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Jean-Jacques Perrey|Moog Indigo

Moog Indigo

Jean Jacques Perrey

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Idioma disponible: inglés

After establishing himself at the vanguard of electronic music as one half of Perrey & Kingsley, Jean Jacques Perrey continued to pursue his own uniquely space-age brand of humor-oriented pop throughout the 1970s. One of the best examples of his work during this time is Moog Indigo, an album built around Perrey's experiments with the Moog synthesizer. This album has been popular with the electronica crowd thanks to the presence of "E.V.A.," a funky synth excursion that became popular with remixers (Fatboy Slim turned in a memorable remix of this tune on Best of Moog). The remainder of the album divides its time between funky lounge-pop and experimental tracks that mix avant-garde electronics with novelty pop. One of the big highlights in the lounge arena is "Soul City," a funky instrumental where Moog synthesizers take the place of horns in a guitar-heavy slice of R&B. There is also a swinging take on "Hello Dolly" that sounds like cocktail jazz from another planet. As for the strictly novelty-styled tunes, the most memorable is "Gossipo Perpetuo," a clever tune that mixes tape loops designed to sound like chattering voices with a fast-paced synthesizer samba groove to create a genuinely smile-inducing slice of novelty pop. Serious electronic music fans may find Moog Indigo's humor-oriented style too lightweight, but everything presented here is tight and catchy and there is no denying that Perrey has assembled his songs with amazing technical skill. In the end, Moog Indigo is a solid pick for lounge fans with a sense of humor.

© Donald A. Guarisco /TiVo

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Moog Indigo

Jean-Jacques Perrey

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1
Soul City
00:02:05

Unknown, Composer - Jean Jacques Perrey, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

2
E.V.A. (Album Version)
00:03:11

Fatboy Slim, Mixer, Remixer, StudioPersonnel - Andy Badale, ComposerLyricist - Jean Jacques Perrey, MainArtist, ComposerLyricist - Marie Perreault, ComposerLyricist

(C) 2006 Vanguard ℗ 1970 Vanguard Records, a Welk Music Group Company

3
The Rose And The Cross
00:02:39

Unknown, Composer - Jean Jacques Perrey, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

4
Cat In The Night
00:03:34

Unknown, Composer - Jean Jacques Perrey, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

5
Flight Of The Bumblebee
00:02:11

Unknown, Composer - Jean Jacques Perrey, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

6
Moog Indigo
00:02:57

Unknown, Composer - Jean Jacques Perrey, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

7
Gossipo Perpetuo
00:02:09

Unknown, Composer - Jean Jacques Perrey, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

8
Country Rock Polka
00:02:31

Unknown, Composer - Jean Jacques Perrey, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

9
The Elephant Never Forgets
00:02:29

Unknown, Composer - Jean Jacques Perrey, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

10
18Th Century Puppet
00:02:41

Unknown, Composer - Jean Jacques Perrey, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

11
Hello Dolly
00:02:00

Unknown, Composer - Jean Jacques Perrey, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

12
Passport To The Future
00:02:42

Unknown, Composer - Jean Jacques Perrey, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

Presentación del Álbum

After establishing himself at the vanguard of electronic music as one half of Perrey & Kingsley, Jean Jacques Perrey continued to pursue his own uniquely space-age brand of humor-oriented pop throughout the 1970s. One of the best examples of his work during this time is Moog Indigo, an album built around Perrey's experiments with the Moog synthesizer. This album has been popular with the electronica crowd thanks to the presence of "E.V.A.," a funky synth excursion that became popular with remixers (Fatboy Slim turned in a memorable remix of this tune on Best of Moog). The remainder of the album divides its time between funky lounge-pop and experimental tracks that mix avant-garde electronics with novelty pop. One of the big highlights in the lounge arena is "Soul City," a funky instrumental where Moog synthesizers take the place of horns in a guitar-heavy slice of R&B. There is also a swinging take on "Hello Dolly" that sounds like cocktail jazz from another planet. As for the strictly novelty-styled tunes, the most memorable is "Gossipo Perpetuo," a clever tune that mixes tape loops designed to sound like chattering voices with a fast-paced synthesizer samba groove to create a genuinely smile-inducing slice of novelty pop. Serious electronic music fans may find Moog Indigo's humor-oriented style too lightweight, but everything presented here is tight and catchy and there is no denying that Perrey has assembled his songs with amazing technical skill. In the end, Moog Indigo is a solid pick for lounge fans with a sense of humor.

© Donald A. Guarisco /TiVo

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