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This release by Ensemble Resonanz is noteworthy in several ways. First, Ensemble Resonanz is not a Baroque group, but has specialized mostly in contemporary music, sometimes in combination with standard repertory. Perhaps there's more money in even the much-recorded Pergolesi Stabat Mater than in their usual fare, or perhaps the motivation was purely artistic. Ensemble Resonanz plays in a historically oriented style, with period bows and, more strikingly, in meantone temperament. Listen to the intervals of a third; the major thirds are brighter, the minor thirds darker. And that plays into the most distinctive feature of the album: the radical emotionalism of the interpretation by Ensemble Resonanz and conductor Riccardo Minasi. Minasi takes the position that for an audience of the 1720s, Pergolesi's music was a real shock, not just the stylistic turning point represented in music history textbooks, but an absolute sensation. Performing the usual version of the Stabat Mater with two solo female singers and ensemble (it was probably written with two castrati in mind), Minasi offers lingered-on dissonances, sharp contrasts, and some striking tempos in, for example, the final "Quando corpus morietur," which seems to enter a kind of somber stasis. The soloists, Giulia Semenzato and Lucile Richardot, respond with great sympathy to Minasi's ideas. In support of his reading, Minasi can point to the fact that numerous works in the second quarter of the 18th century were attributed to Pergolesi in the hope of goosing sales. One of these, the Salve a duo of Catalan composer Joan Rossell, concludes the program here, and it's a gem that in Minasi's hands even extends Pergolesi's emotionalism. For intermezzo there's a Sonata a quattro, Op. 1, No. 4, of Angelo Ragazzi. It was composed before Pergolesi, but attests to the tremendous musical importance of Naples, which in the middle 18th century was one of the ten largest cities in the world. Harmonia Mundi's sound from the Friedrich-Ebert-Halle in Hamburg is too live; Minasi's intense reading can stand on its own without the extra engineering help. But this is a Stabat Mater that demands attention, even with all the options on the market.
© TiVo
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Stabat mater, P. 77 (Giovanni Battista Pergolesi)
Giovanni Battista Pergolesi, Composer - Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Giovanni Battista Pergolesi, Composer - Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Giovanni Battista Pergolesi, Composer - Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Giovanni Battista Pergolesi, Composer - Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals
2021 harmonia mundi 2021 harmonia mundi
Giovanni Battista Pergolesi, Composer - Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Giovanni Battista Pergolesi, Composer - Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Giovanni Battista Pergolesi, Composer - Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals
2021 harmonia mundi 2021 harmonia mundi
Giovanni Battista Pergolesi, Composer - Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Giovanni Battista Pergolesi, Composer - Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Giovanni Battista Pergolesi, Composer - Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals
2021 harmonia mundi 2021 harmonia mundi
Giovanni Battista Pergolesi, Composer - Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Giovanni Battista Pergolesi, Composer - Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Sonata a quattro in F Minor, Op. 1 No. 4 (Imitatio in Salve Regina, Mater Misericordiae) (Angelo Ragazzi)
Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Angelo Ragazzi, Composer
2021 harmonia mundi 2021 harmonia mundi
Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Angelo Ragazzi, Composer
2021 harmonia mundi 2021 harmonia mundi
Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Angelo Ragazzi, Composer
2021 harmonia mundi 2021 harmonia mundi
Salve a duo (Joan Rossell)
Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals - Joan Rossell, Composer - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Joan Rossell, Composer - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals - Joan Rossell, Composer
2021 harmonia mundi 2021 harmonia mundi
Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals - Joan Rossell, Composer - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Joan Rossell, Composer - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Ensemble Resonanz, Orchestra, MainArtist - Riccardo Minasi, Conductor, MainArtist - Lucile Richardot, MainArtist, MezzoSopranoVocals - Joan Rossell, Composer - Giulia Semenzato, MainArtist, SopranoSolo
2021 harmonia mundi 2021 harmonia mundi
Presentación del Álbum
This release by Ensemble Resonanz is noteworthy in several ways. First, Ensemble Resonanz is not a Baroque group, but has specialized mostly in contemporary music, sometimes in combination with standard repertory. Perhaps there's more money in even the much-recorded Pergolesi Stabat Mater than in their usual fare, or perhaps the motivation was purely artistic. Ensemble Resonanz plays in a historically oriented style, with period bows and, more strikingly, in meantone temperament. Listen to the intervals of a third; the major thirds are brighter, the minor thirds darker. And that plays into the most distinctive feature of the album: the radical emotionalism of the interpretation by Ensemble Resonanz and conductor Riccardo Minasi. Minasi takes the position that for an audience of the 1720s, Pergolesi's music was a real shock, not just the stylistic turning point represented in music history textbooks, but an absolute sensation. Performing the usual version of the Stabat Mater with two solo female singers and ensemble (it was probably written with two castrati in mind), Minasi offers lingered-on dissonances, sharp contrasts, and some striking tempos in, for example, the final "Quando corpus morietur," which seems to enter a kind of somber stasis. The soloists, Giulia Semenzato and Lucile Richardot, respond with great sympathy to Minasi's ideas. In support of his reading, Minasi can point to the fact that numerous works in the second quarter of the 18th century were attributed to Pergolesi in the hope of goosing sales. One of these, the Salve a duo of Catalan composer Joan Rossell, concludes the program here, and it's a gem that in Minasi's hands even extends Pergolesi's emotionalism. For intermezzo there's a Sonata a quattro, Op. 1, No. 4, of Angelo Ragazzi. It was composed before Pergolesi, but attests to the tremendous musical importance of Naples, which in the middle 18th century was one of the ten largest cities in the world. Harmonia Mundi's sound from the Friedrich-Ebert-Halle in Hamburg is too live; Minasi's intense reading can stand on its own without the extra engineering help. But this is a Stabat Mater that demands attention, even with all the options on the market.
© TiVo
Acerca del álbum
- 1 disco(s) - 21 pista(s)
- Duración total: 01:04:13
- 1 Libreto digital
- Artistas principales: Ensemble Resonanz Riccardo Minasi Giulia Semenzato Lucile Richardot
- Compositor: Various Composers
- Sello: harmonia mundi
- Género Clásica Música vocal sacra
2021 harmonia mundi 2021 harmonia mundi
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