Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Likely titled New Lands due to Flying Saucer Attack being lauched upon "phase two" (as the liner notes put it), this release finds FSA down to Pearce and Pearce only, as before with a bit of help here and there from Rocker and, on "Present," the co-writing skills of two members of Amp. That the first two tracks are called "Past" and "Present" and that the first has more of a "classic" FSA sound with a steady rhythm and huge solo while the second revolves around a buried, near inaudible series of loops, seems to be part of the album's plan, such as it is. New Lands in general showcases Pearce in testing mode, seeming to see what works and what doesn't, looking backward as much as forward. Indeed, the lengthy, majestic steady build of "Whole Day Song" reappears from the Goodbye/and Goodbye EP, this time with vocals and a low-key, softly intoxicating piano line. While the more experimental parts of New Lands aren't really Pearce completely trashing his general aesthetic and trying something new, they do show him attempting and often succeeding at introducing further variety to his murky, intriguing field. Thus, "Up in Her Eyes" has a very familiar vocal and guitar style, but the obsessive, upfront yet still shadowy percussion -- sounding more like a chugging train engine than anything else -- dominates the track, at least up until its slightly more ambient, free-flowing end. Other curious rhythms, reminiscent of past comparisons to the work of Main, crop up more than once -- the near arrhythmic, squealing loop that introduces "Respect" or the blunt, brusque punch of "The Sea." Through it all, the combination of Pearce's tender, dark folk vocals and skybursting guitar provides the central point of the experience, making for some fascinating, entrancing results.
© Ned Raggett /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 4.259,00/mes
Flying Saucer Attack, Composer, MainArtist - Drag City Inc., MusicPublisher
1997 Drag City Inc. 1997 Drag City Inc.
Flying Saucer Attack, Composer, MainArtist - Drag City Inc., MusicPublisher
1997 Drag City Inc. 1997 Drag City Inc.
Flying Saucer Attack, Composer, MainArtist - Drag City Inc., MusicPublisher
1997 Drag City Inc. 1997 Drag City Inc.
Flying Saucer Attack, Composer, MainArtist - Drag City Inc., MusicPublisher
1997 Drag City Inc. 1997 Drag City Inc.
Flying Saucer Attack, Composer, MainArtist - Drag City Inc., MusicPublisher
1997 Drag City Inc. 1997 Drag City Inc.
Flying Saucer Attack, Composer, MainArtist - Drag City Inc., MusicPublisher
1997 Drag City Inc. 1997 Drag City Inc.
Flying Saucer Attack, Composer, MainArtist - Drag City Inc., MusicPublisher
1997 Drag City Inc. 1997 Drag City Inc.
Flying Saucer Attack, Composer, MainArtist - Drag City Inc., MusicPublisher
1997 Drag City Inc. 2012 Drag City Inc.
Presentación del Álbum
Likely titled New Lands due to Flying Saucer Attack being lauched upon "phase two" (as the liner notes put it), this release finds FSA down to Pearce and Pearce only, as before with a bit of help here and there from Rocker and, on "Present," the co-writing skills of two members of Amp. That the first two tracks are called "Past" and "Present" and that the first has more of a "classic" FSA sound with a steady rhythm and huge solo while the second revolves around a buried, near inaudible series of loops, seems to be part of the album's plan, such as it is. New Lands in general showcases Pearce in testing mode, seeming to see what works and what doesn't, looking backward as much as forward. Indeed, the lengthy, majestic steady build of "Whole Day Song" reappears from the Goodbye/and Goodbye EP, this time with vocals and a low-key, softly intoxicating piano line. While the more experimental parts of New Lands aren't really Pearce completely trashing his general aesthetic and trying something new, they do show him attempting and often succeeding at introducing further variety to his murky, intriguing field. Thus, "Up in Her Eyes" has a very familiar vocal and guitar style, but the obsessive, upfront yet still shadowy percussion -- sounding more like a chugging train engine than anything else -- dominates the track, at least up until its slightly more ambient, free-flowing end. Other curious rhythms, reminiscent of past comparisons to the work of Main, crop up more than once -- the near arrhythmic, squealing loop that introduces "Respect" or the blunt, brusque punch of "The Sea." Through it all, the combination of Pearce's tender, dark folk vocals and skybursting guitar provides the central point of the experience, making for some fascinating, entrancing results.
© Ned Raggett /TiVo
Acerca del álbum
- 1 disco(s) - 8 pista(s)
- Duración total: 00:48:57
- Artistas principales: Flying Saucer Attack
- Compositor: Flying Saucer Attack
- Sello: Drag City Records
- Género Pop/Rock Rock
1997 Drag City Inc. 1997 Drag City Inc.
Mejorar la información del álbum