Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
PFM represented the angle of progressive rock that incorporated a classical approach into the core of the music. Their heavy utilization of strings and woodwind instruments began to prevail into the group's later albums, leaving behind the more aggressive side of prog rock more and more with each release throughout the 1970s. Sometimes this lighter sound was sturdy and collective, but other attempts at this form of instrumentation came off as weak and watered down. Passpartu is a good example of the latter, as dabs of piano and synthesizer can be appreciated on their own but cease to gel as one uniform sound throughout the length of the album. Almost encompassing a pop feel, PFM sound unusually over the top in some places which hinders the progressive uniformity that comprised their sound on sturdier albums. Unlike Photos of Ghosts or The World Became the World, Passpartu is set afloat on the overbearing airiness of the melodies and never regains a reinforced structure from start to finish. Combining the free-spirited sounds of flute and violin become more effective when there's an even balance of percussion to level them out, which is what this album lacks. This album seems fitting for one of Venice's outdoor cafes, since it doesn't resemble the assertiveness that PFM has shown earlier in their career, and could have been rescued by even the slightest addition of instrumental weight.
© Mike DeGagne /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 4.259,00/mes
Flavio Franco Premoli, Composer - Claudio Fabi, Producer - Premiata Forneria Marconi, Vocal - Gianfranco Manfredi, Lyricist
(P) 1978 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.
Franco Mussida, Composer - Claudio Fabi, Producer - Premiata Forneria Marconi, Vocal - Gianfranco Manfredi, Lyricist
(P) 1978 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.
Franco Mussida, Composer - Claudio Fabi, Producer - Claudio Fabi, Performance Arranger - Premiata Forneria Marconi, Vocal - Premiata Forneria Marconi, Performance Arranger - Gianfranco Manfredi, Lyricist
(P) 1978 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.
Franco Mussida, Composer - Claudio Fabi, Producer - Premiata Forneria Marconi, Vocal - Gianfranco Manfredi, Lyricist
(P) 1978 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.
Flavio Franco Premoli, Composer - Franco Mussida, Composer - Claudio Fabi, Producer - Claudio Fabi, Performance Arranger - Premiata Forneria Marconi, Performer - Premiata Forneria Marconi, Performance Arranger
(P) 1978 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.
Franco Mussida, Composer - Claudio Fabi, Producer - Premiata Forneria Marconi, Vocal - Gianfranco Manfredi, Lyricist
(P) 1978 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.
Flavio Franco Premoli, Composer - Franco Mussida, Composer - Claudio Fabi, Producer - Premiata Forneria Marconi, Vocal - Gianfranco Manfredi, Lyricist
(P) 1978 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.
Bernardo Lanzetti, Lyricist - Franco Mussida, Composer - Claudio Fabi, Producer - Premiata Forneria Marconi, Vocal
(P) 1978 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.
Presentación del Álbum
PFM represented the angle of progressive rock that incorporated a classical approach into the core of the music. Their heavy utilization of strings and woodwind instruments began to prevail into the group's later albums, leaving behind the more aggressive side of prog rock more and more with each release throughout the 1970s. Sometimes this lighter sound was sturdy and collective, but other attempts at this form of instrumentation came off as weak and watered down. Passpartu is a good example of the latter, as dabs of piano and synthesizer can be appreciated on their own but cease to gel as one uniform sound throughout the length of the album. Almost encompassing a pop feel, PFM sound unusually over the top in some places which hinders the progressive uniformity that comprised their sound on sturdier albums. Unlike Photos of Ghosts or The World Became the World, Passpartu is set afloat on the overbearing airiness of the melodies and never regains a reinforced structure from start to finish. Combining the free-spirited sounds of flute and violin become more effective when there's an even balance of percussion to level them out, which is what this album lacks. This album seems fitting for one of Venice's outdoor cafes, since it doesn't resemble the assertiveness that PFM has shown earlier in their career, and could have been rescued by even the slightest addition of instrumental weight.
© Mike DeGagne /TiVo
Acerca del álbum
- 1 disco(s) - 8 pista(s)
- Duración total: 00:36:54
- Artistas principales: Premiata Forneria Marconi
- Compositor: Various Composers
- Sello: RCA Records Label
- Género Pop/Rock Rock Rock progresivo
(P) 1978 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.
Mejorar la información del álbum