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Andrew Nethsingha|My Beloved Spake

My Beloved Spake

Anthems by Henry Purcell & Pelham Humfrey

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The Anglican anthem is an elaborate, often festive polyphonic form roughly comparable to the motet from Continental countries. With strong liturgical connections, the anthem of the late 17th century tends to contain conservative elements, and so it is with this collection of anthems by Henry Purcell and his slightly older contemporary, Pelham Humfrey (1647-1674, meaning that he died at an even younger age than Purcell did). In Purcell there are such elements as the striking half-step dissonances in Remember not, Lord, our offences, Z. 50 (track 1). The two works by Humfrey include up-to-date dramatic solo writing combined with choral polyphony that harks back to the 16th century. It's an appealing and unusual combination from a rarely heard composer, and the presence of the two Humfrey works is the main attraction of this release. The booklet seems to concede as much with its heading of "Humfrey/Purcell: Anthems," even though the vast majority of the music is by Purcell. When it comes to Purcell, you can do better. The sound, usually a Chandos strong point, is unaccountably muddy, and good luck even to native English speakers in understanding the texts of these works, where text is important. The soloists, especially bass Neal Davies in the beautifully dark O Lord my God of Humfrey, are engaging, but the boys' Choir of St. John's College, Cambridge, is a bit uncertain in higher registers and seems somehow overmatched by the music. Worthwhile for those with an interest in English music of the 17th century, for the performances of the unusual Humfrey pieces are also the strongest on the album.

© TiVo

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My Beloved Spake

Andrew Nethsingha

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Remember not, Lord, our offences, Z. 50 (Henry Purcell)

1
Remember not, Lord, our offences, Z. 50
Choir Of St. John's College, Cambridge
00:03:22

St. John's College Choir, Cambridge - Andrew Nethsingha, Conductor

(C) 2012 Chandos (P) 2012 Chandos

Jehova, quam multi sunt hostes mei, Z. 135 (Henry Purcell)

2
Jehova, quam multi sunt hostes mei, Z. 135
James Gilchrist
00:06:32

Neal Davies, Performer - John Challenger, Performer - James Gilchrist, Performer - St. John's College Choir, Cambridge, Choir - Andrew Nethsingha, Conductor

(C) 2012 Chandos (P) 2012 Chandos

O sing unto the Lord, Z. 44 (Henry Purcell)

3
O sing unto the Lord, Z. 44
James Gilchrist
00:13:08

Peter Hicks, Performer - John Challenger, Performer - James Gilchrist, Performer - Neal Davies, Performer - Iestyn Davies, Performer - St. John's College Choir - St. John's Sinfonia - Andrew Nethsingha, Conductor

(C) 2012 Chandos (P) 2012 Chandos

O Lord my God (Pelham Humfrey)

4
O Lord my God
James Gilchrist
00:12:29

Neal Davies, Performer - James Gilchrist, Performer - Iestyn Davies, Performer - John Challenger, Performer - St. John's Sinfonia - St. John's College Choir - Andrew Nethsingha, Conductor

(C) 2012 Chandos (P) 2012 Chandos

Magnificat (Pelham Humfrey)

5
Magnificat
Peter Hicks
00:03:39

Huw Leslie, Performer - John Challenger, Performer - Julian Gregory, Performer - Alec D'Oyly, Performer - James Imam, Performer - Peter Hicks, Performer - Tom Blackie, Performer - St. John's College Choir - Andrew Nethsingha, Conductor

(C) 2012 Chandos (P) 2012 Chandos

Magnificat and Nunc Dimittis (Pelham Humfrey)

6
Nunc dimittis
Peter Hicks
00:02:12

Julian Gregory, Performer - Alec D'Oyly, Performer - James Imam, Performer - Peter Hicks, Performer - Huw Leslie, Performer - John Challenger, Performer - Tom Blackie, Performer - St. John's College Choir - Andrew Nethsingha, Conductor

(C) 2012 Chandos (P) 2012 Chandos

Behold, now, praise the Lord, Z. 3 (Henry Purcell)

7
Behold, now, praise the Lord, Z. 3
James Gilchrist
00:06:10

Neal Davies, Performer - James Gilchrist, Performer - Iestyn Davies, Performer - St. John's College Choir - St. John's Sinfonia - Andrew Nethsingha, Conductor

(C) 2012 Chandos (P) 2012 Chandos

My beloved spake, Z. 28 (Henry Purcell)

8
My beloved spake, Z. 28
James Gilchrist
00:11:22

James Gilchrist, Performer - Neal Davies, Performer - David Stout, Performer - John Challenger, Performer - Iestyn Davies, Performer - St. John's College Choir - Andrew Nethsingha, Conductor

(C) 2012 Chandos (P) 2012 Chandos

Hear my prayer, O Lord, Z. 15 (Henry Purcell)

9
Hear my prayer, O Lord, Z. 15
Choir Of St. John's College, Cambridge
00:02:40

St. John's College Choir - Andrew Nethsingha, Conductor

(C) 2012 Chandos (P) 2012 Chandos

Rejoice in the Lord alway, Z. 49, 'Bell Anthem' (Henry Purcell)

10
Rejoice in the Lord alway, Z. 49, "Bell Anthem"
James Gilchrist
00:08:06

Neal Davies, Performer - Iestyn Davies, Performer - James Gilchrist, Performer - John Challenger, Performer - St. John's College Choir - St. John's Sinfonia - Andrew Nethsingha, Conductor

(C) 2012 Chandos (P) 2012 Chandos

Presentación del Álbum

The Anglican anthem is an elaborate, often festive polyphonic form roughly comparable to the motet from Continental countries. With strong liturgical connections, the anthem of the late 17th century tends to contain conservative elements, and so it is with this collection of anthems by Henry Purcell and his slightly older contemporary, Pelham Humfrey (1647-1674, meaning that he died at an even younger age than Purcell did). In Purcell there are such elements as the striking half-step dissonances in Remember not, Lord, our offences, Z. 50 (track 1). The two works by Humfrey include up-to-date dramatic solo writing combined with choral polyphony that harks back to the 16th century. It's an appealing and unusual combination from a rarely heard composer, and the presence of the two Humfrey works is the main attraction of this release. The booklet seems to concede as much with its heading of "Humfrey/Purcell: Anthems," even though the vast majority of the music is by Purcell. When it comes to Purcell, you can do better. The sound, usually a Chandos strong point, is unaccountably muddy, and good luck even to native English speakers in understanding the texts of these works, where text is important. The soloists, especially bass Neal Davies in the beautifully dark O Lord my God of Humfrey, are engaging, but the boys' Choir of St. John's College, Cambridge, is a bit uncertain in higher registers and seems somehow overmatched by the music. Worthwhile for those with an interest in English music of the 17th century, for the performances of the unusual Humfrey pieces are also the strongest on the album.

© TiVo

Detalles de la grabación original : Enregistré en la Chapelle St John’s College, Cambridge en janvier 2012

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