Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
En 2001, en su primer álbum Room For Squares, John Mayer, 22 años, cantó sobre su “quarter-life crisis”. Con motivo de su 43º cumpleaños, su nuevo álbum, Sob Rock, llega justo a tiempo para abordar su crisis de la mediana edad. Hay un aire de arrepentimiento en sus baladas, como en Shouldn’t Matter But It Does, donde el cantante piensa en un amor pasado: “It could’ve been always, it could’ve been me / We could have been busy naming baby number three.” En el éxito New Light (producido por No ID, colaborador habitual de Kanye West), encontramos los mismos deseos y actitudes de chico solitario que en sus inicios. Más adelante, I Guess I Just Feel Like ahonda en el existencialismo: “I guess I just feel like nobody’s honest, nobody’s true ... I guess I just feel like I’m the same way too”. Mayer dice que el estrés de la pandemia le llevó a refugiarse en su zona de confort mientras trabajaba en el álbum: el soft rock de los años 80, el de su infancia. Para el formidable Last Train Home, John Mayer invitó a un veterano del género, el percusionista de Toto, Lenny Castro, así como a la heroína del country-pop contemporáneo Maren Morris, para que acompañaran el nítido sonido de su guitarra PRS Silver Sky. Til the Right One Comes suena casi como una canción de Christine McVie, mientras que la deliciosa Wild Blue nos recuerda que por algo es guitarrista en las giras de Grateful Dead. En Shot in the Dark y Carry Me Away, su profunda voz acompaña perfectamente estos giros de sensualidad y tristeza. Es raro encontrar el humor en sus grabaciones, pero en esta ocasión está presente en uno de los temas más cañeros de Sob Rock, Why You No Love Me: con una composición sutil, suave y sincera, Mayer canta – probablemente con una sonrisa en la cara – unas palabras dignas del maestro Yoda: “Why you no love me... Why you no even care.” © Shelly Ridenour/Qobuz
Más información
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 4.259,00/mes
Greg Phillinganes, Keyboards - Don Was, Producer - Sean Hurley, Bass - Curt Schneider, Engineer - Lenny Castro, Percussion - Mark 'Spike' Stent, Mixing Engineer - Aaron Sterling, Drums - John Mayer, Composer, Lyricist, Producer, Keyboards, MainArtist, AssociatedPerformer - Martin Pradler, Editor - Maren Morris, Vocal - Randy Merrill, Mastering Engineer - Ryan Del Vecchio, Assistant Engineer - Matt Wolach, Assistant Engineer - Chenao Wang, Assistant Engineer
(P) 2021 Columbia Records, a Division of Sony Music Entertainment
Greg Phillinganes, Synthesizer - Don Was, Producer - Sean Hurley, Bass - Curt Schneider, Engineer - Mark 'Spike' Stent, Mixing Engineer - Aaron Sterling, Drums - John Mayer, Composer, Lyricist, Producer, Piano, MainArtist, AssociatedPerformer - Martin Pradler, Editor - Randy Merrill, Mastering Engineer - Ryan Del Vecchio, Assistant Engineer - Matt Wolach, Assistant Engineer - Chenao Wang, Assistant Engineer
(P) 2021 Columbia Records, a Division of Sony Music Entertainment
Ernest Wilson, Composer, Lyricist - No ID, Producer - Pino Palladino, Bass - Aaron Sterling, Drums - John Mayer, Composer, Lyricist, Producer, MainArtist, AssociatedPerformer - Spike Stent, Mixing Engineer - Martin Pradler, Editor - Chad Franscoviak, Engineer - Randy Merrill, Mastering Engineer
(P) 2018 Columbia Records, a Division of Sony Music Entertainment
Greg Phillinganes, Keyboards - Don Was, Producer - Curt Schneider, Engineer - Lenny Castro, Percussion - Mark 'Spike' Stent, Mixing Engineer - Greg Leisz, Steel Guitar - Aaron Sterling, Drums - John Mayer, Composer, Lyricist, Producer, Keyboards, Bass, MainArtist, AssociatedPerformer - Larry Goldings, Keyboards - Martin Pradler, Editor - Maren Morris, Vocal - Randy Merrill, Mastering Engineer - Ryan Del Vecchio, Assistant Engineer - Matt Wolach, Assistant Engineer - Chenao Wang, Assistant Engineer
(P) 2021 Columbia Records, a Division of Sony Music Entertainment
Don Was, Producer - Sean Hurley, Bass - Curt Schneider, Engineer - Lenny Castro, Percussion - Mark 'Spike' Stent, Mixing Engineer - Aaron Sterling, Drums - John Mayer, Composer, Lyricist, Producer, MainArtist, AssociatedPerformer - Martin Pradler, Editor - Jeff Babko, Keyboards - Randy Merrill, Mastering Engineer - Ryan Del Vecchio, Assistant Engineer - Matt Wolach, Assistant Engineer - Chenao Wang, Assistant Engineer
(P) 2021 Columbia Records, a Division of Sony Music Entertainment
Greg Phillinganes, Synthesizer - Don Was, Producer - Curt Schneider, Engineer - Lenny Castro, Percussion - Mark 'Spike' Stent, Mixing Engineer - Aaron Sterling, Drums - John Mayer, Composer, Lyricist, Producer, Piano, Bass, MainArtist, AssociatedPerformer - Martin Pradler, Editor - Maren Morris, Vocal - Randy Merrill, Mastering Engineer - Ryan Del Vecchio, Assistant Engineer - Matt Wolach, Assistant Engineer - Chenao Wang, Assistant Engineer
(P) 2021 Columbia Records, a Division of Sony Music Entertainment
Sean Hurley, Bass - Aaron Sterling, Drums, Percussion - John Mayer, Composer, Lyricist, Producer, MainArtist, AssociatedPerformer - Spike Stent, Mixing Engineer - Martin Pradler, Editor - Chad Franscoviak, Recording Engineer - Randy Merrill, Mastering Engineer - Matt Tuggle, Assistant Engineer
(P) 2019 Columbia Records, a Division of Sony Music Entertainment
Don Was, Producer - Curt Schneider, Engineer - Mark 'Spike' Stent, Mixing Engineer - Aaron Sterling, Drums - John Mayer, Composer, Lyricist, Producer, Keyboards, Bass, MainArtist, AssociatedPerformer - Martin Pradler, Editor - Randy Merrill, Mastering Engineer - Ryan Del Vecchio, Assistant Engineer - Matt Wolach, Assistant Engineer - Chenao Wang, Assistant Engineer
(P) 2021 Columbia Records, a Division of Sony Music Entertainment
Greg Phillinganes, Keyboards - Curt Schneider, Engineer - Jamie Muhoberac, Keyboards - Mark 'Spike' Stent, Mixing Engineer - Pino Palladino, Bass - Aaron Sterling, Drums - John Mayer, Composer, Lyricist, Producer, Keyboards, MainArtist, AssociatedPerformer - Martin Pradler, Editor - Michael Freeman, Assistant Engineer - Chad Franscoviak, Engineer, Co-Producer - Randy Merrill, Mastering Engineer - Matt Tuggle, Assistant Engineer - Cautious Clay, Vocal - Ryan Del Vecchio, Assistant Engineer - Ryan Lytle, Assistant Engineer
(P) 2021 Columbia Records, a Division of Sony Music Entertainment
Don Was, Producer - Sean Hurley, Bass - Curt Schneider, Engineer - Mark 'Spike' Stent, Mixing Engineer - Aaron Sterling, Drums, Percussion - John Mayer, Composer, Lyricist, Producer, Keyboards, MainArtist, AssociatedPerformer - Martin Pradler, Editor - Jeff Babko, Keyboards - Randy Merrill, Mastering Engineer - Ryan Del Vecchio, Assistant Engineer - Matt Wolach, Assistant Engineer - Chenao Wang, Assistant Engineer
(P) 2021 Columbia Records, a Division of Sony Music Entertainment
Presentación del Álbum
En 2001, en su primer álbum Room For Squares, John Mayer, 22 años, cantó sobre su “quarter-life crisis”. Con motivo de su 43º cumpleaños, su nuevo álbum, Sob Rock, llega justo a tiempo para abordar su crisis de la mediana edad. Hay un aire de arrepentimiento en sus baladas, como en Shouldn’t Matter But It Does, donde el cantante piensa en un amor pasado: “It could’ve been always, it could’ve been me / We could have been busy naming baby number three.” En el éxito New Light (producido por No ID, colaborador habitual de Kanye West), encontramos los mismos deseos y actitudes de chico solitario que en sus inicios. Más adelante, I Guess I Just Feel Like ahonda en el existencialismo: “I guess I just feel like nobody’s honest, nobody’s true ... I guess I just feel like I’m the same way too”. Mayer dice que el estrés de la pandemia le llevó a refugiarse en su zona de confort mientras trabajaba en el álbum: el soft rock de los años 80, el de su infancia. Para el formidable Last Train Home, John Mayer invitó a un veterano del género, el percusionista de Toto, Lenny Castro, así como a la heroína del country-pop contemporáneo Maren Morris, para que acompañaran el nítido sonido de su guitarra PRS Silver Sky. Til the Right One Comes suena casi como una canción de Christine McVie, mientras que la deliciosa Wild Blue nos recuerda que por algo es guitarrista en las giras de Grateful Dead. En Shot in the Dark y Carry Me Away, su profunda voz acompaña perfectamente estos giros de sensualidad y tristeza. Es raro encontrar el humor en sus grabaciones, pero en esta ocasión está presente en uno de los temas más cañeros de Sob Rock, Why You No Love Me: con una composición sutil, suave y sincera, Mayer canta – probablemente con una sonrisa en la cara – unas palabras dignas del maestro Yoda: “Why you no love me... Why you no even care.” © Shelly Ridenour/Qobuz
Acerca del álbum
- 1 disco(s) - 10 pista(s)
- Duración total: 00:38:24
- Artistas principales: John Mayer
- Compositor: Various Composers
- Sello: Columbia
- Género Pop/Rock Pop
(P) 2021 Columbia Records, a Division of Sony Music Entertainment
Mejorar la información del álbum
Playlists