1994 SONY BMG MUSIC ENTERTAINMENT

5
Tender When I Want To Be (Album Version)
00:02:53

Mary Chapin Carpenter, Acoustic Guitar, Associated Performer, Composer, Lyricist, Main Artist, Producer, Acoustic Guitar, Associated Performer, Composer, Lyricist, Producer - John Jennings, Guitar, Producer - Trisha Yearwood - STEUART SMITH, Electric Guitar - Kenny Aranoff, Drums - Dave Chavez, Assistant Engineer - DENNY PURCELL, Mastering Engineer - Don Dixon, Bass - Bob Dawson, Recording Engineer - James Saez, Recording Engineer

(P) 1994 SONY BMG MUSIC ENTERTAINMENT

6
Shut Up and Kiss Me
00:03:40

Mary Chapin Carpenter, Acoustic Guitar, Associated Performer, Composer, Lyricist, Main Artist, Producer, Acoustic Guitar, Associated Performer, Composer, Lyricist, Producer - Trisha Yearwood - John Jennings, Guitar, Producer - Lee Roy Parnell, Electric Guitar - STEUART SMITH, Electric Guitar - Kenny Aranoff, Drums - Benmont Tench, Piano - Don Dixon, Bass - Dave Chavez, Assistant Engineer - DENNY PURCELL, Mastering Engineer - Bob Dawson, Recording Engineer - James Saez, Recording Engineer

(P) 1994 Sony Music Entertainment Inc.

7
The Last Word* (Album Version)
00:03:36

Mary Chapin Carpenter, Acoustic Guitar, Associated Performer, Composer, Lyricist, Main Artist, Producer, Acoustic Guitar, Associated Performer, Composer, Lyricist, Producer - John Jennings, Electric Guitar, Producer - Robbie Magruder, Drums - Dave Chavez, Assistant Engineer - DENNY PURCELL, Mastering Engineer - Jon Carroll, Piano - Bob Dawson, Recording Engineer - J.T. Brown, Bass - James Saez, Recording Engineer

(P) 1994 SONY BMG MUSIC ENTERTAINMENT

8
The End Of My Pirate Days* (Album Version)
00:05:02

Mary Chapin Carpenter, Acoustic Guitar, Associated Performer, Composer, Lyricist, Main Artist, Producer, Acoustic Guitar, Associated Performer, Composer, Lyricist, Producer - John Jennings, Bass, Piano, Producer - STEUART SMITH, Electric Guitar - J.T. Brown, Fretless Bass - Dave Chavez, Assistant Engineer - DENNY PURCELL, Mastering Engineer - Robbie Magruder, Drums - Jon Carroll, Piano - Bob Dawson, Recording Engineer - James Saez, Recording Engineer

(P) 1994 SONY BMG MUSIC ENTERTAINMENT

9
John Doe No. 24* (Album Version)
00:05:44

Mary Chapin Carpenter, Acoustic Guitar, Associated Performer, Composer, Lyricist, Main Artist, Producer, Acoustic Guitar, Associated Performer, Composer, Lyricist, Producer - John Jennings, Producer - Branford Marsalis, Soprano Saxophone - Dave Chavez, Assistant Engineer - DENNY PURCELL, Mastering Engineer - Bob Dawson, Recording Engineer - James Saez, Recording Engineer

(P) 1994 SONY BMG MUSIC ENTERTAINMENT

10
Jubilee (Album Version)
00:04:36

Mary Chapin Carpenter, Acoustic Guitar, Associated Performer, Composer, Lyricist, Main Artist, Producer, Acoustic Guitar, Associated Performer, Composer, Lyricist, Producer - John Jennings, Guitar, Producer - Paul Brady - Shawn Colvin - Dave Chavez, Assistant Engineer - DENNY PURCELL, Mastering Engineer - Bob Dawson, Recording Engineer - STEUART SMITH, Electric Guitar - James Saez, Recording Engineer - Kenny Aranoff, Drums - Benmont Tench, Piano - Don Dixon, Bass

(P) 1994 SONY BMG MUSIC ENTERTAINMENT

11
Outside Looking In* (Album Version)
00:04:42

Mary Chapin Carpenter, Acoustic Guitar, Associated Performer, Composer, Lyricist, Main Artist, Producer, Acoustic Guitar, Associated Performer, Composer, Lyricist, Producer - John Jennings, Guitar, Producer - STEUART SMITH, Electric Guitar - Dave Chavez, Assistant Engineer - DENNY PURCELL, Mastering Engineer - Kenny Aranoff, Drums, Percussion - Bob Dawson, Recording Engineer - Benmont Tench, Piano - James Saez, Recording Engineer - Don Dixon, Bass

(P) 1994 SONY BMG MUSIC ENTERTAINMENT

12
Where Time Stands Still* (Album Version)
00:03:40

Mary Chapin Carpenter, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - John Jennings, Producer - MATT ROLLINGS, Piano - Dave Chavez, Assistant Engineer - DENNY PURCELL, Mastering Engineer - Bob Dawson, Recording Engineer - James Saez, Recording Engineer

(P) 1994 SONY BMG MUSIC ENTERTAINMENT

13
This Is Love* (Album Version)
00:06:11

Mary Chapin Carpenter, Acoustic Guitar, Associated Performer, Composer, Lyricist, Main Artist, Producer, Acoustic Guitar, Associated Performer, Composer, Lyricist, Producer - John Jennings, Guitar, Producer - STEUART SMITH, Electric Guitar - Lee Roy Parnell, Electric Guitar - Kenny Aranoff, Drums, Percussion - Benmont Tench, Piano - MATT ROLLINGS, Piano - Don Dixon, Bass - Dave Chavez, Assistant Engineer - DENNY PURCELL, Mastering Engineer - Bob Dawson, Recording Engineer - James Saez, Recording Engineer

(P) 1994 SONY BMG MUSIC ENTERTAINMENT

Presentación del Álbum

Stones in the Road was an eagerly awaited album from Mary Chapin Carpenter; the runaway success of Come On Come On established her as a bona star in the country and up-and-coming AAA radio formats. For this offering, she tipped her sound down to its basics and returned to the core of her music -- namely, her folkier singer/songwriter roots. Although the lyrics are among her best and the songs thoroughly memorable and beautifully literate, Carpenter cut back on the number of hooks in her melodies, creating a palette that required closer listening to appreciate. There were no immediately radio-friendly hits to be found here -- though radio did indeed pick up on it and the album did exceptionally well. Previously, she found a balance between the lyrical and musical aspects of her writing, walking a tightrope between words and hooks. Here, she concentrates on lyrics, giving the listener something that might require working a bit to appreciate -- but also something to hold on to. And craft never leaves Carpenter's songs; these are as finely wrought as anything she's ever done and better than most. There are uptempo tracks here, such as "House of Cards," the dreamy "A Keeper for Every Flame," the retro pop/rock sound of "Tender When I Want to Be" (a song Bruce Springsteen could have written and most likely deeply influenced), the single "Outside Looking In," and the barroom rocker "Shut Up and Kiss Me." But even these are lyrically more involved than those on earlier records. The moodier pieces here include the title track, the transcendent "John Doe No. 24," and the brilliant "The End of My Pirate Days." Carpenter and producer John Jennings hired a crack band that included drummer Kenny Aronoff, keyboardist Benmont Tench, guitarists Lee Roy Parnell and Steuart Smith, and backing vocalists Trisha Yearwood, Linda Williams, and Shawn Colvin. The sound of Stones in the Road is moody and very introspective at times, but it is never less than engaging and even pleasant. This is a worthy if startling entry in Mary Chapin Carpenter's catalog.

© Thom Jurek /TiVo

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