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Minguet Quartett|Rihm: String Quartets Vol. 3

Rihm: String Quartets Vol. 3

Minguet Quartett

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Col Legno's third volume of Wolfgang Rihm's string quartets is, like its predecessors, an album of vigorous and challenging works that defy easy descriptions, resist stylistic associations, and put listeners on their mettle. If the fragmentary gestures, sudden digressions, and unconventional sounds (wood blocks, voices) of the String Quartet No. 7, "Veränderungen" (1985), are signs of Rihm's restless search for a music freed of expectations, then the advanced techniques and sonic distortions of the String Quartet No. 8 (1987-1988) and the unpredictable evolution of simple diatonic ideas in the String Quartet No. 9, "Quartettsatz" (1992-1993), may be regarded as even more evasive maneuvers, seemingly scattered and inconsistent, but designed to prevent anticipation and to train the players and the audience to stay in the moment. The Minguet Quartett succeeds admirably in this intensely virtuosic music, and makes Rihm's seemingly disjointed but extraordinarily fecund works coherent through its tight, focused playing and alertness to all gradations of tone, timbre, and dynamics. Because Col Legno's reproduction is well-balanced, clear, and resonant, the Minguet Quartett sounds utterly natural and unprocessed, though a bit subdued in presence.

© TiVo

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Rihm: String Quartets Vol. 3

Minguet Quartett

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1
String Quartet No. 7, Veränderungen (1985): Takt 1
00:04:17

Wolfgang Rihm, Composer - Minguet Quartett, Artist, MainArtist - col legno - Deutschlandradio, MusicPublisher

2005 col legno 2004 col legno - Deutschlandradio

2
String Quartet No. 7, Veränderungen (1985): Takt 105
00:06:50

Wolfgang Rihm, Composer - Minguet Quartett, Artist, MainArtist - col legno - Deutschlandradio, MusicPublisher

2005 col legno 2004 col legno - Deutschlandradio

3
String Quartet No. 7, Veränderungen (1985): Takt 244
00:03:00

Wolfgang Rihm, Composer - Minguet Quartett, Artist, MainArtist - col legno - Deutschlandradio, MusicPublisher

2005 col legno 2004 col legno - Deutschlandradio

4
String Quartet No. 7, Veränderungen (1985): Takt 309
00:08:01

Wolfgang Rihm, Composer - Minguet Quartett, Artist, MainArtist - col legno - Deutschlandradio, MusicPublisher

2005 col legno 2004 col legno - Deutschlandradio

5
String Quartet No. 8 (1987-88): Takt 1
00:08:14

Wolfgang Rihm, Composer - Minguet Quartett, Artist, MainArtist - col legno - Deutschlandradio, MusicPublisher

2005 col legno 2004 col legno - Deutschlandradio

6
String Quartet No. 8 (1987-88): Takt 159
00:07:11

Wolfgang Rihm, Composer - Minguet Quartett, Artist, MainArtist - col legno - Deutschlandradio, MusicPublisher

2005 col legno 2004 col legno - Deutschlandradio

7
String Quartet No. 9, Quartettsatz (1992-93): Takt 1
00:07:00

Wolfgang Rihm, Composer - Minguet Quartett, Artist, MainArtist - col legno - Deutschlandradio, MusicPublisher

2005 col legno 2004 col legno - Deutschlandradio

8
String Quartet No. 9, Quartettsatz (1992-93): Takt 193
00:07:25

Wolfgang Rihm, Composer - Minguet Quartett, Artist, MainArtist - col legno - Deutschlandradio, MusicPublisher

2005 col legno 2004 col legno - Deutschlandradio

9
String Quartet No. 9, Quartettsatz (1992-93): Takt 416
00:08:16

Wolfgang Rihm, Composer - Minguet Quartett, Artist, MainArtist - col legno - Deutschlandradio, MusicPublisher

2005 col legno 2004 col legno - Deutschlandradio

Presentación del Álbum

Col Legno's third volume of Wolfgang Rihm's string quartets is, like its predecessors, an album of vigorous and challenging works that defy easy descriptions, resist stylistic associations, and put listeners on their mettle. If the fragmentary gestures, sudden digressions, and unconventional sounds (wood blocks, voices) of the String Quartet No. 7, "Veränderungen" (1985), are signs of Rihm's restless search for a music freed of expectations, then the advanced techniques and sonic distortions of the String Quartet No. 8 (1987-1988) and the unpredictable evolution of simple diatonic ideas in the String Quartet No. 9, "Quartettsatz" (1992-1993), may be regarded as even more evasive maneuvers, seemingly scattered and inconsistent, but designed to prevent anticipation and to train the players and the audience to stay in the moment. The Minguet Quartett succeeds admirably in this intensely virtuosic music, and makes Rihm's seemingly disjointed but extraordinarily fecund works coherent through its tight, focused playing and alertness to all gradations of tone, timbre, and dynamics. Because Col Legno's reproduction is well-balanced, clear, and resonant, the Minguet Quartett sounds utterly natural and unprocessed, though a bit subdued in presence.

© TiVo

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