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Hélène Grimaud|Mozart

Mozart

Mojca Erdmann

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Central to Hélène Grimaud's first live album for Deutsche Grammophon is the significance she finds in the slow movement of the Piano Concerto No. 23 in A major, K. 488, of Wolfgang Amadeus Mozart. This movement is a touchstone for her, insofar as she regards it as the most sublime music, "where you find the real Mozart." She has also stated, "Even if this movement were all we had, that would be enough." Because of the emphasis Grimaud places on this poignant Adagio in F sharp minor, listeners may be tempted to cut to the chase and skip the other tracks to hear her interpretation. But to get the full impact and intent of her Mozart, listen from the beginning of this album. The Piano Concerto No. 19 in F major, K. 459, opens the disc, and is followed by the Recitative and Rondo, K. 505, from Idomeneo, performed by guest soprano Mojca Erdmann. Grimaud's playing and conducting of the Bavarian Radio Chamber Orchestra are brisk and boisterous, and her approach is direct and energetic, as fans have experienced in her many recordings of Romantic repertoire. She saves her most expressive playing for the Allegretto of K. 459, which is an amiable diversion, and the above-mentioned Adagio of K. 488, which in Grimaud's hands is a dark and troubling exploration of the soul. Note: the cadenzas in K. 459 are Mozart's, but the first movement cadenza of K. 488 is by Ferruccio Busoni.

© TiVo

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Piano Concerto No. 19 in F Major, K. 459 (Wolfgang Amadeus Mozart)

1
I. Allegro (Live At Prinzregententheater, Munich / 2011)
Hélène Grimaud
00:11:58

Wolfgang Amadeus Mozart, Composer, Cadenzor - Wilhelm Meister, Producer, Recording Producer - Wolfram Graul, Producer - Hélène Grimaud, Piano, MainArtist, AssociatedPerformer - Chamber Orchestra of the Bavarian Radio, Chamber Orchestra, MainArtist, AssociatedPerformer - Radoslaw Szulc, Director, MainArtist - Bernadette Rüb, Editor, StudioPersonnel - Andreas Mittelstädt, Editor, Asst. Recording Engineer, StudioPersonnel - Gerhard Gruber, Recording Engineer, StudioPersonnel - Ute Fesquet, Producer - Ruth-Maria Ostermann, Editor, StudioPersonnel

℗ 2011 Deutsche Grammophon GmbH, Berlin

2
II. Allegretto (Live At Prinzregententheater, Munich / 2011)
Hélène Grimaud
00:07:59

Wolfgang Amadeus Mozart, Composer - Wilhelm Meister, Producer, Recording Producer - Wolfram Graul, Producer - Hélène Grimaud, Piano, MainArtist, AssociatedPerformer - Chamber Orchestra of the Bavarian Radio, Chamber Orchestra, MainArtist, AssociatedPerformer - Radoslaw Szulc, Director, MainArtist - Bernadette Rüb, Editor, StudioPersonnel - Andreas Mittelstädt, Editor, Asst. Recording Engineer, StudioPersonnel - Gerhard Gruber, Recording Engineer, StudioPersonnel - Ute Fesquet, Producer - Ruth-Maria Ostermann, Editor, StudioPersonnel

℗ 2011 Deutsche Grammophon GmbH, Berlin

3
III. Allegro assai (Live At Prinzregententheater, Munich / 2011)
Hélène Grimaud
00:07:52

Wolfgang Amadeus Mozart, Composer, Cadenzor - Wilhelm Meister, Producer, Recording Producer - Wolfram Graul, Producer - Hélène Grimaud, Piano, MainArtist, AssociatedPerformer - Chamber Orchestra of the Bavarian Radio, Chamber Orchestra, MainArtist, AssociatedPerformer - Radoslaw Szulc, Director, MainArtist - Bernadette Rüb, Editor, StudioPersonnel - Andreas Mittelstädt, Editor, Asst. Recording Engineer, StudioPersonnel - Gerhard Gruber, Recording Engineer, StudioPersonnel - Ute Fesquet, Producer - Ruth-Maria Ostermann, Editor, StudioPersonnel

℗ 2011 Deutsche Grammophon GmbH, Berlin

Ch'io mi scordi di te... Non temer, amato bene, K. 505 (Wolfgang Amadeus Mozart)

4
Ch'io mi scordi di te?
Mojca Erdmann
00:01:52

Wolfgang Amadeus Mozart, Composer - Wilhelm Meister, Producer, Recording Producer - Wolfram Graul, Producer - Hélène Grimaud, Piano, MainArtist, AssociatedPerformer - Giovanni Battista Varesco, Author - Mojca Erdmann, Soprano, MainArtist, AssociatedPerformer - Chamber Orchestra of the Bavarian Radio, Chamber Orchestra, MainArtist, AssociatedPerformer - Radoslaw Szulc, Director, MainArtist - Bernadette Rüb, Editor, StudioPersonnel - Andreas Mittelstädt, Editor, Asst. Recording Engineer, StudioPersonnel - Gerhard Gruber, Recording Engineer, StudioPersonnel - Ute Fesquet, Producer - Ruth-Maria Ostermann, Editor, StudioPersonnel

℗ 2011 Deutsche Grammophon GmbH, Berlin

5
Non temer, amato bene
Mojca Erdmann
00:03:15

Wolfgang Amadeus Mozart, Composer - Wilhelm Meister, Producer, Recording Producer - Wolfram Graul, Producer - Hélène Grimaud, Piano, MainArtist, AssociatedPerformer - Giovanni Battista Varesco, Author - Mojca Erdmann, Soprano, MainArtist, AssociatedPerformer - Chamber Orchestra of the Bavarian Radio, Chamber Orchestra, MainArtist, AssociatedPerformer - Radoslaw Szulc, Director, MainArtist - Bernadette Rüb, Editor, StudioPersonnel - Andreas Mittelstädt, Editor, Asst. Recording Engineer, StudioPersonnel - Gerhard Gruber, Recording Engineer, StudioPersonnel - Ute Fesquet, Producer - Ruth-Maria Ostermann, Editor, StudioPersonnel

℗ 2011 Deutsche Grammophon GmbH, Berlin

6
Alme belle, che vedete
Mojca Erdmann
00:05:06

Wolfgang Amadeus Mozart, Composer - Wilhelm Meister, Producer, Recording Producer - Wolfram Graul, Producer - Hélène Grimaud, Piano, MainArtist, AssociatedPerformer - Giovanni Battista Varesco, Author - Mojca Erdmann, Soprano, MainArtist, AssociatedPerformer - Chamber Orchestra of the Bavarian Radio, Chamber Orchestra, MainArtist, AssociatedPerformer - Radoslaw Szulc, Director, MainArtist - Bernadette Rüb, Editor, StudioPersonnel - Andreas Mittelstädt, Editor, Asst. Recording Engineer, StudioPersonnel - Gerhard Gruber, Recording Engineer, StudioPersonnel - Ute Fesquet, Producer - Ruth-Maria Ostermann, Editor, StudioPersonnel

℗ 2011 Deutsche Grammophon GmbH, Berlin

Piano Concerto No. 23 in A Major, K. 488 (Wolfgang Amadeus Mozart)

7
I. Allegro (Live At Prinzregententheater, Munich / 2011)
Hélène Grimaud
00:10:42

Wolfgang Amadeus Mozart, Composer - Wilhelm Meister, Producer, Recording Producer - Ferruccio Busoni, Composer, Cadenzor - Wolfram Graul, Producer - Hélène Grimaud, Piano, MainArtist, AssociatedPerformer - Chamber Orchestra of the Bavarian Radio, Chamber Orchestra, MainArtist, AssociatedPerformer - Radoslaw Szulc, Director, MainArtist - Bernadette Rüb, Editor, StudioPersonnel - Andreas Mittelstädt, Editor, Asst. Recording Engineer, StudioPersonnel - Gerhard Gruber, Recording Engineer, StudioPersonnel - Ute Fesquet, Producer - Ruth-Maria Ostermann, Editor, StudioPersonnel

℗ 2011 Deutsche Grammophon GmbH, Berlin

8
II. Adagio (Live At Prinzregententheater, Munich / 2011)
Hélène Grimaud
00:07:37

Wolfgang Amadeus Mozart, Composer - Wilhelm Meister, Producer, Recording Producer - Wolfram Graul, Producer - Hélène Grimaud, Piano, MainArtist, AssociatedPerformer - Chamber Orchestra of the Bavarian Radio, Chamber Orchestra, MainArtist, AssociatedPerformer - Radoslaw Szulc, Director, MainArtist - Bernadette Rüb, Editor, StudioPersonnel - Andreas Mittelstädt, Editor, Asst. Recording Engineer, StudioPersonnel - Gerhard Gruber, Recording Engineer, StudioPersonnel - Ute Fesquet, Producer - Ruth-Maria Ostermann, Editor, StudioPersonnel

℗ 2011 Deutsche Grammophon GmbH, Berlin

9
III. Allegro assai (Live At Prinzregententheater, Munich / 2011)
Hélène Grimaud
00:07:56

Wolfgang Amadeus Mozart, Composer - Wilhelm Meister, Producer, Recording Producer - Wolfram Graul, Producer - Hélène Grimaud, Piano, MainArtist, AssociatedPerformer - Chamber Orchestra of the Bavarian Radio, Chamber Orchestra, MainArtist, AssociatedPerformer - Radoslaw Szulc, Director, MainArtist - Bernadette Rüb, Editor, StudioPersonnel - Andreas Mittelstädt, Editor, Asst. Recording Engineer, StudioPersonnel - Gerhard Gruber, Recording Engineer, StudioPersonnel - Ute Fesquet, Producer - Ruth-Maria Ostermann, Editor, StudioPersonnel

℗ 2011 Deutsche Grammophon GmbH, Berlin

Presentación del Álbum

Central to Hélène Grimaud's first live album for Deutsche Grammophon is the significance she finds in the slow movement of the Piano Concerto No. 23 in A major, K. 488, of Wolfgang Amadeus Mozart. This movement is a touchstone for her, insofar as she regards it as the most sublime music, "where you find the real Mozart." She has also stated, "Even if this movement were all we had, that would be enough." Because of the emphasis Grimaud places on this poignant Adagio in F sharp minor, listeners may be tempted to cut to the chase and skip the other tracks to hear her interpretation. But to get the full impact and intent of her Mozart, listen from the beginning of this album. The Piano Concerto No. 19 in F major, K. 459, opens the disc, and is followed by the Recitative and Rondo, K. 505, from Idomeneo, performed by guest soprano Mojca Erdmann. Grimaud's playing and conducting of the Bavarian Radio Chamber Orchestra are brisk and boisterous, and her approach is direct and energetic, as fans have experienced in her many recordings of Romantic repertoire. She saves her most expressive playing for the Allegretto of K. 459, which is an amiable diversion, and the above-mentioned Adagio of K. 488, which in Grimaud's hands is a dark and troubling exploration of the soul. Note: the cadenzas in K. 459 are Mozart's, but the first movement cadenza of K. 488 is by Ferruccio Busoni.

© TiVo

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