Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
This release on Chandos had the misfortune to appear in the wake of the live reading of the work by Riccardo Muti and the Chicago Symphony, with bass Alexey Tikhomirov. Shostakovich's widow was in the audience for that performance, and Muti successfully swung for the fences in the shattering first movement, expressing the shock felt by poet Yevgeny Yevtushenko at the mass grave of Jews that he visited at Babi Yar, finding no memorial for the dead, but there is much to recommend in this recording with the fine Russian National Orchestra under Kirill Karabits, with Oleg Tsibulko as the soloist. First is Chandos' excellent engineering from the DZZ Studio 5 in Moscow; those who prefer a studio recording should consider this. Beyond the sound, there is the sharp edge given the symphony's inner movements here. Shostakovich challenged the Soviet establishment first with the work's condemnation of Soviet anti-Semitism (the performers were forced to water down Yevtushenko's anguished text at the premiere), and then compounded that challenge with other poems by Yevtushenko that treated the Stalin era with a sharply satirical edge (a risky move despite the "thaw" instituted by Soviet leader Nikita Khrushchev). It is in these inner movements, and also in the tension-releasing finale that Tsibulko and Karabits excel. The Muti recording may have forever dispelled the notion that it takes Russian musicians to get the depths of Shostakovich, but this one certainly shows they're still in the game.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 4.259,00/mes
Symphony No. 13 in B-Flat Minor, Op. 113 "Babi Yar" (Dimitri Chostakovitch)
Dmitri Shostakovich, Composer - Russian National Orchestra, Orchestra, MainArtist - Kirill Karabits, Conductor, MainArtist - Oleg Tsibulko, MainArtist, BassVocals
2020 Pentatone Music B.V. 2020 Pentatone Music B.V.
Dmitri Shostakovich, Composer - Russian National Orchestra, Orchestra, MainArtist - Kirill Karabits, Conductor, MainArtist - Oleg Tsibulko, MainArtist, BassVocals
2020 Pentatone Music B.V. 2020 Pentatone Music B.V.
Dmitri Shostakovich, Composer - Russian National Orchestra, Orchestra, MainArtist - Kirill Karabits, Conductor, MainArtist - Oleg Tsibulko, MainArtist, BassVocals
2020 Pentatone Music B.V. 2020 Pentatone Music B.V.
Dmitri Shostakovich, Composer - Russian National Orchestra, Orchestra, MainArtist - Kirill Karabits, Conductor, MainArtist - Oleg Tsibulko, MainArtist, BassVocals
2020 Pentatone Music B.V. 2020 Pentatone Music B.V.
Dmitri Shostakovich, Composer - Russian National Orchestra, Orchestra, MainArtist - Kirill Karabits, Conductor, MainArtist - Oleg Tsibulko, MainArtist, BassVocals
2020 Pentatone Music B.V. 2020 Pentatone Music B.V.
Presentación del Álbum
This release on Chandos had the misfortune to appear in the wake of the live reading of the work by Riccardo Muti and the Chicago Symphony, with bass Alexey Tikhomirov. Shostakovich's widow was in the audience for that performance, and Muti successfully swung for the fences in the shattering first movement, expressing the shock felt by poet Yevgeny Yevtushenko at the mass grave of Jews that he visited at Babi Yar, finding no memorial for the dead, but there is much to recommend in this recording with the fine Russian National Orchestra under Kirill Karabits, with Oleg Tsibulko as the soloist. First is Chandos' excellent engineering from the DZZ Studio 5 in Moscow; those who prefer a studio recording should consider this. Beyond the sound, there is the sharp edge given the symphony's inner movements here. Shostakovich challenged the Soviet establishment first with the work's condemnation of Soviet anti-Semitism (the performers were forced to water down Yevtushenko's anguished text at the premiere), and then compounded that challenge with other poems by Yevtushenko that treated the Stalin era with a sharply satirical edge (a risky move despite the "thaw" instituted by Soviet leader Nikita Khrushchev). It is in these inner movements, and also in the tension-releasing finale that Tsibulko and Karabits excel. The Muti recording may have forever dispelled the notion that it takes Russian musicians to get the depths of Shostakovich, but this one certainly shows they're still in the game.
© TiVo
Acerca del álbum
- 1 disco(s) - 5 pista(s)
- Duración total: 00:58:09
- Artistas principales: Kirill Karabits Russian National Orchestra Oleg Tsibulko
- Compositor: Dimitri Chostakovitch
- Sello: Pentatone
- Género Clásica Música sinfónica Sinfonías
2020 Pentatone Music B.V. 2020 Pentatone Music B.V.
Mejorar la información del álbum