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Patty Waters|Patty Waters Sings (1965)

Patty Waters Sings (1965)

Patty Waters

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Idioma disponible: inglés

An album that could have just as well been titled The Two Sides of Patty Waters, divided between seven short, almost minimal, whispery piano ballads and the 13-minute outburst of "Black Is the Color of My True Love's Hair," in which Waters unveils her arsenal of vocal improvisations. Building from haunting, barely audible moans to angst-ridden bleats, it is the performance that established her as a vocal innovator, albeit one that was too edgy for most listeners.
© Richie Unterberger /TiVo

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Patty Waters Sings (1965)

Patty Waters

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Moon, Don't Come up Tonight

1
Moon, Don't Come up Tonight
00:02:59

Patty Waters, Performer - Sallie Wood, Lyricist - Patty Waters, Lyricist

2012 ESP-Disk 2012 ESP-Disk

Why Can't I Come to You

2
Why Can't I Come to You
00:02:51

Patty Waters, Performer - Patty Waters, Lyricist

2012 ESP-Disk 2012 ESP-Disk

You Thrill Me

3
You Thrill Me
00:01:20

Patty Waters, Performer - Patty Waters, Lyricist

2012 ESP-Disk 2012 ESP-Disk

Sad Am I, Glad Am I

4
Sad Am I, Glad Am I
00:01:24

Patty Waters, Performer - Patty Waters, Lyricist

2012 ESP-Disk 2012 ESP-Disk

Why Is Love such a Funny Thing

5
Why Is Love such a Funny Thing
00:01:12

Patty Waters, Performer - Patty Waters, Composer

2012 ESP-Disk 2012 ESP-Disk

I Can't Forget You

6
I Can't Forget You
00:01:48

Patty Waters, Performer - Patty Waters, Composer

2012 ESP-Disk 2012 ESP-Disk

You Loved Me

7
You Loved Me
00:02:28

Patty Waters, Performer - Patty Waters, Composer

2012 ESP-Disk 2012 ESP-Disk

Black is the Color of my True Love's Hair

8
Black Is the Color of My True Love's Hair
00:13:51

Patty Waters, Performer - Burton Greene Trio, Ensemble - Patty Waters, Composer

2012 ESP-Disk 2012 ESP-Disk

Presentación del Álbum

An album that could have just as well been titled The Two Sides of Patty Waters, divided between seven short, almost minimal, whispery piano ballads and the 13-minute outburst of "Black Is the Color of My True Love's Hair," in which Waters unveils her arsenal of vocal improvisations. Building from haunting, barely audible moans to angst-ridden bleats, it is the performance that established her as a vocal innovator, albeit one that was too edgy for most listeners.
© Richie Unterberger /TiVo

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