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(hed) p.e.|New World Orphans

New World Orphans

(hed) p.e.

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Whenever a trend becomes hot, major labels will likely milk it to death and flood the market with a glut of releases that are either mediocre and pedestrian or flat-out embarrassing. We've seen that with everything from bossa nova to disco to gangsta rap, and we certainly saw it with rap-metal in the late '90s and early 2000s. Not surprisingly, there was a major backlash against rap-metal (or "nu-metal," if you prefer) in the mid- to late 2000s. But let's not forget that when rap-metal was great, it was really great -- great as in Rage Against the Machine, great as in 24-7 Spyz, Living Colour, Run-D.M.C., the Red Hot Chili Peppers and Ice-T's Body Count, great as in Tommy Lee's Methods of Mayhem. And (hed) p.e. have also made some fine contributions to rap-metal, which they continue to embrace on their 2008 recording/early 2009 release New World Orphan. If rap-metal is dead, you wouldn't know it listening to this 66-minute CD; (hed) p.e. still play rap-metal with plenty of conviction. But then, (hed) p.e. have been combining metal, hip-hop, and punk since 1994; they weren't among the faceless bandwagon jumpers who picked up guitars and started rapping the first time they heard Limp Bizkit or Korn. New World Orphan always sounds organic rather than contrived, and it also sounds angry. Except for a few tracks that thrive on raunchy sexploitation, New World Orphan is an angrily political album. (Hed) p.e.'s incendiary political rants can be quite rhetorical, but there are plenty of specifics as well. "Middle Class Blues," for example, is about the economic assault on America's middle class, while "Tow the Line" attacks the treacherous neo-cons who lied the U.S. into that foreign policy disaster known as the Iraq War. And even when (hed) p.e. are being rhetorical, their hooks are always infectious. The fact that this album comes long after rap-metal's commercial heyday doesn't make it any less exciting; (hed) p.e. are on top of their game throughout New World Orphan.

© Alex Henderson /TiVo

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New World Orphans

(hed) p.e.

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1
New World Intro Explicit
00:01:01

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

2
Live or Die Free Explicit
00:01:59

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

3
Bloodfire Explicit
00:02:48

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

4
Ordo (ab Chao) Explicit
00:02:42

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

5
Stay Ready (feat. Dirtball) Explicit
00:04:15

(hed) p.e., MainArtist - Dirtball, MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

6
Family Explicit
00:02:47

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

7
Stepping Stone Explicit
00:03:14

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

8
Renegade Explicit
00:03:29

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

9
Everything All the Time Explicit
00:03:03

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

10
Mortgage Crisis Intro Explicit
00:00:20

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

11
Middle Class Blues Explicit
00:01:44

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

12
Flesh and Blood Explicit
00:04:18

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

13
Nibiru Intro Explicit
00:00:30

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

14
Planet X Explicit
00:03:44

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

15
Higher Ground (feat. Kottonmouth Kings) Explicit
00:03:57

Kottonmouth Kings, MainArtist - (hed) p.e., MainArtist - Paulo Gomes, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

16
A Soldiers Intro Explicit
00:00:13

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

17
Tow the Line Explicit
00:03:59

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

18
Self Aware Explicit
00:03:09

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

19
Lost History Intro Explicit
00:00:23

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer - Jackson Benge, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

20
This Love Explicit
00:03:06

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

21
Here And Now Explicit
00:03:28

(hed) p.e., MainArtist - Paulo Gomes, Composer, Writer

© 2009 Suburban Noize Records ℗ 2009 Suburban Noize Records

Presentación del Álbum

Whenever a trend becomes hot, major labels will likely milk it to death and flood the market with a glut of releases that are either mediocre and pedestrian or flat-out embarrassing. We've seen that with everything from bossa nova to disco to gangsta rap, and we certainly saw it with rap-metal in the late '90s and early 2000s. Not surprisingly, there was a major backlash against rap-metal (or "nu-metal," if you prefer) in the mid- to late 2000s. But let's not forget that when rap-metal was great, it was really great -- great as in Rage Against the Machine, great as in 24-7 Spyz, Living Colour, Run-D.M.C., the Red Hot Chili Peppers and Ice-T's Body Count, great as in Tommy Lee's Methods of Mayhem. And (hed) p.e. have also made some fine contributions to rap-metal, which they continue to embrace on their 2008 recording/early 2009 release New World Orphan. If rap-metal is dead, you wouldn't know it listening to this 66-minute CD; (hed) p.e. still play rap-metal with plenty of conviction. But then, (hed) p.e. have been combining metal, hip-hop, and punk since 1994; they weren't among the faceless bandwagon jumpers who picked up guitars and started rapping the first time they heard Limp Bizkit or Korn. New World Orphan always sounds organic rather than contrived, and it also sounds angry. Except for a few tracks that thrive on raunchy sexploitation, New World Orphan is an angrily political album. (Hed) p.e.'s incendiary political rants can be quite rhetorical, but there are plenty of specifics as well. "Middle Class Blues," for example, is about the economic assault on America's middle class, while "Tow the Line" attacks the treacherous neo-cons who lied the U.S. into that foreign policy disaster known as the Iraq War. And even when (hed) p.e. are being rhetorical, their hooks are always infectious. The fact that this album comes long after rap-metal's commercial heyday doesn't make it any less exciting; (hed) p.e. are on top of their game throughout New World Orphan.

© Alex Henderson /TiVo

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