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Louis Prima|Rocks

Rocks

Louis Prima

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Bear Family's extensive Rocks series generally serves the purpose of concentrating a lot of a specific rocker's most energetic performances onto one CD, or isolating the most rock-oriented sides of an artist most known for a different style of music (such as Marty Robbins). The rationale behind the 30 sides picked for this Louis Prima volume isn't as clear. As Billy Vera even admits near the end of his fine liner notes, "I'm not trying to say that Louis, [his singer] Keely [Smith], and [his saxophonist] Sam [Butera] had any appeal for 50s teens. They did not, but what they were playing was, in every other sense, rock'n'roll, or at least its prototype." True, the material was all cut at the height of the early rock & roll explosion between 1956 and 1958, and drew from some of the same influences that early rock did (jump blues and swing jazz being the most prevalent). But it's not rock & roll, or even too rock-influenced, with a few exceptions, like the Smith-penned "Rock-A-Doodle-Doo." That doesn't mean it isn't plenty boisterous, though it's a lot more like hearing the hottest lounge band in town than real rockers, especially when Butera lets loose with his down'n'dirtiest sax riffs (as he does on "Hey Boy, Hey Girl"). Of course a great deal of the music recorded by Prima shared these characteristics, not just these 30 tracks, and this hardly showcases all of the things he did that rocked in spirit if not in form. If album titles and genre classifications aren't the kind of things that vex you, enjoy the nearly 82 minutes (yes, it does fit more than 81 minutes onto one disc) of Prima mixing swing jazz, sentimental Italian schmaltz, jump blues, and nightclub comedy into his idiosyncratic and immediately identifiable sound, including such highlights of his repertoire as "Jump, Jive an' Wail," "Oh, Marie," "Just a Gigolo/I Ain't Got Nobody," and "I'll Be Glad When You're Dead You Rascal You." It isn't necessarily a best-of or even the best of his more raucous material, but it's certainly the longest such compilation anywhere in those ballparks, with good annotation.

© Richie Unterberger /TiVo

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Louis Prima

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1
Buona sera
00:02:58

Louis Prima, MainArtist - Carl Sigman, Peter Derose, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

2
Hey Boy, Hey Girl
00:02:52

Louis Prima, MainArtist - J. Thomas, Oscar McLollie, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

3
Pennies from Heaven
00:02:20

Louis Prima, MainArtist - Arthur Johnston, Johnny Burke, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

4
Jump, Jive, An' Wail
00:03:29

Louis Prima, Composer, MainArtist

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

5
When You're Smiling / The Sheik of Araby
00:03:59

Louis Prima, MainArtist - Shay, Fisher, Goodwin / Snyder, Smith, Wheeler, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

6
Oh Marie
00:02:26

Louis Prima, MainArtist - Eduardo de Capua, Louis Prima, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

7
The Pump Song
00:01:49

Louis Prima, MainArtist - Richard Whiting, Sam Lerner, Buddy Fields, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

8
I'll Be Glad When You're Dead You Rascal You
00:03:13

Louis Prima, MainArtist - Sam Theard, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

9
Bim Bam
00:02:04

Louis Prima, MainArtist - Ray Stanley, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

10
Beep! Beep!
00:02:12

Louis Prima, MainArtist - Jerry Joyce, Jerry Winn, Louis Prima, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

11
Five Months, Two Weeks, Two Days
00:02:10

Louis Prima, MainArtist - Debbie Morris, Don Donaldson, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

12
Be Mine (Little Baby)
00:02:36

Louis Prima, MainArtist - Sam Butera, Louis Prima, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

13
Whistle Stop
00:02:16

Louis Prima, MainArtist - Jimmy Breedlove, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

14
Oh, Marie (Version 2)
00:02:23

Louis Prima, MainArtist - Eduardo de Capua, Louis Prima, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

15
Bourbon Street Blues
00:02:13

Louis Prima, MainArtist - Prima, Smith, Belle, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

16
When the Saints Go Marching In
00:04:16

Traditional, Composer - Louis Prima, MainArtist

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

17
Just a Gigolo / I Ain't Got Nobody
00:04:43

Louis Prima, MainArtist - Casucci, Caesar/Spencer Williams, Roger Graham, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

18
Baby Won't You Please Come Home
00:02:06

Louis Prima, MainArtist - Charles Warfield,Clarence Williams, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

19
Seven Out
00:02:34

Louis Prima, MainArtist - Sam Butera, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

20
Ten Little Women
00:02:07

Louis Prima, MainArtist - Terry Noland, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

21
Equator
00:02:13

Louis Prima, MainArtist - Ray Stanley, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

22
Fever
00:03:04

Louis Prima, MainArtist - Johnny Davenport, Eddie Cooley, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

23
Shy
00:02:30

Louis Prima, MainArtist - Hal Mann, Bernie Lowe, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

24
Love Charm
00:02:27

Louis Prima, MainArtist - Ray Stanley, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

25
Put Your Mind at Ease
00:02:00

Louis Prima, MainArtist - Rosemary McCoy, Kelly Owens, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

26
Rock-a-Doodle-Doo
00:02:16

Louis Prima, MainArtist - Charlie Singleton, Rosemary McCoy, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

27
Much Too Young to Loose My Mind
00:01:56

Louis Prima, MainArtist - -, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

28
Angelina / Zooma Zooma (Medley)
00:04:17

Louis Prima, MainArtist - Allen Roberts, Doris Fisher / Paolo Citarella, Louis Prima, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

29
The White Cliffs of Dover
00:04:41

Louis Prima, MainArtist - Walter Kent, Nat Burton, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

30
Hey Boy, Hey Girl (Reprise)
00:01:25

Louis Prima, MainArtist - J. Thomas, Oscar McLollie, Composer

(C) 2013 Bear Family Records GmbH (P) 2013 Bear Family Records GmbH

Presentación del Álbum

Bear Family's extensive Rocks series generally serves the purpose of concentrating a lot of a specific rocker's most energetic performances onto one CD, or isolating the most rock-oriented sides of an artist most known for a different style of music (such as Marty Robbins). The rationale behind the 30 sides picked for this Louis Prima volume isn't as clear. As Billy Vera even admits near the end of his fine liner notes, "I'm not trying to say that Louis, [his singer] Keely [Smith], and [his saxophonist] Sam [Butera] had any appeal for 50s teens. They did not, but what they were playing was, in every other sense, rock'n'roll, or at least its prototype." True, the material was all cut at the height of the early rock & roll explosion between 1956 and 1958, and drew from some of the same influences that early rock did (jump blues and swing jazz being the most prevalent). But it's not rock & roll, or even too rock-influenced, with a few exceptions, like the Smith-penned "Rock-A-Doodle-Doo." That doesn't mean it isn't plenty boisterous, though it's a lot more like hearing the hottest lounge band in town than real rockers, especially when Butera lets loose with his down'n'dirtiest sax riffs (as he does on "Hey Boy, Hey Girl"). Of course a great deal of the music recorded by Prima shared these characteristics, not just these 30 tracks, and this hardly showcases all of the things he did that rocked in spirit if not in form. If album titles and genre classifications aren't the kind of things that vex you, enjoy the nearly 82 minutes (yes, it does fit more than 81 minutes onto one disc) of Prima mixing swing jazz, sentimental Italian schmaltz, jump blues, and nightclub comedy into his idiosyncratic and immediately identifiable sound, including such highlights of his repertoire as "Jump, Jive an' Wail," "Oh, Marie," "Just a Gigolo/I Ain't Got Nobody," and "I'll Be Glad When You're Dead You Rascal You." It isn't necessarily a best-of or even the best of his more raucous material, but it's certainly the longest such compilation anywhere in those ballparks, with good annotation.

© Richie Unterberger /TiVo

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