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William Shakespeare|Music of Elliott Carter, Vol. 9

Music of Elliott Carter, Vol. 9

Various Artists

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Volume 9 of Bridge's Elliott Carter Edition consists of seven works from three major periods of his career. Carter's early, neo-classical music is represented by the modal song, Tell Me Where Is Fancy Bred (1938) for soprano and guitar, and two ambitious vocal settings in the Americana vein, Voyage, and Warble for Lilac Time (both composed in 1943 and orchestrated in 1979). The Piano Concerto (1964-1965) is characteristic of Carter's middle avant-garde phase, distinguished by many layers of dissonance and complex textures that sometimes threaten to overwhelm the piano part. Carter's late works show a striving for clarity and more transparent sonorities, as typified by Two Thoughts about the Piano (2005-2006), and Tri-Tribute (2007-2008), both for solo piano, and the wind quintet Nine by Five (2009). Like previous volumes, this one offers a mix of ADD and DDD recordings from different dates and venues, and the roster of various artists gives it a slightly ad hoc feeling. Because Charles Rosen's performance of the Piano Concerto with the Basel Sinfonietta is the most substantial part of the program and the most representative of Carter's maturity, it is centrally placed. The quality of the other performances is high, though, so Bridge has performed another service for Carter's legacy by preserving music that has not yet found a secure place in the repertoire.

© TiVo

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Music of Elliott Carter, Vol. 9

William Shakespeare

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Tell Me Where Is Fancy Bred (Elliott Carter)

1
Tell Me Where Is Fancy Bred
William Shakespeare
00:03:31

William Shakespeare , Lyricist, MainArtist - Elliott Carter, Composer - David Starobin, Artist - Rosalind Rees, Artist

(C) 2013 Bridge Records (P) 2013 Bridge Records

Voyage (Version for Soprano & Orchestra) (Elliott Carter)

2
Voyage (Version for Soprano & Orchestra)
Hart Crane
00:05:17

Elliott Carter, Composer - Scott Yoo, Conductor - Tony Arnold, Artist - Colorado College Summer Music Festival Orchestra, Orchestra - Hart Crane, Lyricist, MainArtist

(C) 2013 Bridge Records (P) 2013 Bridge Records

Warble for Lilac Time (Version for Soprano & Orchestra) (Elliott Carter)

3
Warble for Lilac Time (Version for Soprano & Orchestra)
Walt Whitman
00:06:57

Elliott Carter, Composer - Walt Whitman, Lyricist, MainArtist - Scott Yoo, Conductor - Tony Arnold, Artist - Colorado College Summer Music Festival Orchestra, Orchestra

(C) 2013 Bridge Records (P) 2013 Bridge Records

Piano concerto (Elliott Carter)

4
I. —
Charles Rosen
00:10:27

Charles Rosen, Artist, MainArtist - Elliott Carter, Composer - Joel Smirnoff, Conductor - Basel Sinfonietta, Orchestra

(C) 2013 Bridge Records (P) 2013 Bridge Records

5
II. —
Charles Rosen
00:13:07

Charles Rosen, Artist, MainArtist - Elliott Carter, Composer - Joel Smirnoff, Conductor - Basel Sinfonietta, Orchestra

(C) 2013 Bridge Records (P) 2013 Bridge Records

2 Thoughts About the Piano (Elliott Carter)

6
No. 1, Intermittences
Steven Beck
00:07:08

Elliott Carter, Composer - Steven Beck, Artist, MainArtist

(C) 2013 Bridge Records (P) 2013 Bridge Records

7
No. 2, Caténaires
Steven Beck
00:03:53

Elliott Carter, Composer - Steven Beck, Artist, MainArtist

(C) 2013 Bridge Records (P) 2013 Bridge Records

Tri-Tribute (Elliott Carter)

8
III. Sistribute
Steven Beck
00:01:11

Elliott Carter, Composer - Steven Beck, Artist, MainArtist

(C) 2013 Bridge Records (P) 2013 Bridge Records

9
II. Fratribute
Steven Beck
00:02:40

Elliott Carter, Composer - Steven Beck, Artist, MainArtist

(C) 2013 Bridge Records (P) 2013 Bridge Records

10
I. Matribute
Steven Beck
00:02:10

Elliott Carter, Composer - Steven Beck, Artist, MainArtist

(C) 2013 Bridge Records (P) 2013 Bridge Records

Nine by Five (Elliott Carter)

11
Nine by Five
Slowind Wind Quintet
00:07:45

Elliott Carter, Composer - Slowind Wind Quintet, Ensemble, MainArtist

(C) 2013 Bridge Records (P) 2013 Bridge Records

Presentación del Álbum

Volume 9 of Bridge's Elliott Carter Edition consists of seven works from three major periods of his career. Carter's early, neo-classical music is represented by the modal song, Tell Me Where Is Fancy Bred (1938) for soprano and guitar, and two ambitious vocal settings in the Americana vein, Voyage, and Warble for Lilac Time (both composed in 1943 and orchestrated in 1979). The Piano Concerto (1964-1965) is characteristic of Carter's middle avant-garde phase, distinguished by many layers of dissonance and complex textures that sometimes threaten to overwhelm the piano part. Carter's late works show a striving for clarity and more transparent sonorities, as typified by Two Thoughts about the Piano (2005-2006), and Tri-Tribute (2007-2008), both for solo piano, and the wind quintet Nine by Five (2009). Like previous volumes, this one offers a mix of ADD and DDD recordings from different dates and venues, and the roster of various artists gives it a slightly ad hoc feeling. Because Charles Rosen's performance of the Piano Concerto with the Basel Sinfonietta is the most substantial part of the program and the most representative of Carter's maturity, it is centrally placed. The quality of the other performances is high, though, so Bridge has performed another service for Carter's legacy by preserving music that has not yet found a secure place in the repertoire.

© TiVo

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