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Orquestra Sinfônica Do Estado De São Paulo|Prokofiev: Symphony No. 6, Op. 111 & Waltz Suite, Op. 110

Prokofiev: Symphony No. 6, Op. 111 & Waltz Suite, Op. 110

Marin Alsop - Orquestra Sinfônica do Estado de São Paulo

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Prokofiev's Waltz Suite, Op. 110, is not much played, perhaps because composers of the 20th century were not supposed to recycle music the way Bach routinely did. But the work, pieced together from waltz episodes in the opera War and Peace, Op. 91, the almost unknown film score Lermontov, and the ballet Cinderella, Op. 87, is more than the sum of its parts: the waltzes have a nice edge and a developmental quality when heard in sequence, adding to the attractive tunes (which are excellent specimens of Prokofiev at his melodic best already). Sample any part of this to hear the best of the album, but be aware that the cumulative effect is key. The performance here by Marin Alsop and the São Paulo Symphony Orchestra is excellent, with strong rhythmic profiles that emphasize the deeper currents in the music. Prokofiev put this suite together as he was working on the Symphony No. 6, Op. 111, intended as a grim memorial for Soviet war dead. In fact, the work merely got Prokofiev in trouble with Stalin's cultural commissars, just as Shostakovich had suffered. This performance is not quite as distinctive, compared with virtuoso Russian ones, but this entry in Alsop's Prokofiev series is a recommended addition to collections, beautifully recorded on the orchestra's home ground.

© TiVo

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Prokofiev: Symphony No. 6, Op. 111 & Waltz Suite, Op. 110

Orquestra Sinfônica Do Estado De São Paulo

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Symphony No. 6 in E-Flat Minor, Op. 111

1
I. Allegro moderato
00:13:27

Sergei Prokofiev, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2016 Naxos (P) 2016 Naxos

2
II. Largo
00:14:13

Sergei Prokofiev, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2016 Naxos (P) 2016 Naxos

3
III. Vivace
00:11:23

Sergei Prokofiev, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2016 Naxos (P) 2016 Naxos

Waltz Suite, Op. 110

4
I. Since We Met (From War and Peace, Op. 91)
00:06:11

Sergei Prokofiev, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2016 Naxos (P) 2016 Naxos

5
II. Cinderella in the Palace (From Cinderella, Op. 87)
00:05:40

Sergei Prokofiev, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2016 Naxos (P) 2016 Naxos

6
III. Mephisto Waltz (From Lermontov)
00:03:27

Sergei Prokofiev, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2016 Naxos (P) 2016 Naxos

7
IV. End of the Fairy-Tale (From Cinderella, Op. 87)
00:04:59

Sergei Prokofiev, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2016 Naxos (P) 2016 Naxos

8
V. Waltz for the New Year's Ball (From War and Peace, Op. 91)
00:05:39

Sergei Prokofiev, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2016 Naxos (P) 2016 Naxos

9
VI. Happiness (From Cinderella, Op. 87)
00:03:17

Sergei Prokofiev, Composer - Orquestra Sinfônica Do Estado De São Paulo, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2016 Naxos (P) 2016 Naxos

Presentación del Álbum

Prokofiev's Waltz Suite, Op. 110, is not much played, perhaps because composers of the 20th century were not supposed to recycle music the way Bach routinely did. But the work, pieced together from waltz episodes in the opera War and Peace, Op. 91, the almost unknown film score Lermontov, and the ballet Cinderella, Op. 87, is more than the sum of its parts: the waltzes have a nice edge and a developmental quality when heard in sequence, adding to the attractive tunes (which are excellent specimens of Prokofiev at his melodic best already). Sample any part of this to hear the best of the album, but be aware that the cumulative effect is key. The performance here by Marin Alsop and the São Paulo Symphony Orchestra is excellent, with strong rhythmic profiles that emphasize the deeper currents in the music. Prokofiev put this suite together as he was working on the Symphony No. 6, Op. 111, intended as a grim memorial for Soviet war dead. In fact, the work merely got Prokofiev in trouble with Stalin's cultural commissars, just as Shostakovich had suffered. This performance is not quite as distinctive, compared with virtuoso Russian ones, but this entry in Alsop's Prokofiev series is a recommended addition to collections, beautifully recorded on the orchestra's home ground.

© TiVo

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