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Otis Redding|Pain in My Heart

Pain in My Heart

Otis Redding

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This album works on so many different levels, that it's essential listening for at least three categories of buyer -- fans of Otis Redding and Stax Records (natch), and more general soul listeners, and also anyone serious about their devotion to the work of the Rolling Stones and any other British invasion bands that covered American soul. Pain In My Heart was practically a road map to Mick Jagger and any number of other would-be white soul shouters in the UK, not just on the title track but also numbers like the hard rocking "Hey Hey Baby". For someone only 22 years old at the time of these sessions, and just two years past his first 45 rpm record, Redding exudes astonishing power, energy and boldness, though it's all packaged with greater restraint than his subsequent records did. This was the only LP that Redding recorded during the lifetime of his idol, Sam Cooke, and his version of "You Send Me" is the least stylized of any of his renditions of Cooke's songs -- later on, after Cooke's death, he would throw more of himself into it. The very fact that he was covering Cooke's soul classic shows an essential difference between Redding's and Cooke's early LPs; as Redding was on a soul label, no one tried to make him into a pop singer as that'd done at RCA with Cooke -- thus, he was running on all cylinders right out of the starting gate, though he wouldn't get really interesting or show his full depth until two albums later. But even covering Rufus Thomas's "The Dog", Richard Berry's "Louie Louie", Little Richard's "Lucille", or Ben E. King's "Stand By Me", he's already doing 70% of what we came to expect from Otis Redding in the years ahead -- his writing, apart from "Security", "These Arms Of Mine" and "That's What My Heart Needs", was still somewhat less than memorable, but this is still a first-rate debut and a must-own CD.

© Bruce Eder /TiVo

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Pain in My Heart

Otis Redding

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1
Pain in My Heart
00:02:24

Al Jackson, Drums - Wayne Jackson, Trumpet - Otis Redding, Lead Vocals, MainArtist - Donald 'Duck' Dunn, Bass Guitar - Steve Cropper, Guitar - Naomi Neville, Writer - Andrew "Love" Jackson, Tenor Saxophone

© 1965 Atco Records ℗ 1963 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
The Dog
00:02:38

Wayne Jackson, Trumpet - Booker T. Jones, Guitar, Keyboards, Piano - al jackson jr., Drums - Donald Dunn, Bass Guitar - Otis Redding, Lead Vocals, MainArtist - Steve Cropper, Guitar, Keyboards, Piano - FLOYD NEWMAN, Baritone Saxophone - Johnny Jenkins, Guitar - Lewis Steinberg, Bass Guitar - Jim Stewart, Supervisor - Rufus Thomas, Writer - Charles "Packy" Axton, Tenor Saxophone

© 1965 Atco Records ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
Stand by Me
00:02:53

Wayne Jackson, Trumpet - Booker T. Jones, Guitar, Keyboards, Piano - al jackson jr., Drums - Donald Dunn, Bass Guitar - Ben E. King, Writer - Jerry Leiber, Writer - Mike Stoller, Writer - Otis Redding, Lead Vocals, MainArtist - Steve Cropper, Guitar, Keyboards, Piano - FLOYD NEWMAN, Baritone Saxophone - Johnny Jenkins, Guitar - Lewis Steinberg, Bass Guitar - Jim Stewart, Supervisor - Charles "Packy" Axton, Tenor Saxophone

© 1965 Atco Records ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
Hey Hey Baby
00:02:47

Wayne Jackson, Trumpet - Booker T. Jones, Guitar, Keyboards, Piano - al jackson jr., Drums - Donald Dunn, Bass Guitar - Otis Redding, Lead Vocals, Writer, MainArtist - Steve Cropper, Guitar, Keyboards, Piano - FLOYD NEWMAN, Baritone Saxophone - Johnny Jenkins, Guitar - Lewis Steinberg, Bass Guitar - Jim Stewart, Supervisor - Charles "Packy" Axton, Tenor Saxophone

© 1965 Atco Records ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
You Send Me
00:03:14

Wayne Jackson, Trumpet - Booker T. Jones, Guitar, Keyboards, Piano - al jackson jr., Drums - Donald Dunn, Bass Guitar - Otis Redding, Lead Vocals, MainArtist - Steve Cropper, Guitar, Keyboards, Piano - FLOYD NEWMAN, Baritone Saxophone - Sam Cooke, Writer - Johnny Jenkins, Guitar - Lewis Steinberg, Bass Guitar - Jim Stewart, Supervisor - Charles "Packy" Axton, Tenor Saxophone

© 1965 Atco Records ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
I Need Your Lovin'
00:02:53

Wayne Jackson, Trumpet - Booker T. Jones, Guitar, Keyboards, Piano - al jackson jr., Drums - Donald Dunn, Bass Guitar - Otis Redding, Lead Vocals, MainArtist - Steve Cropper, Guitar, Keyboards, Piano - FLOYD NEWMAN, Baritone Saxophone - Johnny Jenkins, Guitar - Lewis Steinberg, Bass Guitar - Jim Stewart, Supervisor - Bobby Robinson, Writer - Charles "Packy" Axton, Tenor Saxophone - Don Gardner, Writer

© 1965 Atco Records ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

7
These Arms of Mine
00:02:35

Wayne Jackson, Trumpet - Booker T. Jones, Guitar, Keyboards, Piano - al jackson jr., Drums - Donald Dunn, Bass Guitar - Otis Redding, Lead Vocals, Writer, MainArtist - Steve Cropper, Guitar, Keyboards, Piano - FLOYD NEWMAN, Baritone Saxophone - Johnny Jenkins, Guitar - Lewis Steinberg, Bass Guitar - Jim Stewart, Supervisor - Charles "Packy" Axton, Tenor Saxophone

© 1965 Atco Records ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

8
Louie Louie
00:02:07

Wayne Jackson, Trumpet - Booker T. Jones, Guitar, Keyboards, Piano - Richard Berry, Writer - al jackson jr., Drums - Donald Dunn, Bass Guitar - Otis Redding, Lead Vocals, MainArtist - Steve Cropper, Guitar, Keyboards, Piano - FLOYD NEWMAN, Baritone Saxophone - Johnny Jenkins, Guitar - Lewis Steinberg, Bass Guitar - Jim Stewart, Supervisor - Charles "Packy" Axton, Tenor Saxophone

© 1965 Atco Records ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

9
Something Is Worrying Me
00:02:29

Wayne Jackson, Trumpet - Booker T. Jones, Guitar, Keyboards, Organ, Piano - al jackson jr., Drums - Donald Dunn, Guitar - Otis Redding, Vocals, Writer, MainArtist - Steve Cropper, Guitar, Keyboards, Piano - FLOYD NEWMAN, Saxophone - Johnny Jenkins, Guitar - Lewis Steinberg, Bass Guitar - Jim Stewart, Supervisor - Phil Walden, Writer - Charles "Packy" Axton, Saxophone

© 1965 Atco Records ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

10
Security
00:02:36

Wayne Jackson, Trumpet - Booker T. Jones, Guitar, Keyboards, Piano - al jackson jr., Drums - Donald Dunn, Bass Guitar - Otis Redding, Lead Vocals, Writer, MainArtist - Steve Cropper, Guitar, Keyboards, Piano - FLOYD NEWMAN, Baritone Saxophone - Johnny Jenkins, Guitar - Lewis Steinberg, Bass Guitar - Jim Stewart, Supervisor - Charles "Packy" Axton, Tenor Saxophone

© 1965 Atco Records ℗ 1963 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

11
That's What My Heart Needs
00:02:43

Wayne Jackson, Trumpet - Booker T. Jones, Guitar, Keyboards, Piano - al jackson jr., Drums - Donald Dunn, Bass Guitar - Otis Redding, Lead Vocals, Writer, MainArtist - Steve Cropper, Guitar, Keyboards, Piano - FLOYD NEWMAN, Baritone Saxophone - Johnny Jenkins, Guitar - Lewis Steinberg, Bass Guitar - Jim Stewart, Producer, Supervisor - Little Richard, Writer - Charles "Packy" Axton, Tenor Saxophone - Al Collins, Writer

© 1965 Atco Records ℗ 1963 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

12
Lucille
00:02:26

Wayne Jackson, Trumpet - Booker T. Jones, Guitar, Keyboards, Piano - al jackson jr., Drums - Donald Dunn, Bass Guitar - Otis Redding, Lead Vocals, Writer, MainArtist - Steve Cropper, Guitar, Keyboards, Piano - FLOYD NEWMAN, Baritone Saxophone - Johnny Jenkins, Guitar - Lewis Steinberg, Bass Guitar - Jim Stewart, Supervisor - Little Richard, Writer - Charles "Packy" Axton, Tenor Saxophone - Al Collins, Writer

© 1965 Atco Records ℗ 1963 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Presentación del Álbum

This album works on so many different levels, that it's essential listening for at least three categories of buyer -- fans of Otis Redding and Stax Records (natch), and more general soul listeners, and also anyone serious about their devotion to the work of the Rolling Stones and any other British invasion bands that covered American soul. Pain In My Heart was practically a road map to Mick Jagger and any number of other would-be white soul shouters in the UK, not just on the title track but also numbers like the hard rocking "Hey Hey Baby". For someone only 22 years old at the time of these sessions, and just two years past his first 45 rpm record, Redding exudes astonishing power, energy and boldness, though it's all packaged with greater restraint than his subsequent records did. This was the only LP that Redding recorded during the lifetime of his idol, Sam Cooke, and his version of "You Send Me" is the least stylized of any of his renditions of Cooke's songs -- later on, after Cooke's death, he would throw more of himself into it. The very fact that he was covering Cooke's soul classic shows an essential difference between Redding's and Cooke's early LPs; as Redding was on a soul label, no one tried to make him into a pop singer as that'd done at RCA with Cooke -- thus, he was running on all cylinders right out of the starting gate, though he wouldn't get really interesting or show his full depth until two albums later. But even covering Rufus Thomas's "The Dog", Richard Berry's "Louie Louie", Little Richard's "Lucille", or Ben E. King's "Stand By Me", he's already doing 70% of what we came to expect from Otis Redding in the years ahead -- his writing, apart from "Security", "These Arms Of Mine" and "That's What My Heart Needs", was still somewhat less than memorable, but this is still a first-rate debut and a must-own CD.

© Bruce Eder /TiVo

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