Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
Known best (if at all) for Charles Shaar Murray's one-word review in the NME ("Bum."), Poet, Fool or Bum caught Lee Hazlewood in a sentimental, chagrined mode that didn't compare well to his earlier hard-bitten material. The production didn't help, either; Hazlewood said he allowed Jimmy Bowen to produce it because Bowen needed the money, and there's no trace of Hazlewood's cunning production finesse. His songs weren't all bad, though. Alongside one song each from Tom Waits and Leonard Cohen, Hazlewood sounded much more contented than he had in the past ("Heaven Is My Woman's Love," "Feathers," "Come Spend the Morning"), but allowed himself some room for his road-weary persona ("Nancy and Me," "Wind, Sky, Sea and Sand," "Think I'm Coming Down"). In 1977, after four years of recording for Swedish audiences, Hazlewood returned for Back on the Street Again, another weak record. This one was produced by Bobby Bobcine, a German radio programmer who ushered Hazlewood into the same studio used by the Scorpions and introduced him to an inexperienced duet partner named Sheri Garbo. The results were polished within an inch of their lives; as on Poet, Fool or Bum, Hazlewood's songs weren't always bad -- "Your Thunder and Your Lightning" was an acceptable single -- but they were always pitifully produced. Ending the record (and his studio career, until 1993) was his worst song, the nearly self-explanatory "Dolly Parton's Guitar" (as in, "You've made me happier than..."). Most Hazlewood fans need to hear everything he recorded, making this EMI two-fer a useful acquisition, since it'd be terrible to pay too much for a pair of records worth so little.
© John Bush /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 4.259,00/mes
Lee Hazlewood, Composer, MainArtist
℗ 1973 Maverick Productions Ltd
Lee Hazlewood, MainArtist - Dobbins, Composer
℗ 1973 Maverick Productions Ltd
Lee Hazlewood, Composer, MainArtist
℗ 1973 Maverick Productions Ltd
Lee Hazlewood, Composer, MainArtist
℗ 1973 Maverick Productions Ltd
Lee Hazlewood, Composer, MainArtist
℗ 1973 Maverick Productions Ltd
Lee Hazlewood, Composer, MainArtist
℗ 1973 Maverick Productions Ltd
Johnstone, Composer - Lee Hazlewood, MainArtist - Benjamin Cohen, Composer
℗ 1973 Maverick Productions Ltd
Lee Hazlewood, Composer, MainArtist
℗ 1973 Maverick Productions Ltd
Lee Hazlewood, Composer, MainArtist
℗ 1973 Maverick Productions Ltd
Tom Waits, Composer - Lee Hazlewood, MainArtist
℗ 1973 Maverick Productions Ltd
Lee Hazlewood, Composer, Author, MainArtist - Suzanne Jennings-Persson, Producer
℗ 1977 EMI Music Germany GmbH & Co KG
Lee Hazlewood, Composer, Author, MainArtist
℗ 1977 EMI Music Germany GmbH & Co KG
Lee Hazlewood, Composer, Author, MainArtist
℗ 1977 EMI Music Germany GmbH & Co KG
Lee Hazlewood, Composer, Author, MainArtist
℗ 1977 EMI Music Germany GmbH & Co KG
Lee Hazlewood, Composer, Author, MainArtist
℗ 1977 EMI Music Germany GmbH & Co KG
Lee Hazlewood, Composer, Author, MainArtist
℗ 1977 EMI Music Germany GmbH & Co KG
Kris Kristofferson, Composer, Author - Lee Hazlewood, MainArtist
℗ 1977 EMI Music Germany GmbH & Co KG
Lee Hazlewood, Composer, Author, MainArtist
℗ 1977 EMI Music Germany GmbH & Co KG
Lee Hazlewood, MainArtist - Colleen Petterson, Composer, Author
℗ 1977 EMI Music Germany GmbH & Co KG
Lee Hazlewood, MainArtist - Kenneth Ancell, Composer, Author - AJ Spezzel, Composer, Author
℗ 1977 EMI Music Germany GmbH & Co KG
Lee Hazlewood, Composer, Author, MainArtist
℗ 1977 EMI Music Germany GmbH & Co KG
Presentación del Álbum
Known best (if at all) for Charles Shaar Murray's one-word review in the NME ("Bum."), Poet, Fool or Bum caught Lee Hazlewood in a sentimental, chagrined mode that didn't compare well to his earlier hard-bitten material. The production didn't help, either; Hazlewood said he allowed Jimmy Bowen to produce it because Bowen needed the money, and there's no trace of Hazlewood's cunning production finesse. His songs weren't all bad, though. Alongside one song each from Tom Waits and Leonard Cohen, Hazlewood sounded much more contented than he had in the past ("Heaven Is My Woman's Love," "Feathers," "Come Spend the Morning"), but allowed himself some room for his road-weary persona ("Nancy and Me," "Wind, Sky, Sea and Sand," "Think I'm Coming Down"). In 1977, after four years of recording for Swedish audiences, Hazlewood returned for Back on the Street Again, another weak record. This one was produced by Bobby Bobcine, a German radio programmer who ushered Hazlewood into the same studio used by the Scorpions and introduced him to an inexperienced duet partner named Sheri Garbo. The results were polished within an inch of their lives; as on Poet, Fool or Bum, Hazlewood's songs weren't always bad -- "Your Thunder and Your Lightning" was an acceptable single -- but they were always pitifully produced. Ending the record (and his studio career, until 1993) was his worst song, the nearly self-explanatory "Dolly Parton's Guitar" (as in, "You've made me happier than..."). Most Hazlewood fans need to hear everything he recorded, making this EMI two-fer a useful acquisition, since it'd be terrible to pay too much for a pair of records worth so little.
© John Bush /TiVo
Acerca del álbum
- 1 disco(s) - 21 pista(s)
- Duración total: 01:07:47
- Artistas principales: Lee Hazlewood
- Compositor: Various Composers
- Sello: EMI Catalogue
- Género Blues/Country/Folk Country
© 2004 EMI Records Ltd This Compilation ℗ 2004 EMI Records Ltd
Mejorar la información del álbum