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N.E.R.D.|Seeing Sounds

Seeing Sounds

N.E.R.D.

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Singers and rappers looking for hits don't go to Pharrell Williams for power pop pumped full of steroids, elaborately arranged baroque pop, mosh-inducing guitar assaults, songs about women doing coke in bathrooms, or philosophical ruminations. Williams, along with fellow Neptune Chad Hugo and longtime associate Shay continue to use N.E.R.D. as an outlet for all the stray ideas that leave sales and airplay considerations in the dust. But it's not as if what they have produced as a trio has been inaccessible, and that goes for their third album, Seeing Sounds, as well. In Search Of... went gold, despite being re-recorded into an inferior band-driven version of the synth-and-drum-machine-heavy original (released outside the U.S. in 2001), while the ambitious and occasionally downright bizarre Fly or Die apparently moved roughly 100,000 fewer units. Those numbers aren't bad, but it was apparent that the average Neptunes fan was thrown (or merely not won over) by the stylistic shifts and seemingly out of character lyrical concepts. Seeing Sounds nonetheless goes down the same route as the previous N.E.R.D. album, and there aren't any crossover feature spots, à la the Madden brothers on "Jump," to push it. The only other changes are that Williams gets three quarters of the songwriting credits alone, whereas Fly or Die was Hugo/Williams all the way, and Shay is put to a little more use. Once again, it is evident that they put all of themselves into the material, from the left of center concepts to arrangements with unpredictable shifts. The piano-led "Sooner or Later" switches back and forth from verses akin to David Bowie's "Changes" and a crashing chorus that is nearly bombastic, incorporating a needling guitar solo, while "Love Bomb" is similarly ambitious, using a similar build and release setup while sounding much different. Despite all the weight, those songs still have a way of seeming as easy and carefree as the moments when N.E.R.D. are simply bashing away (sometimes over agitated drum'n'bass), blowing off steam, and talking ridiculous nonsense. Whether taken as a diversion of throwaway fun or a deeper (or peculiar) look into what makes these men tick, the album succeeds.

© Andy Kellman /TiVo

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Seeing Sounds

N.E.R.D.

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1
Intro / Time For Some Action (Album Version (Edited))
00:03:42

The Neptunes, Producer - Pharrell Williams, ComposerLyricist - Javier Valverde, Asst. Recording Engineer, StudioPersonnel - Andrew Coleman, Recording Engineer, StudioPersonnel - Mikey Canzonetta, Assistant Mixer, StudioPersonnel - Hart Gunther, Asst. Recording Engineer, StudioPersonnel - N.E.R.D., MainArtist - Neal H Pogue, Mixer, StudioPersonnel - Mike Larson, Asst. Recording Engineer, StudioPersonnel - Niklas Almqvist, Guitar, AssociatedPerformer - Pelte Almqvist, Vocals, AssociatedPerformer - Mikael Karlsson Astrom, Guitar, AssociatedPerformer - Mattias Bernvall, Bass Guitar, AssociatedPerformer - Christian Grahn, Drums, Percussion, AssociatedPerformer

℗ 2008 Star Trak, LLC

2
Everyone Nose (All The Girls Standing In The Line For The Bathroom) (Album Version (Edited))
00:03:27

Chad Hugo, ComposerLyricist - The Neptunes, Producer - Pharrell Williams, ComposerLyricist - Andrew Coleman, Recording Engineer, StudioPersonnel - Hart Gunther, Asst. Recording Engineer, StudioPersonnel - N.E.R.D., MainArtist - Neal H Pogue, Mixer, StudioPersonnel - Mike Larson, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Star Trak, LLC

3
Windows
00:02:58

The Neptunes, Producer - Pharrell Williams, ComposerLyricist - Javier Valverde, Asst. Recording Engineer, StudioPersonnel - Andrew Coleman, Recording Engineer, StudioPersonnel - Hart Gunther, Asst. Recording Engineer, StudioPersonnel - N.E.R.D., MainArtist - Neal H Pogue, Mixer, StudioPersonnel - Mike Larson, Asst. Recording Engineer, StudioPersonnel - Niklas Almqvist, Guitar, AssociatedPerformer - Pelte Almqvist, Vocals, AssociatedPerformer - Mikael Karlsson Astrom, Guitar, AssociatedPerformer - Mattias Bernvall, Bass Guitar, AssociatedPerformer - Christian Grahn, Drums, Percussion, AssociatedPerformer

℗ 2008 Star Trak, LLC

4
Anti Matter (Album Version (Edited))
00:04:01

Chad Hugo, ComposerLyricist - The Neptunes, Producer - Pharrell Williams, ComposerLyricist - Andrew Coleman, Recording Engineer, StudioPersonnel - Hart Gunther, Asst. Recording Engineer, StudioPersonnel - N.E.R.D., MainArtist - Neal H Pogue, Mixer, Recording Engineer, StudioPersonnel - Mike Larson, Asst. Recording Engineer, StudioPersonnel - Rick Bryant, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Star Trak, LLC

5
Spaz (Album Version (Edited))
00:03:49

The Neptunes, Producer - Pharrell Williams, ComposerLyricist - Andrew Coleman, Recording Engineer, StudioPersonnel - Hart Gunther, Asst. Recording Engineer, StudioPersonnel - N.E.R.D., MainArtist - Neal H Pogue, Mixer, StudioPersonnel - Mike Larson, Asst. Recording Engineer, StudioPersonnel - Rick Bryant, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Star Trak, LLC

6
Yeah You (Album Version (Edited))
00:04:05

The Neptunes, Producer - Pharrell Williams, ComposerLyricist - Andrew Coleman, Recording Engineer, StudioPersonnel - Mike Hogue, Asst. Recording Engineer, StudioPersonnel - Ryan Kennedy, Asst. Recording Engineer, StudioPersonnel - Hart Gunther, Asst. Recording Engineer, StudioPersonnel - N.E.R.D., MainArtist - Neal H Pogue, Mixer, StudioPersonnel - Mike Larson, Asst. Recording Engineer, StudioPersonnel - Rick Bryant, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Star Trak, LLC

7
Sooner or Later (Album Version (Edited))
00:06:41

The Neptunes, Producer - Pharrell Williams, ComposerLyricist - Andrew Coleman, Recording Engineer, StudioPersonnel - Hart Gunther, Asst. Recording Engineer, StudioPersonnel - N.E.R.D., MainArtist - Neal H Pogue, Mixer, Recording Engineer, StudioPersonnel - Mike Larson, Asst. Recording Engineer, StudioPersonnel - Rick Bryant, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Star Trak, LLC

8
Happy
00:04:35

The Neptunes, Producer - Pharrell Williams, ComposerLyricist - Andrew Coleman, Recording Engineer, StudioPersonnel - Hart Gunther, Asst. Recording Engineer, StudioPersonnel - N.E.R.D., MainArtist - Neal H Pogue, Mixer, StudioPersonnel

℗ 2008 Star Trak, LLC

9
Kill Joy (Album Version (Edited))
00:04:09

The Neptunes, Producer - Pharrell Williams, ComposerLyricist - Andrew Coleman, Recording Engineer, StudioPersonnel - Hart Gunther, Asst. Recording Engineer, StudioPersonnel - N.E.R.D., MainArtist - Neal H Pogue, Mixer, Recording Engineer, StudioPersonnel - Mike Larson, Asst. Recording Engineer, StudioPersonnel - Rick Bryant, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Star Trak, LLC

10
Love Bomb (Album Version (Edited))
00:04:35

Chad Hugo, ComposerLyricist - The Neptunes, Producer - Pharrell Williams, ComposerLyricist - Andrew Coleman, Recording Engineer, StudioPersonnel - Hart Gunther, Asst. Recording Engineer, StudioPersonnel - N.E.R.D., MainArtist - Neal H Pogue, Mixer, Recording Engineer, StudioPersonnel - Mike Larson, Asst. Recording Engineer, StudioPersonnel - Rick Bryant, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Star Trak, LLC

11
You Know What (Album Version (Edited))
00:04:30

The Neptunes, Producer - Pharrell Williams, ComposerLyricist - Andrew Coleman, Recording Engineer, StudioPersonnel - Hart Gunther, Asst. Recording Engineer, StudioPersonnel - N.E.R.D., MainArtist - Neal H Pogue, Mixer, StudioPersonnel - Chris Kasych, Asst. Recording Engineer, StudioPersonnel - Mike Larson, Asst. Recording Engineer, StudioPersonnel - Rick Bryant, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Star Trak, LLC

12
Laugh About It (Album Version (Edited))
00:04:06

The Neptunes, Producer - Pharrell Williams, ComposerLyricist - Andrew Coleman, Recording Engineer, StudioPersonnel - Mike Hogue, Asst. Recording Engineer, StudioPersonnel - Ryan Kennedy, Asst. Recording Engineer, StudioPersonnel - Hart Gunther, Asst. Recording Engineer, StudioPersonnel - N.E.R.D., MainArtist - Neal H Pogue, Mixer, StudioPersonnel - Mike Larson, Asst. Recording Engineer, StudioPersonnel - Rick Bryant, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Star Trak, LLC

13
Everyone Nose (All The Girls Standing In The Line For The Bathroom) (Remix Album Version (Edited))
00:03:48

The Neptunes, Producer - Kanye West, FeaturedArtist - Lupe Fiasco, FeaturedArtist - Pusha T, FeaturedArtist - N.E.R.D., MainArtist

℗ 2008 Star Trak, LLC

Presentación del Álbum

Singers and rappers looking for hits don't go to Pharrell Williams for power pop pumped full of steroids, elaborately arranged baroque pop, mosh-inducing guitar assaults, songs about women doing coke in bathrooms, or philosophical ruminations. Williams, along with fellow Neptune Chad Hugo and longtime associate Shay continue to use N.E.R.D. as an outlet for all the stray ideas that leave sales and airplay considerations in the dust. But it's not as if what they have produced as a trio has been inaccessible, and that goes for their third album, Seeing Sounds, as well. In Search Of... went gold, despite being re-recorded into an inferior band-driven version of the synth-and-drum-machine-heavy original (released outside the U.S. in 2001), while the ambitious and occasionally downright bizarre Fly or Die apparently moved roughly 100,000 fewer units. Those numbers aren't bad, but it was apparent that the average Neptunes fan was thrown (or merely not won over) by the stylistic shifts and seemingly out of character lyrical concepts. Seeing Sounds nonetheless goes down the same route as the previous N.E.R.D. album, and there aren't any crossover feature spots, à la the Madden brothers on "Jump," to push it. The only other changes are that Williams gets three quarters of the songwriting credits alone, whereas Fly or Die was Hugo/Williams all the way, and Shay is put to a little more use. Once again, it is evident that they put all of themselves into the material, from the left of center concepts to arrangements with unpredictable shifts. The piano-led "Sooner or Later" switches back and forth from verses akin to David Bowie's "Changes" and a crashing chorus that is nearly bombastic, incorporating a needling guitar solo, while "Love Bomb" is similarly ambitious, using a similar build and release setup while sounding much different. Despite all the weight, those songs still have a way of seeming as easy and carefree as the moments when N.E.R.D. are simply bashing away (sometimes over agitated drum'n'bass), blowing off steam, and talking ridiculous nonsense. Whether taken as a diversion of throwaway fun or a deeper (or peculiar) look into what makes these men tick, the album succeeds.

© Andy Kellman /TiVo

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