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Ted Hearne|Place

Place

Saul Williams, Ted Hearne

Libreto digital

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Idioma disponible: inglés

Place, with music by Ted Hearne and texts mostly by Saul Williams, has been called an oratorio, and indeed there is a small choral role for the Chicago Children's Chorus. One might also call it a song cycle; solo voices, drawn from rock and jazz styles as well as from classical music, predominate, and the work depends on single voices and ensembles who inhabit specific ideas. As with much of Hearne's other work, the texts are political, focusing on gentrification (there is a spoken antiphonal movement beginning "Gentrification is a generational conversation that has gone by many names"), the dispossession of Native Americans, and other themes. Listeners will evaluate these ideas for themselves, but the music is worth hearing for those of any persuasion. Hearne weaves together greatly disparate sounds in a coherent whole. Voices are of many types and may be modified by electronic processing, and the 15-player Place Orchestra, acoustic except for guitar, bass, keyboards, and mixer processing, accomplishes such striking juxtapositions of sounds that it sounds like a much larger group. The movements, too, differ from one another, but a bit of sampling is likely to give potential listeners an idea of what the music is all about and to affirm that it is fresh and new. Hearne's ability to use popular voice timbres in music that is not pop-influenced per se is notable. Radio programmers should note the obscenity in the final track. This release received two 2020 Grammy nominations, for Best Chamber Music/Small Ensemble Recording and Best Composition.
© James Manheim /TiVo

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Place

Ted Hearne

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Place, Pt. 1 (Ted Hearne)

1
No. 1, Balloons
Ted Hearne
00:05:55

Ted Hearne, Composer, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

2
No. 2, Boundary
Ted Hearne
00:04:10

Ted Hearne, Composer, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

3
No. 3, Interview
Ted Hearne
00:04:28

Ted Hearne, Composer, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

4
No. 4, Maps (Appropriation)
Ted Hearne
00:08:43

Ted Hearne, Composer, Artist, MainArtist - Josephine Lee, Artist, MainArtist - Chicago Children's Choir, Choir, MainArtist - Isaiah Robinson, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

5
No. 5, Breakup Letter
Ted Hearne
00:06:52

Philip White, Artist, MainArtist - Ted Hearne, Composer, Artist, MainArtist - Ayanna Woods, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

6
No. 6, Guilt
Ted Hearne
00:02:58

Ted Hearne, Composer, Artist, MainArtist - Steven Bradshaw, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

Place, Pt. 2 (Ted Hearne)

7
No. 7, Is It OK to Say?
Ted Hearne
00:02:37

Ted Hearne, Composer, Artist, MainArtist - RAGE THORMBONES, Artist, MainArtist - Sol Ruiz, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

8
No. 8, What About My Son
Ted Hearne
00:04:28

Ted Hearne, Composer, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

9
No. 9, Displacement Bloop
Saul Williams
00:00:11
10
No. 10, This Land Was Worth Every War
Ted Hearne
00:04:30

Ted Hearne, Composer, Artist, MainArtist - Sol Ruiz, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

11
No. 11, The Tales You Tell Your Children
Ted Hearne
00:02:24

Ted Hearne, Composer, Artist, MainArtist - Isaiah Robinson, Artist, MainArtist - Ayanna Woods, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

12
No. 12, New Faces
Ted Hearne
00:02:16

Ted Hearne, Composer, Artist, MainArtist - Sophia Byrd, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

13
No. 13, Running to Us All
Ted Hearne
00:02:16

Ted Hearne, Composer, Artist, MainArtist - Chicago Children's Choir, Choir, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

14
No. 14, Hallelujah in White
Ted Hearne
00:01:24

Ted Hearne, Composer, Artist, MainArtist - Isaiah Robinson, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

15
No. 15, A Thought
Saul Williams
00:01:57

Saul Williams, Artist, MainArtist - Ted Hearne, Composer - Ayanna Woods, Artist, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

16
No. 16, The Guilt That I Feel Is Freedom
Ted Hearne
00:03:38

Ted Hearne, Composer, Artist, MainArtist - Steven Bradshaw, Artist, MainArtist - Ayanna Woods, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

17
No. 17, You Were Never Comfortable with Intimacy
Ted Hearne
00:01:43

Ted Hearne, Composer, Artist, MainArtist - Sophia Byrd, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

18
No. 18, Beneath the Ruins Are Older Ruins
Ted Hearne
00:05:27

Ted Hearne, Composer, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

Place, Pt. 3 (Ted Hearne)

19
No. 19, Colonizing Space
Ted Hearne
00:05:44

Ted Hearne, Composer, Artist, MainArtist - Isaiah Robinson, Artist, MainArtist - Place Orchestra, Ensemble, MainArtist

(C) 2020 New Amsterdam (P) 2020 New Amsterdam

Presentación del Álbum

Place, with music by Ted Hearne and texts mostly by Saul Williams, has been called an oratorio, and indeed there is a small choral role for the Chicago Children's Chorus. One might also call it a song cycle; solo voices, drawn from rock and jazz styles as well as from classical music, predominate, and the work depends on single voices and ensembles who inhabit specific ideas. As with much of Hearne's other work, the texts are political, focusing on gentrification (there is a spoken antiphonal movement beginning "Gentrification is a generational conversation that has gone by many names"), the dispossession of Native Americans, and other themes. Listeners will evaluate these ideas for themselves, but the music is worth hearing for those of any persuasion. Hearne weaves together greatly disparate sounds in a coherent whole. Voices are of many types and may be modified by electronic processing, and the 15-player Place Orchestra, acoustic except for guitar, bass, keyboards, and mixer processing, accomplishes such striking juxtapositions of sounds that it sounds like a much larger group. The movements, too, differ from one another, but a bit of sampling is likely to give potential listeners an idea of what the music is all about and to affirm that it is fresh and new. Hearne's ability to use popular voice timbres in music that is not pop-influenced per se is notable. Radio programmers should note the obscenity in the final track. This release received two 2020 Grammy nominations, for Best Chamber Music/Small Ensemble Recording and Best Composition.
© James Manheim /TiVo

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