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Shooter Jennings|Put The O Back In Country

Put The O Back In Country

Shooter Jennings

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Shooter Jennings is the son of the late Waylon. This is both a blessing and a curse. The blessing is that because of his pedigree people will take the opportunity to check him out. The curse is that the comparison factor is inevitable and unfair. And since birthright is unavoidable here, we'll get this out of the way straight up: this is modern-day outlaw country music. This is rockin' country music. The title track goes a little far in terms of stressing its point -- including getting George Jones to slur his way through some introductory words. The very next cut, "4th of July" contains the same kind of pumped-up guitar-slinging grittiness and glory that the original outlaws did. It's loud, and has a killer hook and near-chanted refrain. "Lonesome Blues" is pure Texas country -- drawling, slow, full of pain and pathos. And so it goes. Jennings can write songs. The best of them, like the aforementioned "4th of July" is a quintessential Southern rocker; the acoustic "Sweet Savannah" and electric "The Letter" are fine busted love ballads that tell full-on stories, dig deep into country archetypes, and have fine choruses and hooks that are timeless. "Southern Comfort" sounds like a dead cross between Lynyrd Skynyrd's more laid-back moments and an outtake from Chris Whitley's Living with the Law, and features a backing chorus of Mom Jessi Colter, Faith Evans, and Cece White! In Jennings' singing voice there is the trace of his father's grain, but in his music he is unruly and fiercely independent; that's a compliment more than a comparison. This is a fine debut album. It has a miss here and there, but it's got soul and grit, and displays its creator's wealth of talent. Recommended.

© Thom Jurek /TiVo

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Put The O Back In Country

Shooter Jennings

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1
Put The O Back In Country (Album Version)
00:03:25

Neil Young, ComposerLyricist - Mark Rains, Mixer, Recording Engineer, StudioPersonnel - Dave Cobb, Producer - Shooter Jennings, Acoustic Guitar, MainArtist, AssociatedPerformer - Bryan Keeling, Drums, AssociatedPerformer - Ted Russell Kamp, Arranger, Bass Guitar, Piano, Background Vocalist, Work Arranger, AssociatedPerformer - Waylon Albright Jennings, ComposerLyricist - Leroy Powell, Arranger, Steel Guitar, Background Vocalist, Work Arranger, AssociatedPerformer

℗ 2005 UMG Recordings, Inc.

2
4th Of July / He Stopped Loving Her Today (Medley)
00:04:25

Bobby Braddock, ComposerLyricist - GEORGE JONES, FeaturedArtist - Curly Putman, ComposerLyricist - Mark Rains, Mixer, Recording Engineer, StudioPersonnel - Dave Cobb, Producer - Shooter Jennings, Electric Guitar, Background Vocalist, MainArtist, AssociatedPerformer - Bryan Keeling, Drums, AssociatedPerformer - Ted Russell Kamp, Bass Guitar, Background Vocalist, AssociatedPerformer - Waylon Albright Jennings, ComposerLyricist - Leroy Powell, Guitar, Background Vocalist, AssociatedPerformer

℗ 2005 UMG Recordings, Inc.

3
Lonesome Blues (Album Version)
00:03:59

Mark Rains, Recording Engineer, StudioPersonnel - Dave Cobb, Producer, Mixer, StudioPersonnel - Chris Lawrence, Pedal Steel, AssociatedPerformer - Shooter Jennings, Acoustic Guitar, MainArtist, AssociatedPerformer - Bryan Keeling, Drums, AssociatedPerformer - Ted Russell Kamp, Bass Guitar, Background Vocalist, AssociatedPerformer - Leroy Powell, Acoustic Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

4
Solid Country Gold (Album Version)
00:03:04

Mark Rains, Mixer, Recording Engineer, StudioPersonnel - Dave Cobb, Producer - Eric Heywood, Pedal Steel, AssociatedPerformer - Shooter Jennings, Acoustic Guitar, MainArtist, AssociatedPerformer - Bryan Keeling, Drums, AssociatedPerformer - Ted Russell Kamp, Bass Guitar, Background Vocalist, AssociatedPerformer - Waylon Albright Jennings, ComposerLyricist - Leroy Powell, Guitar, Background Vocalist, AssociatedPerformer

℗ 2005 UMG Recordings, Inc.

5
Busted In Baylor County (Album Version)
00:03:54

Tony Iommi, ComposerLyricist - John Osbourne, ComposerLyricist - William Ward, ComposerLyricist - Terence Butler, ComposerLyricist - Mark Rains, Mixer, Recording Engineer, StudioPersonnel - Dave Cobb, Producer - Shooter Jennings, Electric Guitar, MainArtist, AssociatedPerformer - Bryan Keeling, Drums, AssociatedPerformer - Ted Russell Kamp, Bass Guitar, Background Vocalist, AssociatedPerformer - Waylon Albright Jennings, ComposerLyricist - Leroy Powell, Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Travis Roy Parker, Fiddle, AssociatedPerformer

℗ 2005 UMG Recordings, Inc.

6
Sweet Savannah (Album Version)
00:04:08

Mark Rains, Mixer, Recording Engineer, StudioPersonnel - Dave Cobb, Producer - Shooter Jennings, MainArtist - Waylon Albright Jennings, ComposerLyricist - Leroy Powell, Acoustic Guitar, AssociatedPerformer

℗ 2005 UMG Recordings, Inc.

7
Steady At The Wheel (Album Version)
00:02:57

Mark Rains, Mixer, Recording Engineer, StudioPersonnel - Dave Cobb, Producer - Shooter Jennings, Electric Guitar, MainArtist, AssociatedPerformer - Bryan Keeling, Drums, AssociatedPerformer - Ted Russell Kamp, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Leroy Powell, Guitar, AssociatedPerformer

℗ 2005 UMG Recordings, Inc.

8
Manifesto No. 1 (Album Version)
00:03:08

Mark Rains, Mixer, Recording Engineer, StudioPersonnel - Dave Cobb, Producer - Eric Heywood, Pedal Steel, AssociatedPerformer - Shooter Jennings, Acoustic Guitar, Organ, MainArtist, AssociatedPerformer - Bryan Keeling, Drums, AssociatedPerformer - Ted Russell Kamp, Bass Guitar, Background Vocalist, AssociatedPerformer - Waylon Albright Jennings, ComposerLyricist - Leroy Powell, Guitar, Background Vocalist, AssociatedPerformer

℗ 2005 UMG Recordings, Inc.

9
The Letter (Album Version)
00:03:30

Mark Rains, Recording Engineer, StudioPersonnel - Dave Cobb, Producer, Mixer, StudioPersonnel - Shooter Jennings, Piano, MainArtist, AssociatedPerformer - Bryan Keeling, Drums, AssociatedPerformer - Ted Russell Kamp, Bass Guitar, Background Vocalist, AssociatedPerformer - Waylon Albright Jennings, ComposerLyricist - Leroy Powell, Guitar, Background Vocalist, AssociatedPerformer

℗ 2005 UMG Recordings, Inc.

10
Southern Comfort (Album Version)
00:05:47

Jessi Colter, Vocalist, AssociatedPerformer - FAITH EVANS, Vocalist, AssociatedPerformer - Mark Rains, Mixer, Recording Engineer, StudioPersonnel - Dave Cobb, Producer - Shooter Jennings, Electric Guitar, MainArtist, AssociatedPerformer - Bryan Keeling, Drums, AssociatedPerformer - Ted Russell Kamp, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Waylon Albright Jennings, ComposerLyricist - Leroy Powell, Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Cece White, Vocalist, AssociatedPerformer

℗ 2005 UMG Recordings, Inc.

11
Daddy's Farm/My Song For You (Album Version)
00:08:19

Shooter Jennings, MainArtist

℗ 2005 Universal South Records, LLC

Presentación del Álbum

Shooter Jennings is the son of the late Waylon. This is both a blessing and a curse. The blessing is that because of his pedigree people will take the opportunity to check him out. The curse is that the comparison factor is inevitable and unfair. And since birthright is unavoidable here, we'll get this out of the way straight up: this is modern-day outlaw country music. This is rockin' country music. The title track goes a little far in terms of stressing its point -- including getting George Jones to slur his way through some introductory words. The very next cut, "4th of July" contains the same kind of pumped-up guitar-slinging grittiness and glory that the original outlaws did. It's loud, and has a killer hook and near-chanted refrain. "Lonesome Blues" is pure Texas country -- drawling, slow, full of pain and pathos. And so it goes. Jennings can write songs. The best of them, like the aforementioned "4th of July" is a quintessential Southern rocker; the acoustic "Sweet Savannah" and electric "The Letter" are fine busted love ballads that tell full-on stories, dig deep into country archetypes, and have fine choruses and hooks that are timeless. "Southern Comfort" sounds like a dead cross between Lynyrd Skynyrd's more laid-back moments and an outtake from Chris Whitley's Living with the Law, and features a backing chorus of Mom Jessi Colter, Faith Evans, and Cece White! In Jennings' singing voice there is the trace of his father's grain, but in his music he is unruly and fiercely independent; that's a compliment more than a comparison. This is a fine debut album. It has a miss here and there, but it's got soul and grit, and displays its creator's wealth of talent. Recommended.

© Thom Jurek /TiVo

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