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Guido Rimonda|Petite Ecole de la mélodie

Petite Ecole de la mélodie

Jean Baptiste Charles Dancla - Camille Saint-Saëns - Jules Massenet

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Petite École de la mélodie, a little known work for violin and piano by composer Jean Baptiste Charles Dancla, is the headlining piece on this Chandos album. While it is the world-premiere recording of the Petite École, and new works are always a welcome asset, Dancla's 12 etude-like shorts may not be worthy of great esteem. Yes, they are certainly all melodic as the title would suggest, but they offer little in the way of substance or backbone. After 12 tracks, the whole experience becomes one of relative banality. For his part, violinist Guido Rimonda offers a technically proficient reading of the work, but his interpretation tends to lean toward the syrupy sweet. The same could be said for his performance of the album's core piece: Saint-Saëns Violin Sonata No. 1 in D minor. Despite the clear first movement character marking of Allegro agitato, Rimonda's playing is rather soft around the edges with insufficient rhythmic dynamism. By the treacherous Finale, a perpetual motion, Rimonda livens things up a bit, but by this time it's too little, too late. The album ends with a technically flawless but musically overwrought performance of Massenet's Meditation from his opera Thaïs.
© TiVo

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Petite Ecole de la mélodie

Guido Rimonda

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Petite Ecole de la melodie (Little School of Melody), Op. 123 (Charles Dancla)

1
No. 1. Romance: Andante cantabile
00:02:44

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

2
No. 2. Valse: Moderato
00:01:57

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

3
No. 3. Reverie: Andante cantabile
00:02:57

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

4
No. 4. Moderato e risoluto
00:01:31

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

5
No. 5. Ballade: Moderato flebile
00:02:38

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

6
No. 6. Polka: Allegro moderato
00:01:27

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

7
No. 7. Petit air varie: Andante maestoso - Andante cantabile - Moderato e cantabile
00:03:28

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

8
No. 8. Andante cantabile -
00:03:18

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

9
No. 9. Romanza: Andante
00:03:56

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

10
No. 10. Barcarole: Andante con moto e molto cantabile
00:02:01

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

11
No. 11. Mazurka: Moderato
00:01:30

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

12
No. 12. Introduction e Rondo: Andante maestoso - Allegretto
00:02:14

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

Violin Sonata No. 1 in D minor, Op. 75 (Camille Saint-Saëns)

13
I. Allegro agitato -
00:07:04

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

14
I. Adagio
00:05:40

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

15
II. Allegretto moderato -
00:03:59

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

16
II. Allegro molto
00:05:47

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

Thais, Act II: Meditation (version for violin and piano) (Jules Massenet)

17
Thais, Act II: Meditation (arr. for violin and piano)
00:02:01

Guido Rimonda, violin - Cristina Canziani, piano

2009 Chandos 2009 Chandos

Presentación del Álbum

Petite École de la mélodie, a little known work for violin and piano by composer Jean Baptiste Charles Dancla, is the headlining piece on this Chandos album. While it is the world-premiere recording of the Petite École, and new works are always a welcome asset, Dancla's 12 etude-like shorts may not be worthy of great esteem. Yes, they are certainly all melodic as the title would suggest, but they offer little in the way of substance or backbone. After 12 tracks, the whole experience becomes one of relative banality. For his part, violinist Guido Rimonda offers a technically proficient reading of the work, but his interpretation tends to lean toward the syrupy sweet. The same could be said for his performance of the album's core piece: Saint-Saëns Violin Sonata No. 1 in D minor. Despite the clear first movement character marking of Allegro agitato, Rimonda's playing is rather soft around the edges with insufficient rhythmic dynamism. By the treacherous Finale, a perpetual motion, Rimonda livens things up a bit, but by this time it's too little, too late. The album ends with a technically flawless but musically overwrought performance of Massenet's Meditation from his opera Thaïs.
© TiVo

Detalles de la grabación original : 57:20 - DDD - Enregistré les 6 et 7 août 2007 au Théâtre Municipal de Verceil en Italie - Notes en français, anglais, allemand et italien

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